JAN BAZANT (60 Ergebnisse)

Paperback. Zustand: Fair. Reprint. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

paperback. Zustand: Good.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover, no dust jacket. Ex-Libris with usual library matter. Slight wear on upper edge of text. Otherwise pristine 333 pp.

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. First Edition, Second Impression. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Professor Bazant describes in detail the implementations of the 1856 Lerdo Law and subsequent decrees. Series: Cambridge Latin American Studies. Num Pages: 350 pages. BIC Classification: HBG. Weight in Grams: 567. Clean copy with minor shelf wear. Former library book with usual labels to spine endpapers and inside cover. No dust jacket but remains a fine copy. 1971. Hardcover. . . . . Books ship from the US and Ireland.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Professor Bazant describes in detail the implementations of the 1856 Lerdo Law and subsequent decrees. Series: Cambridge Latin American Studies. Num Pages: 350 pages. BIC Classification: HBG. Weight in Grams: 567. Clean copy with minor shelf wear. Former library book with usual labels to spine endpapers and inside cover. No dust jacket but remains a fine copy. 1971. Hardcover. . . . .

Hardcover. Zustand: Fine. Abnutzung / Risse - leicht; Vergilbt / ausgeblichen. Dej romanu se odehrava v blizke budoucnosti v Praze, kam pri svem nekonecnem bloudeni znovu prichazi Faust s Mefistofelem. Faust tu naleza dve deti - Davida a Marketku, o nichz se domniva (o Davidovi nepravem), ze je pred sestnacti lety, pri sve posledni navsteve Prahy, zplodil se dvema zenami, a k nimz nahle pociti otcovsky vztah. Hybatelem deje a jeho reziserem je vsak Mefistofeles, ktery pripravi bizardni sled dramatickych udalosti. Ve meste se zacnou objevovat mali draci, ve Vltave pirane, bronzovy kun z Vitkova se vzepne a odcvala, ve meste se zastavi tramvaje, promeni se prostorove vztahy, ulice na sebe prestanou navazovat, chodniky se propadaji, podzemi mesta se misi s povrchem. Nakonec se jedna o byti ci nebyti cele Prahy.

Reprint, stapled. Zustand: Gut. pp. 209-218. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Slightly bumped, author's name handwritten on cover, otherwise good and clean. - From the text: What distinguishes the portrait from all other genres is the fact that independently of it there exists a technique of making casts of human faces. This method of the mechanical duplication of a human face is attested to in many cultures all over the world. It is motivated by the desire to prevent the physical decay of a dead person by the immortalisation of the most characteristic feature of his appearance. Sprache: Englisch Gewicht in Gramm: 550.

Reprint, stapled. Zustand: Gut. pp. 84-107. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Author's name handwritten on cover, otherwise very good and clean. - From the text: Adolf Furtwängler (1853-1907) is generally considered as the greatest representative of 19th century positivism. In his work attempts to reconstruct lost originals of ancient Greek sculptures with the help of literary sources and Roman copies reached its absolute height. This great connoisseur of Greek and Roman art hoped more than anybody else to introduce into classical archaeology, if not the methods of exact sciences, so surely their spirit of objectivity. Sprache: Englisch Gewicht in Gramm: 550.

Reprint, stapled. Zustand: Gut. pp. 225-240. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Author's name handwritten on cover, otherwise very good and clean. - From the text: Every man must at some time have more or less suffered from the weight of his condition in society. The first thing is to catch these marks so that when you have to paint a King, an army general, minister, magistrate, priest, philosopher or a bearer, these persons will be as much of their conditions as possible. Maurice Quentin de La Tour (1704-1788). Quentin de La Tour, like all portraitists of all periods, knew very well that he must respect above all the mask of his sitter. And the portraited person knew that by its conspicuous and lasting form, a portrait elevated him to the social position claimed by this mask. The portraits power to affect the social hierachy is its main raison dêtre and thus it was fully exploited from the beginning of this genre. To such a degree that it can be said that Charles I and the English aristocrat are, as a matter of fact, creations of Van Dyck. Sprache: Englisch Gewicht in Gramm: 550.

Hardcover. Zustand: As New. Leichte Kratzer / Abnutzungen / Druckstellen. podnazev: Eseje o ceske renesanci druhe poloviny 19. stoleti.

Zustand: Gut. pp. 107-116. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Author's name handwritten on wrapper, otherwise very good and clean. - From the text: For any contemplation on portraiture the definition of its relation to the portraited person is crucial. It must have been evident from the very beginning of this genre that portraits are not only forms which we see, but also something more. The problem is in a definition of that something more. Our tradition of portraiture originated in ancient Rome but Roman authors are not very helpful in this matter. Consequently, we had to approach this theme in an oblique way and use mainly indirect evidence, which of course makes our conclusions very hypothetical. However, the aim of this study in not to reconstruct ancient Roman conception of portraiture, but merely to indicate that the spectrum of notions on the portrait-model relationship was probably very wide and might already contain a lot of that which we find explicitly expressed in much later writings. Sprache: Englisch Gewicht in Gramm: 550 Reprint, loose leaves in a paper wrapper.

Reprint, stapled. Zustand: Gut. pp. 121-143. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Cover a bit rubbed and bumped, author's name handwritten on cover, otherwise clean. - From the text: In spite of the fact that the portrait is important for art, instructive for history, and indispensable for the family there is a certain underestimation . of the portrait genre as such. These words were written by Rudolf Eitelberger von Edelberg, the first professor of history of modem art in Vienna and in a way founder of the Viennese school of art history which later revolutionized the study of Roman portraits. The quotation is from a lecture he delivered in 1860. When he reprinted it in 1883, he added an appendix to it which illustrates better than anything else the change in the status of the portrait genre between 1860 and 1883. The lecture, writes von Edelberg, was directed against the then prevailing notion of artists who underestimated the portrait and in a certain sense considered it as belonging to the lowest level of art . I took the doctrine according to which painting was divided into so-called monumental painting and lower painting as completely erroneous and contradicting the whole tradition of art, in the same way as the doctrine that the portrait excludes the ideal . Since that time . portrait painting . has gained an ever greater reputation in circles of artists and experts on art. Sprache: Englisch Gewicht in Gramm: 550.

Encuadernación de tapa blanda. Zustand: Muy bueno. 153 p. Algún subrayado ocasional en lápiz. Dedicado por uno de los autores: Hermes Tovar. Firmado por el autor.

Zustand: Very Good. 2 volumes, 266 309 pp., paperbacks, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

226 p 22 cm Estado de conservación: Muy bien. Encuadernación editorial en rústica.