Produktart
Zustand
Einband
Weitere Eigenschaften
Land des Verkäufers
Verkäuferbewertung
Verlag: Gazette des Beaux-Arts Paris, 1903
Anbieter: Forest Books, ABA-ILAB, Grantham, LINCS, Vereinigtes Königreich
4to, 43pp., 37 illustrs., orig. printed wrappers, detached, unopened, uncut.
Verlag: Torino, Bottega d'Erasmo, Torino, 1967
Anbieter: Libreria Alberto Govi di F. Govi Sas, Modena, Italien
Zustand: Buono (Good). Tre tomi in sei volumi in 4to (mm 357x240); pp. 504; 256; 257-500; 344; 345-680; 372, [2], 10. Numerose illustrazioni in bianco e nero nel testo, illustrazioni a colori fuori testo. Mezza pelle coeva con titoli impressi in oro su duplice tassello verde al dorso. Dorso a cinque nervi, piatti rivestiti con carta colorata. Ristampa anastatica dell'edizione pubblicata da Olschki a Firenze nel 1907. Grande repertorio bibliografico sulle edizioni illustrate del Quattrocento e del Cinquecento veneziano. Opera completa ottimamente conservata. Testo in francese.
Verlag: Mansfield, Martino, o. J. (um 1995; Nachdruck der Ausgabe Florenz u. Paris 1907-1914)., 1995
Anbieter: Versandantiquariat Wolfgang Friebes, Graz, Österreich
Zustand: 0. This reprint is strictly limited to 350 copies". - 2585 Werke umfassende Bibliographie in Venedig gedruckter illustrierter Bücher des Zeitraumes von 1450 bis 1525. Mit detaillierten Beschreibungen und Kollationen sowie zahllosen Illustrationen. - Einbände vereinzelt min. berieben bzw. fleckig. Sprache: Französisch Gewicht in Gramm: 8000 4°. Mit zahlr. tlw. ganzs. Abbildungen. Zus. über 2000 S., OLwd.-Bde.
Verlag: Gazette des beaux-arts, Paris, 1902
Anbieter: Rodger Friedman Rare Book Studio, ABAA, Tuxedo, NY, USA
Erstausgabe
Leather. Zustand: Very Good. First edition. 39 cm; viii, 290 pages, and 21 leaves of plates. Numerous illustrations in text. Edition limited to 260 copies, this copy out of series, "exemplaire spécialment tiré pour Monsieur Charles Éphrussi." Bound in recent half calf, polished, over pebbled cloth-covered boards. Gilt-tooled borders, ornaments and title. Gauffered edges. Few superficial chips along joints and at spine ends. Plates variously foxed, mostly in margins. Text clean. Vast--and vastly influential--study of the iconography of Petrarch's song cycles, The Triumphs (Trionfi) and the song book of "scattered rhymes" (Il Canzoniere). The essay was a collaboration between the art historian Eugène Müntz and the wealthy collector and amateur scholar Victor Masséna. The result is a luxurious book that was indispensible in the formation of the discipline of iconology. This copy is out of series, and in place of the justification page is a printed dedication to Charles Ephrussi, the patron of arts who effectively launched Renoir's career, and was a great supporter of Degas, Manet, Monet, and Proust.