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Verlag: Hastings House Daytrips Publishers, 1979
ISBN 10: 0803830270ISBN 13: 9780803830271
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Revised & enlarged. Used book that is in clean, average condition without any missing pages.
Verlag: Hastings House Daytrips Publishers, 1979
ISBN 10: 0803830270ISBN 13: 9780803830271
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Revised & enlarged. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: Hastings House, 1972
ISBN 10: 0803830270ISBN 13: 9780803830271
Buch
Zustand: Good. Good condition. Good dust jacket. (Massachusetts, Old Deerfield, domestic architecture) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Verlag: Self published, N.p., 1998
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Erstausgabe
First Edition. First Edition. Perhaps best known for coining the term "concept art" in an essay under that name in the 1963 proto-Fluxus publication "An Anthology" (edited by La Monte Young and Jackson MacLow), Flynt was an integral part of the New York avant-garde art and music scenes of the early 1960s. His rigorous anti-art stance and confrontational protest tactics against New York cultural institutions of the period were recast to issues of philosophy, physics, and economics after studying communist economics during the early 1970s, though with no less a confrontational approach to bourgeois culture, formalism, and modern aesthetics. As a musician, Flynt is known for his fusion of high-brow and so-called low-brow music, creating "a new American ethnic music," deemed by Flynt as "Hillbilly avant-garde," and performed on violin or guitar. Flynt enjoyed a brief stint in the Velvet Underground in 1966, replacing an ailing John Cale. He also coined the term "involuntary celibate" in his essay "Creep," from his 1975 book "Blueprint for a Higher Civilization," decades before the often violent online movement. Near Fine, with a white comb binding. 30 pages.
Verlag: Milano, Multhipla, 1975
Anbieter: Libreria Giorgio Maffei, Torino, Italien
Erstausgabe
First edition. Artist's book. First formal publication, a seminal text on concept art and experimental music. B/W photographs by Tony Conrad. 206 pp; 23,4x17,2 cm. Condition: Very good (light shelf wear to the exterior). Soft cover. Flapped card covers.
Verlag: MULTHIPLA EDIZIONI, Milano, 1975
Anbieter: Buli-Antiquariat, Gumtow, Deutschland
Erstausgabe
Paperback. 206 S.; Prima Edizione, Erste Auflage, SEHR GUTER ZUSTAND. Mit einigen Abbildungen. BLUEPRINT FOR A HIGHER CIVILIZATION is like an alien attack on human civilization. Size: 23 x 17 Cm. 550 Gr.
Verlag: New York (Hastings House), 1965
Anbieter: Ars Libri, Ltd. (ABAA), Charlestown, MA, USA
182pp. Prof. illus. 4to. Cloth. D.j.
Verlag: Hastings, New York, 1952
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Hardcover. Zustand: Very Good. Very good hardcover. Pages clean. Illustrated. Spine faded on blue cloth cover. Stain on top end to spine.
CD-Hülle. Zustand: Gut. Versand im Luftpolsterumschlag! CD/DVD-Hülle etwas berieben, Disc ist in einem guten Zustand; Case shows some wear, disc in good condition. H240404cdh109 ISBN: 656605710129 Sprache: Englisch Gewicht in Gramm: 80.
Verlag: New York: World View Publishers, 1965, 1965
Anbieter: Laurence McGilvery, ABAA/ILAB, La Jolla, CA, USA
Proof. Flat, unfolded & untrimmed in a single sheet of red-orange paper comprising 4 pp. 43.2 x 86.4 cm / 17 x 34 in. Illustrations, plans, projections. Contents, Appendices1-5: 1, Soviet prefabricated building system; 2, Maciunas' prefabricated building system; 3, Buckminster Fuller's Geodesic Dome; 4, Citroen 2CV; 5, Electric guitar and organ. The half-sheet text portion of the document is not present. A little shallow creasing. Ref: Fluxus Codex, pp. 250-251. Copies only at Northwestern and the University of Minnesota. **Free domestic or international shipping with direct order.
Verlag: JRP | Ringier, 2008
ISBN 10: 3905770555ISBN 13: 9783905770551
Anbieter: Antiquariat UEBUE, Zürich, Schweiz
Buch Erstausgabe
Softcover. Zustand: Sehr gut. 1. Auflage. 170 x 240 mm - PAGES : 416 - PICTURES : 62 b/w - Edited and introduced by John C. Welchman, The Aesthetics of Risk is based on the third SoCCAS symposia, held at the J Paul Getty Museum. The anthology is a collection of 16 essays and conversations about the nature and consequences of risk in and out of the art world, beginning with the premise that the modern subject is caught up in an ever-expanding network of predictive and proactive stratagems for the management of risk.