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Verlag: Gotham Book Mart and Gallery, New York City, 1974
Anbieter: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, USA
Broadside. Original edition. Broadside, folded twice, and with four pages printed with on one side. 23 cm tall when folded. Near fine. "This is the text of Allen Ginsberg's acceptance speech for the National Book Award in Poetry, delivered by Peter Orlovsky on April 18th, 1974, at Alice Tully Hall, Lincoln Center, New York City.
Verlag: Gay Sunshine Pr, 1980
ISBN 10: 0917342658ISBN 13: 9780917342653
Anbieter: Books From California, Simi Valley, CA, USA
Buch
paperback. Zustand: Good.
Verlag: Gay Sunshine Press, San Francisco, 1980
ISBN 10: 0917342658ISBN 13: 9780917342653
Anbieter: Second Story Books, ABAA, Rockville, MD, USA
Buch Erstausgabe Signiert
Softcover. First Edition. Octavo, 239 pages; VG; black spine with red and white lettering; minor shelfwear; small moisture stain on fore edge; dedication page dated and inscribed by Ginsberg; Shelved under Front Counter. 1362273. Shelved Dupont Bookstore.
Verlag: Gay Sunshine Press, San Francisco, 1980
ISBN 10: 0917342658ISBN 13: 9780917342653
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Buch Erstausgabe
Softcover. Zustand: Very Good. First edition, simultaneous wrappered issue. Edited by Winston Leyland. 239pp. Book is very slightly warped with light edgewear, very good or better.
Verlag: Gay Sunshine Press, San Francisco, 1980
ISBN 10: 0917342658ISBN 13: 9780917342653
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Buch Erstausgabe
Softcover. Zustand: Fine. First edition. Simultaneous paperback edition. 239pp. Edited by Winston Leyland. Fine, first trade edition.
Anbieter: Thomas A. Goldwasser Rare Books (ABAA), CHESTER, CT, USA
Signiert
Two page autograph note, on a small piece of lined paper, 15.5 x 10 cm (6 x 4"). It reads "Martin - Death is a bright madness!! I came by too late to wake you! Be good to your babes in Fosters - love Allen." Beneath this Orlovsky has added: "P.S. Am leaving here now, sad not to see enough of you smiling white cloud hair - am going back to N.Y. to my baby-crib. Love Peter." On the verso Ginsberg wrorte: "Leaving for NYC Tomorrow morning adieu Nata auf Wiedesehn + ever. (drawing of a heart) Meow Allen". Peter adds: How about the pair of false teeth you owe him?" The San Francisco couple painter Martin Baer and photographer Nadia Piakowski were friends of many artists and writers.
Verlag: N.p., N.p., 1968
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage borderless photograph of Allen Ginsberg and Peter Orlovsky, in what appears to be Washington Square Park, circa 1968. Cropping annotations in manuscript pencil on verso. Ginsberg and Orlovsky met and fell in love in San Francisco, 1954, remaining partners until Ginsberg's death in 1997. 9.5 x 6.75 inches. Light wear at the extremities, else Near Fine.
Verlag: Lichtblick Video Book, 1983
ISBN 10: 3924215014ISBN 13: 9783924215019
Anbieter: Buli-Antiquariat, Gumtow, Deutschland
Buch
Broschur m. Umschlag. 88 S.; Interview mit Allen Ginsberg in deutscher Sprache GUTER ZUSTAND. Size: 18 x 12 Cm. 400 Gr.
Verlag: Evergreen Review, New York, 1970
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Very Good. Volume 14, Number 81. Cover photograph of Allen Ginsberg and Peter Orlovsky by Richard Avedon. Quarto. Illustrated. Pictorial wrappers. Faint pencil erasure and soil marks on cover, slight toning on rear wrap, tiny creases, very good. Includes: an ad for Truth and Soul clothing, the fashion label founded by New York Dolls' members Sylvain Sylvain and Billy Murcia; "'50s Teenagers and '50s Rock" by Frank Zappa as told to Richard Blackburn; "Schools, Jails, and the Goddam System" an article by Jordan Bishop; "Woodstock: An Interview with Michael Wadleigh and Bob Maurice"; a portfolio by Richard Avedon; "Frank Fleet & His Electronic Sex Machine - episode XV" a comic by Dick Strong and Lance Sterling. Additional contributions by: Nat Hentoff, Kay Boyle, William Eastlake, John Lahr, Jim McCrary, and Michael O'Donoghue.
Verlag: Gagosian Gallery / Rizzoli, New York, 1992
ISBN 10: 0847816699ISBN 13: 9780847816699
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Buch Erstausgabe
Softcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. Exhibition catalog. Introduction by Francesco Clemente, Allen Ginsberg, and Peter Orlovsky. Frontispiece portrait of Franceco and Alba Clemente by Ginsberg. Quarto. 107pp. Illustrated with 88 color plates. Crown very gently bumped else fine in unprinted wrappers and a modestly edgeworn, very good dust jacket with some wear and a tiny tear at the crown. Morgan D22.
Verlag: San Francisco: Gay Sunshine Press, 1980, 1980
Anbieter: Peter Harrington. ABA/ ILAB., London, Vereinigtes Königreich
Erstausgabe Signiert
First edition, first printing, letter O of 26 specially bound copies signed by Ginsberg and Orlovsky. This is publisher and editor Winston Leyland's own copy of the deluxe issue, additionally signed by him on the title page, and with two unpublished autograph letters signed from Ginsberg to Leyland laid in. The first letter, dated 26 November 1982, praises the present publication, mentions meeting John Rechy, and discusses other matters of gay publishing. The second, with the signed envelope dated 7 September 1990, sends Leyland a postcard of the famous photograph Ginsberg took of Neal Cassady and Natalie Jackson in 1955. Winston Leyland (b.1940) was a leading figure in American LGBT publishing and won the Stonewall Book Award in 1980. He established the Gay Sunshine Press in 1975, which was notable for its pioneering anthologies of gay writing from other cultures, and his Gay Sunshine Journal (1970-82) was particularly influential for its interviews with prominent gay writers of the era, including Ginsberg himself. Gay Sunshine A14c. Octavo. Original blue patterned quarter cloth, title label to spine with titles in orange, light brown paper sides with titles to front in orange, dark blue endpaper. With the original acetate jacket. Photographic portrait frontispiece, and other illustrations. But for some minor marks to acetate, fine.
Verlag: Loft., München, 1979
Anbieter: Antiquariat Alexander Kunz, Köln, Deutschland
1. Auflage. LP in Orig.-Cover, 33 rpm; LP sehr gut erhalten (vg+), Cover an den Kanten etwas bestoßen und berieben (g+).
Verlag: Gay Sunshine Press, San Francisco, 1980
ISBN 10: 0917342658ISBN 13: 9780917342653
Anbieter: Second Story Books, ABAA, Rockville, MD, USA
Buch Erstausgabe Signiert
Softcover. First edition. Octavo; 1st edition; G; Paperback; Spine, black with red and white print; Cover has mild edgewear, mild shelfwear; Text block clean and tight; Signed in ink by Ginsberg on the title page; 239 pages, frontispiece (port.), illustrated (b&w). NOTE: Shelved in Netdesk office, Case #4. 1358479. FP New Rockville Stock.
Verlag: Contemporary Films, New York, 1969
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage reference photograph from the 1969 film, showing Robert Frank, Peter Orlovsky, and Allen Ginsberg. Printed mimeo snipe affixed to the verso, along with the stamp of Israel Film Archive. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine.
Verlag: New Yorker Films, New York, 1969
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage studio still photograph taken on the set of the 1969 film, showing director Robert Frank capturing a passionate scene between two men. Stamp of photographer Tom Conroy on the verso. Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine.
Verlag: Contemporary Films, New York, 1969
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage reference photograph from the 1969 film, showing Allen Ginsberg with Peter and Julius Orlovsky. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 8 x 10 inches. Near Fine.
Verlag: Two Faces / New Yorker Films, New York, 1969
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Kunst / Grafik / Poster
Vintage poster for the 1969 film, an experimental mix of documentary and fiction. Poster designed by Robert Frank. Director Robert Frank's first feature film, in which he follows poet Peter Orlvosky and his mentally ill brother Julius as they move through the late 1960s Beat scene, while Peter tries to care for his mostly catatonic brother. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin. The film examines the boundaries of reality and sanity, and features the screenwriting debut of Sam Shepard and the first feature film appearance of Christopher Walken. The film was restored and released by Steidl in 2007, along with a book publication outlining the film. From the Steidl book: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 26.75 x 20.75 inches. Near Fine.
Verlag: LeRoi Jones / Diane Di Prima, New York, 1962
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Near Fine. Magazine. (12)pp. Single sheets printed both sides and secured with a staple. Folded once for mailing with post office cancel, stamp and mailing label, near fine. An influential mimeograph published by Jones and di Prima featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This copy is addressed to poet W.S. Merwin, the two-time winner of the Pulitzer Prize for Poetry and the 17th U.S. Poet Laureate. He is maybe best known for a series of antiwar poems about Vietnam and his famous feud with W.H. Auden. The issue features contributions from di Prima, Frank O'Hara, Charles Olson, Norman Solomon, Peter Orlovsky, and Allen Ginsberg.