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Verlag: Edinburgh University Press, 1990
ISBN 10: 0852245467ISBN 13: 9780852245460
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Buch
Zustand: Used - Very Good. 1990. Paperback. Very Good.
Verlag: University of Georgia Press, 2001
ISBN 10: 0820323292ISBN 13: 9780820323299
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Birch Lane Pr, 1993
ISBN 10: 1559721537ISBN 13: 9781559721530
Anbieter: Books From California, Simi Valley, CA, USA
Buch
hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Some staining to textblock, general shelf wear. Pages/boards/jacket clean.
Verlag: Carol Publishing Corporation, 1993
ISBN 10: 1559721537ISBN 13: 9781559721530
Anbieter: ThriftBooksVintage, Tukwila, WA, USA
Buch Erstausgabe Signiert
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. First Edition. Dust jacket in good condition. First edition, first printing. SIGNED and inscribed by the editor. Shelf and handling wear to cover and binding, with general signs of previous use. Signed by Donald Grant's son, Joanthan, who also edited Donald Grant's mauscript. Minor creasing to the dust jacket. Light bowing to the boards. Tight binding. Mostly clean interior pages with occasional foxing and spotting. Secure packaging for safe delivery. 1.4.
Verlag: Rutgers University Press, New Brunswick, 1997
ISBN 10: 0813523141ISBN 13: 9780813523149
Anbieter: Paule Leon Bisson-Millet, Beilstein, Deutschland
Buch
Softcover. Zustand: Sehr gut. Representing Blackness: Issues in Film and Video. Valerie Smith Hrsg. New Brunswick, Rutgers University Press, 1997. 230:152mm. 240S. Or.-Brosch. Texte u.a. von Donald Bogle, Thomas Cripps, Jane Gaines, Nathan Grant, Stuart Hall, Tommy L. Lott, Wahneema Lubiano, Mike Murashige, Valerie Smith, James Snead, and David Van Leer. "The essays in this collection provide a variety of perspectives on black representation and questions of racial authenticity in mainstream as well as African American independent cinema. This volume includes essays on: Black Beginnings: From Uncle Tom's Cabin to The Birth of a Nation; Spectatorship and Capture in King Kong: The Guilty Look; "Race Movies" as Voices of the Black Bourgeoisie: The Scar of Shame; The Scare of Shame: Skin Color and Caste in Black Silent Melodrama; A No-Theory Theory of Contemporary Black Cinema;But Compared to What?: Reading Realism, Representation, and Essentialism in School Daze, Do the Right Thing, and the Spike Lee Discourse;What Is This "Black" in Black Popular Culture?;Innocence and Ambiguity in the Films of Charles Burnett;Visible Silence: Spectatorship in Black Gay and Lesbian Film; Haile Gerima and the Political Economy of Cinematic Resistance;Telling Family Secrets: Narrative and Ideology in Suzanne Suzanne; Annotated Bibliography; Contributors; Index.Copy As new.