MATHAM, THEODOR (21 Ergebnisse)

Blatt-Maße: ca. 28 x 21 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- mit dünner Quetschfalte, sonst gut erhalten. || Original engraved portrait from the 17th century. -- with a thin crease, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

Blatt-Maße: ca. 34 x 23 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

Blatt-Maße: ca. 34 x 23 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

Prächtiger Kupferstich von c. 1635 nach einer antiken Statue. -- Blatt-Maße: ca. 50 x 33,5 cm. -- gut erhalten. || Splendid engraving from c. 1635 after an antique Roman statue. --in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 25.

Prächtiger Kupferstich von c. 1635 nach einer antiken Statue. -- Blatt-Maße: ca. 50 x 33,5 cm. -- gut erhalten. || Splendid engraving from c. 1635 after an antique Roman statue. --in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 25.

Zustand: Good. Stipple and line engraving. 19 x 12.5 cm. (sheet). Very Good. Sheet trimmed. Text on verso. Horizontal crease in center.

Prächtiger Kupferstich von c. 1635 nach einer antiken Statue. -- Blatt-Maße: ca. 50 x 33,5 cm. -- gut erhalten. || Splendid engraving from c. 1635 after an antique Roman statue. -- in very good condition. || -- This is an original! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 25.

Zustand: Good. Steel engraving. 29 x 26 cm. (sheet). Very Good.

Zustand: Good. Nicolaes Moeyaert (illustrator). 'S. T. D. Ac Vic. Harl. & c. Obiit Amstelaedmi [.] Leonardus Marius Goesanus'Copperplate engraving on hand laid (verge) paper. Sheet size: 22,3 x 33 cm. (8,8 x 13 inch). Image size: 19,5 x 30 cm. (7,7 x 11,8 inch).Source unknown, to be determined. Ref: Hollstein 110, 3rd stateMade by 'Theodor Matham' after 'Nicolaes Moeyaert'. Theodor Dirck Matham (1605/1606-1676) was a son of the engraver Jacob Matham. He travelled to France and Italy and later worked in Amsterdam. Claes Corneliszoon Moeyaert or Nicolaes Moyaert or Mooyaert (15921655) was an authoritative Catholic Dutch painter. He followed Rembrandt in his use of red chalk.Condition: Good, given age. Attached to carrier cardboard. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: LEONARD MARIUS VAN DER GOES-PORTRAITRBOS-A2-20.

Abraham van Diepenbeeck (illustrator). '"S. ALBINUS"'Engraving of Saint Albinus holding a palm branch, with cherubs above and figures in the background.Made by Theodor Matham after Abraham van Diepenbeeck.Medium: Engraving on hand laid (verge) paper.Sheet size: 14 x 25 cm (5.51 x 9.84 inch). Image size: 14 x 25 cm. (5.51 x 9.84 inch).SAINT ALBINUS, RELIGIOUS ENGRAVING, BAROQUE ART, FLEMISH PRINT | PCO-E22-14BACKGROUND INFORMATIONPublished by Martinus van den Enden, part of a series of Saints, published c.1615-1676.Reference: Referenced in collections of Flemish religious prints, often tied to Antwerp publishers.Biography engraver: Theodor Matham, also Theodoor Matham (born 1589) was a Dutch engraver. He was the younger son of the better known engraver Jacob Matham, and the brother of the engravers Jan and Adriaen Matham.Biography artist: Abraham van Diepenbeeck (1596-1675) was Dutch painter, draftsman, glass painter, print maker and tapestry designer who worked most of his active career in Antwerp. He designed glass windows for various churches and monasteries in Antwerp for which he made many design drawings and oil sketches. He engraved and designed many prints which were published by prominent Antwerp printers such as van Meurs, the Plantin Press and Martinus van den Enden the Elder. He had a close relationship with the workshop of the leading Flemish Baroque painter Peter Paul Rubens and collaborated on various projects under the direction of Rubens. In the 1630s van Diepenbeeck started to create monumental paintings. His work was influenced by Rubens and Anthony van Dyck. Condition: good, given age. Slight paper loss in top left corner. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Kupfertsich. 34,7 x 24, 5 cm (Plattengr.); 40, 2 x 29, 5 cm. Alt auf Trägerpapier mit Rahmenlinien geklebt. An den Ecken etwas fleckig. Portrait des Haarlemer Theologen Cornelis Hassaeus (1610-1643) von Theodor Matham (1589-1676) mit achtzeiligem Lobgedicht. Gewicht in Gramm: 1000.

180 x 266 mm - Unter der Darstellung der Titel und zwei Zeilen aus Ovids Metamorphosen: "Dixit, et Oeneios ultorem spreta per agros / Misit Aprum. / Ouid. 8. Metam." - Associated Title: Tableaux du temple des muses tirez du cabinet de feu Mr Favereau, et gravez en tailles-douces par les meilleurs maistres de son temps pour représenter les vertus et les vices, sur les plus illustres fables de l'antiquité, avec les descriptions, remarques et annotations (Paris, 1655). - Vergl. The British Museum, Museum number 1983,1001.12.39. - The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (224.II). - Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (90-148).

Zustand: Good. Engraving. 18 x 12.25 inches. 45.5 x 31 cm. Marginal tears. Folded in half. Portrait of Leonard Marius Goes; seated behind his desk, writing but facing the viewer, wearing a fur-trimmed coat and skull-cap; within a study with a window featuring his coat of arms to the left and shelves with books in the background, his desk full with books and a statue of Christ; after Nicolaes Moyaert. Lettered with seven lines in Latin describing the sitter: "Permultum . LXIV." and production details below: "N.Moyaert pinx. ad vivum" and "T.Matham Excud Amst."Bibliography: Hollstein 110.I;Wurzbach 1906-11 31; Muller II 1853 3438. British Museum: 1872,0113.559.

Joachim von Sandrart (I) (illustrator). 'FEBRUARIUS'The engraving is a detailed illustration and seems to be part of a series, representing the months of the year. The central figure is a jovial man with a robust physique, seated, and holding up a pie with a bird emerging from it, suggesting a form of culinary entertainment or presentation common in banquets during the period. His facial expression is one of delight and amusement, contributing to the overall lively atmosphere of the scene. The man is dressed in clothing of the era, with puffy sleeves and a wide collar, typical of 17th-century European fashion. Beneath the central figure is a richly detailed depiction of various animals, including a boar and a goat, which are likely indicative of feasting and abundance associated with the time of year. These animals are depicted with great anatomical detail and dynamic postures, adding to the sense of realism and the thematic representation of the engraving. In the background, there is a scene of revelry with tiny figures that seem to be engaged in a dance, which may suggest the festivities associated with the carnival season that occurs in February, leading up to Lent. The engraving is accompanied by text in Latin, which alludes to both the festive and indulgent nature of the month, as well as perhaps moralistic undertones regarding excess and folly. The engraving reflects the technical skill of the period and the use of intaglio printing techniques common in the Netherlands' rich tradition of printmaking.Made by Theodor Matham after Joachim von Sandrart (I).Medium: Engraving on hand laid (verge) paper.Sheet size: 26.2 x 35.5 cm (10.31 x 13.98 inch). Image size: 24.3 x 29.3 cm. (9.57 x 11.54 inch).FEBRUARIUS-FEBRUARY-JOVIAL-COOK | EXPO-DUTCH/FLEMISHBACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Theodor Matham, also Theodoor Matham (born 1589) was a Dutch engraver. He was the younger son of the better known engraver Jacob Matham, and the brother of the engravers Jan and Adriaen Matham.Biography artist: Joachim von Sandrart (1606-1688) was a German Baroque art-historian and painter, active in Amsterdam during the Dutch Golden Age. Condition: good, given age. Age related paper soiling and foxing. Some restored tear in bottom margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: ACEPTABLE. Adriaen y Theodor Matham siguieron los pasos de su padre, el grabador Jacob Matham, hijo adoptivo de Hendrick Goltzus, y ambos se dedicaron a la impresión reproductiva en Haarlem. Debieron de estar rodeados de arte desde una edad temprana y ambos fueron entrenados para grabar de acuerdo con las técnicas Goltzius.Sin embargo, sus carreras muestran que, aunque Goltzius y su padre fueron un ejemplo para ellos, también tenían vínculos con otros pintores y grabadores contemporáneos, como Cornelis Bloemaert, Abraham van Diepenbeeck, Frans Hals, Claude Mellan, Michel Natalis, Reinier van Persijn, Joachim van Sandrart y Adriaen Pietersz.van de Venne; y finalmente siguieron caminos independientes que los alejaron de Haarlem. Corto de márgenes, restaurado, pegado sobre cartulina. Formato (cm): 35x46.

In contemporary vellum. With an engraved portrait of Regius (by Theodor Matham after Hendrick Bloemaert on a4 verso), an engraved folding map and a celestial map. With numerous woodcut illustrations and diagrams in text, some full-page. (illustrator). With an engraved portrait of Regius (by Theodor Matham after Hendrick Bloemaert on a4 verso), an engraved folding map and a celestial map. With numerous woodcut illustrations and diagrams in text, some full-page. Third edition (first in 1654, under the title "Fundamenta Physices"). Title page printed in red and black, with woodcut printer's device. In contemporary vellum. (44), 523, (1) p., 2 engraved maps (one folded). Henricus Regius (15981679) was a Dutch philosopher, physician and professor of medicine. Regius was a close friend and correspondent of Descartes. His book "Philosophia Naturalis" was important in spreading the Cartesian thought and influential in the development of the new ideas on the field of physics, physiology and medical science. Regius' ideas about the connection between body and mind differs from Descartes' thus regarding this matter he is considered as a precursor of Baruch Spinoza. [Hirsch/H. IV, 905., Krivatsy 9514., Poggendorf II, 588., Rahir 1311., Waller 10990., Willems 1274., Shirley 407., Wellcome IV, p. 495, Berghman 406.] . Old entries of ownership on title page and inner back panel, some contemporary marginal notes. Waterstains to last few pages. Otherwise in good condition. Third edition (first in 1654, under the title "Fundamenta Physices"). Title page printed in red and black, with woodcut printer's device.

Half figure portrait of Joost van den Vondel, seated looking towards the left, holding a rolled paper in his hands. Beside him a table with books. Below text in Dutch by J. Nomsz: Dit s VONDEL, tot dit uur van de Snaaren spant. Neen, Febus heeft gedicht, wat VONDEL heeft geschreeven. / Y. MOMSZ l Engraving on paper with margins; platemark: 280 x 197, total: 345 x 244mm; state IV/4, Hollstein nr. 151. Some foxing along the margins. PP01V (Vondel).

The mountain of honour for poets, included as illustration to Gilles Jacobs Quintijn's:'De Hollandsche Lys met de Brabantsche Bely'. Below left in narrow margin:'AV. Venne In' and on the right:'T. Matham sc. 1628' l Engraving on paper, on the verso letterpress, pasted on laid paper with manuscript text copied in black ink from the verso of the engraving; print: 90 x 118 mm; total: 322 x 260 mm. Only state, New Hollstein 186.

Promenading young men and women, included as illustration to Gilles Jacobs Quintijn's:'De Hollandsche Lys met de Brabantsche Bely'. Below left:'AVV' and on the right: 'Theod. Matham fe 1628'. Some text in letterpress within plate, above. Engraving on paper, on the verso text in letterpress, pasted on laid paper with manuscript text copied in black ink from the verso of the engraving; print: 90 x 118 mm; total: 322 x 260 mm. Only state, New Hollstein 187.

No binding. Zustand: Very Good. Half-length portrait of Michel Le Blancon, engraver and agent at the Swedish court. After a painting by Anthonie van Dyck.Le Blon was a Dutch ornamental and silver engraver, goldsmith, publisher and art agent active in Amsterdam, Antwerp and London; cousin of Joachim von Sandrart (q.v.). Pupil of Theodor and Johannes de Bry. Died in 1656 in Amsterdam. Hisengravings are mostly for decorating metalwork, and in blackwork; also designed crests and arms.Lettered below the portrait: Michel le blon Agent / de la Royne et Couronne de Suede / chez Sa Ma.té de la Grande Bretagne. signed lower left: Cavallier Van Dijc pinxit and lower right: Theo: Matham sculpsit .[NL] Gravure van Michel le Blon, agent van koningin Christina van Zweden, goudsmid en graveur. Engraving on paper; in nice condition, some margin, total: 310 x 205 mm, a small stain on the right margin; state VI/6; Hollstein 107, New Hollstein 467.

Portrait of Frans Koerten, illuminator in Amsterdam, bust directed to the left, head slightly turned to face the viewer, wearing a flat white collar, in an oval with cartouche below; lettered below, above cartouche: 'Uyt gunst gegeven / A. 1661 Ætatis 58.', on cartouche Dutch verse by Willem van der Laegh and production details: 'Men Loost den . des werelt-kloot verlichter.', 'C. v. Savoy Pinxit.', 'T. Matham Sculp.' and 'W. vander Laegh Scripsit et Sculp.'. Engraving on paper, trimmed to plate mark; total: 311 x 219 mm; state II/2; in great condition despite some very light smudges and traces of previous mounting on verso. Hollstein 101, Wurzbach 38, Mueller 2968.