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Verlag: Ware: Omega Books, 1986., 1986
ISBN 10: 1850070628ISBN 13: 9781850070627
Buch
Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 7,15
Verlag: Weathervane Books (1978), New York, 1978
ISBN 10: 0517251132ISBN 13: 9780517251133
Anbieter: Hoffman Books, ABAA, IOBA, Columbus, OH, USA
Buch
Hardcover. Zustand: Very Good. Illustrated by Edmund Dulac. 11 1/4" x 8 1/2", tan cloth covers with gilt printing. This is a clean, nice copy with beautiful illustrations. Very Good in a Near Very Good dj with some chipping at edges.
Verlag: Hodder & Stoughton
Anbieter: Chapter 1, Johannesburg, GAU, Südafrika
Buch
Hardcover. Zustand: Poor. No Jacket. boards are worn and torn. tanning and foxing. ownership and gift inscriptions. some age related marks. visible netting. undated, circa 1932. 2 plates missing. poor copy.[S.K]. Our orders are shipped using tracked courier delivery services.
Verlag: Doubleday, Doran - NY, 1932
Anbieter: Books From California, Simi Valley, CA, USA
hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Includes dust jacket- spine of jacket a bit faded, minor chipping at edges. Front of jacket is vibrant. Jacket in mylar. Pages clean, binding sturdy.
Verlag: George H. Doran Nd, New York
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Hardcover. 197 pages. 23.5 x 16 cm. Color plates by Dulac. Interior contents very clean and fresh. Owner inscription. Orig. decorated green cloth. Near fine in worn dust wrapper.
Verlag: Potsdam, Müller & Co., ., 1920
Anbieter: Bibliographica Christian Höflich, Hamburg, HH, Deutschland
Erstausgabe
Mit 14 mont. Farbtafeln von Edmund Dulac. 134 S., 1 Bl. Orig.-Halbleder mit Rückenvergoldung und marmor. Bezugspapier. 25,6 : 19,5 cm. * Erste Ausgabe dieser Edition. - Leicht gebräunt. Rücken gering verblichen, Ecken gering bestoßen.
Verlag: Hodder and Stoughton Limited for Boots Pure Drug Co. Ltd. Nottingham N.d. c., 1923
Anbieter: Francis Edwards ABA ILAB, Hay on Wye, Vereinigtes Königreich
Reprint. Sm. 4to. 320pp. Tipped in colour frontis., vignette title page, 19 tipped in colour plates, many other ills. and decorations. Light marginal browning, e.ps. lightly browned, original gilt lettered terracotta cloth with gilt illus. and black ruling to upper board, lightly soiled and rubbed, corners sl. bumped, sm. nick to upper joint, spine darkened and sl. bumped at head and tail. US$56.
Verlag: Hodder and Stoughton, 1916
Anbieter: Francis Edwards ABA ILAB, Hay on Wye, Vereinigtes Königreich
Reprint. Unpaginated. 24 colour plates. Sporadc spotting to text, contemporary ownership inscription, e.ps. lightly browned, edges of leaves spotted, original gilt lettered green cloth with colour illus. affixed to upper board as issued, some very minor soiling and rubbing, upper leading corner of upper board bumped, spine lightly faded. US$63.
Verlag: Müller & Kiepenheuer. (1926)., Potsdam,, 1926
Anbieter: Wolfgang Kohlweyer, Braunschweig, Deutschland
Buch
Ganzleinenband; 25,5 x 17,5 cm; 235 Seiten mit 20 montierten farbigen Bildern von Edmund Dulac. Sprache: de (das empfindliche helle Leinen etwas unfrisch, sonst tadelloser Zustand) - (Lager ST 31).
Verlag: Garden City Publishing Co., Inc, New York, 1937
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Hardcover. 197 pages. 23.5 x 16 cm. Twelve full page color plates by Dulac. Interior contents very clean and fresh, almost as new copy. Raised bands, spine panels decorated in gilt motifs. Bound by Lauriat of Boston. Blind stamp of Margaret Pepper on title page. Three quarter navy morocco and light blue cloth. Teg. Fine.
Verlag: London: Cassell & Co., (1928) dj, 1928
Anbieter: Bookfever, IOBA (Volk & Iiams), Ione, CA, USA
Erstausgabe
Hardcover first edition - First trade edition. Contains nine fairy tales - two by Charles Perrault, five by Mme d'Aulnoy and one by Count Anthony Hamilton, illustrated with twelve full-page color illustrations by Edmund Dulac. 251 pp. Near fine in blue cloth with gilt lettering on the spine (bookplate on front pastedown, just a hint of foxing to the endpapers and toning) in a very good dust jacket with some sunning to the spine, minor edgewear. Overall a very attractive copy of a beautiful book in the rather uncommon dust jacket with the original price of 15/net.
Verlag: Hodder & Stoughton
Anbieter: Antiquariaat Looijestijn, Rotterdam, Niederlande
[1914], 221 pp., original decorated cloth, complete with 23 tipped-in plates.
Verlag: London: Hodder & Stoughton, no date [1914], 1914
Anbieter: Adrian Harrington Ltd, PBFA, ABA, ILAB, Royal Tunbridge Wells, KENT, Vereinigtes Königreich
[Children's Illustrated] FIRST DULAC ILLUSTRATED EDITION, trade issue. Quarto (29 x 23cm), pp.[2] 222 [2]. With 23 stunning colour plates by Dulac, including a frontispiece, each mounted with captioned tissue guards. Publisher's brown cloth, extensively decorated in green and gilt to spine and upper, including gilt titles in faux-Arabic script. Brown endpapers with blue floral design. Faint traces of an ink ownership to half-title. Toning to edges, with some light spotting to first and final leaves. Gentle repairs to rear hinge, and some minor insect or damp damage to lower corner of rear fly-leaf. Light rubbing to boards, with some professional repairs to joints, head, and tail of spine. Very good. Dulac's colour plate illustrations capture perfectly the exotic narratives of the folk hero known as Sinbad the Sailor. Each page is beautifully ornamented with floral and geometric panelling. Truly a delightful and absorbing work.
Verlag: H. Piazza, Paris, 1919
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Erstausgabe
Stiff Wraps. First Dulac edition. 147 pages. 31 x 24 cm. Twenty-seven color plates, mounted and framed with yellow border design of the title page, tissue guards caption printed in black ink, and with text also enclosed in aforementioned design frame. Limited edition, copy 122 OF 1500. HUGHEY 35h. "Four plates included here, but not in the English editions." Clean, fresh copy, slight nicks to spine extremities. Orig. delft blue decorated stiff wrappers. Very good.
Verlag: Hodder & Stoughton, London, 1913
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Erstausgabe
leather_bound. First trade edition. 113 pages. 25.5 x 20 cm. Ten mounted color plates with descriptive letterpress tissue guards in olive ink. HUGHEY 31a. "The ten water colors in the book were exhibited at the Leicester Galleries from November 15th until Christmas 1913." Elegantly bound, border gilt fillets, raised bands, spine panels decorated and lettered in gilt, marbled endpapers. Rebound in full brown morocco, original cover illustration laid-down on front cover. Fine.
Verlag: Hodder & Stoughton, London, 1914
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Erstausgabe
Hardcover. Dulac, Edmund (illustrator). First trade edition. 223 pages. 28 x 23 cm. Twenty-three color plates mounted on cream vellum, each mount printed with border design of title page to form frame around plate; each plate covered with tissue guard, printed at center with caption in black ink. HUGHEY 35a notes, as is this copy, "Binding is tan and indigo blue flowered cloth, stamped with gilt lettering and ship design.Tan and indigo blue flowered end papers." Gilt cover illustrations bright, interior contents fresh and clean, hint of rubbing to backstrip extremities. Gift inscription front free cover. Orig. illustrated cloth lettered and illustrated in gilt. Near fine.
Verlag: Brentano's, New York, 1925
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
Hardcover. 151 pages. 29 x 24 cm. Ten full-color, tipped-in, full-page illustrations mounted on white art paper, framed with tin and wider grey-green lines, covered with tissue guards printed at top with black letterpress. Limited edition, copy 451 of 625. The London Times Literary critic praised this work, "at his best" and "fantastically Persian," but it was not a commercial success. The American edition also received wide acclaim, "he used the conventional Persian style with perspective, rich in decorative forms and jewel-like colours, bringing out the beauty of minute things by the use of colour and graceful line." [see: HUGHEY 54e]. Lovely, bright and fresh copy, front cover board decorated in silver motifs with paper spine label, spine lettered and decorated in gilt, slight crinkle to spine foot, lower front cover corner. Orig. half white cloth and decorated gray boards. Teg. Very good in nicked dust wrapper.
Verlag: Paris, L édition d art H. Piazza, 1919
Anbieter: Antiquariat Im Baldreit, Baden-Baden, Deutschland
Buch
mit 27 farbigen auf arabesk illustrierten Tafen montierten Illustrationen, 145, (2 Blatt), SCHÖNES UNBESCHNITTENES EXEMPLAR, der Einband der blauen illustrierten Original-Broschur mit eingebunden. Textseiten und die Tafeln der Illustrationen mit ockerfarbenen arabesken Schmuckrahmen. Im Impressum nummeriertes Exemplar 894 (von 1500), der Einband leicht angestaubt. Sprache: Französisch 24x31, helles goldgeprägtes OHPgmt mit blauen Leder-Buchdecken und Kopf-Goldschnitt.
Verlag: Hoder and Stoughton, London, 1913
Anbieter: Meiwes, Stuttgart, Deutschland
Signiert
n. y. (1913). 4to. 29 x 23 cm. Original gilt art-deco cloth, gilt upper edge. LIMITED EDITION, printed in 750 copies. This is Number 279 of 750, SIGNED and NUMBERED by the artist. Illustrated with ten tipped in tissue guarded colour plates. A fine copy.
Verlag: L'Edition d'Art H. Piazza Et Cie [1910], Paris, 1910
Anbieter: Phillip J. Pirages Rare Books (ABAA), McMinnville, OR, USA
302 x 237 mm. (11 7/8 x 9 1/4"). [67] leaves.Translated into French from the English of Edward FitzGerald (second version, 110 quatrains) by Edmund Dulac. Appealing three-quarter scarlet crushed morocco over red cloth boards, raised bands with gilt titling and gilt-ruled compartments, top edge gilt, others untrimmed. Housed in a felt-lined red cloth slipcase (in excellent condition). 20 tipped-in color plates by Edmund Dulac, framed with green wreath design, each with numbered tissue guard. Potter 425; Paas 4820; Hughley 21cc. â Spine just slightly (and evenly) sunned, occasional faint thumb soiling or freckling, but still qualifying as a fine copy. This is a beautifully presented French translation of FitzGerald's Rubaiyat, with the iconic color illustrations by Edmund Dulac, signed by the artist, and attractively bound. Dulac's sumptuous depictions of Omar Khayyam's quatrains were first published in London in 1909, and have been admired for their immense charm and gorgeous coloring ever since. Dulac also did the translation for this printing, based on the second edition of FitzGerald's English version of the Rubaiyat. Edmund Dulac (1882-1953) studied art at the university in his native Toulouse before emigrating to England at 22, at just the time when the process of color separation was making it possible to print faithfully the glowing colors of his palette. Between 1907, when his "Arabian Nights" appeared, and 1920, his works found an appreciative audience. Influenced by the work of the older artist Arthur Rackham, Dulac's illustrations have a sophisticated and exotic tone with rich color, reminiscent of the paintings of Gustav Klimt. Houfe says, "Dulac was immensely versatile and had more sense of color and design than most of his English contemporaries, excepting Rackham. He looked to the Middle and Far East for inspiration, and his watercolors of legendary subjects have a gemlike brilliance found only in Mogul miniatures, their flat, stylized and sleepy beauty sometimes comes from the Japanese print, sometimes from the Pre-Raphaelites and even occasionally from the Renaissance." After 1920, Dulac, who had become a naturalized British citizen, published several more illustrated fairy tales and also worked as a designer of costumes and sets. No. 505 OF 700 COPIES SIGNED BY THE ILLUSTRATOR.
Verlag: Hodder and Stoughton, London, 1912
Anbieter: Royoung Bookseller, Inc. ABAA, Ardsley, NY, USA
leather_bound. Zustand: Full green morocco. Aeg. Fine. Unpaginated. 27.5 x 22 cm. 22 tipped in plates by Dulac with lettered tissue guards. Blind stamp on title page "Presentation Copy." Elegant unsigned binding, raised bands, spines richly gilt in bell motifs, outer and inner border panels with gilt corner floral designs at latter, dentelles carry the same design motif, marbled endpapers.
Verlag: H. Piazza, [, Paris, 1919
Anbieter: Phillip J. Pirages Rare Books (ABAA), McMinnville, OR, USA
Erstausgabe
305 x 241 mm. (12 x 9 1/2"). 2 p.l., 145, [3] pp. ESPECIALLY ATTRACTIVE RICH GREEN MOROCCO BY ROOT & SON (signed on rear turn-in), covers framed in gilt with triple rules, the inner rule entwined at corners with ivy leaf terminations, raised bands, spine gilt in compartments formed by double rule and featuring ivy leaf cornerpieces around an inner central panel, wide ruled turn-ins with foliate cornerpieces, marbled endpapers, top edge gilt, other edges rough trimmed. Original wrappers preserved. Decorative initials and title page, decorative borders throughout, and 27 COLOR PLATES BY DULAC (each laid down within a decorative frame, and with a captioned tissue guard). Printed in pale orange and black throughout. Front pastedown with bookplate of Joseph H. Haines. Hughey 35h. â Upper corners slightly bumped, verso of free endpapers a little discolored (from glue?), otherwise A VERY FINE COPY. This is an attractively bound collection of tales from the "1,001 Nights," including the famous "Sinbad," charmingly illustrated by Dulac in the styles of Persian miniatures and Japanese prints. This edition contains four more plates than the English printing of the same work in 1914, and the text frames and other decorative elements are also unique to this French translation. Between 1907, when his "Arabian Nights" appeared, and 1920, Dulac's works found an appreciative audience. His illustrations have a sophisticated and exotic tone with rich color, reminiscent of the paintings of Gustav Klimt. The London bindery of William Root & Son consistently turned out excellent work, both on fine bindings as here and on trade bindings of multi-volume sets. This copy's prior owner, Joseph Howell Haines, was an avid book collector and friend of Philadelphia publisher George Lippincott. First Edition in French. No. 520 of 1,500 copies.
Verlag: Hodder and Stoughton, 1916
Anbieter: Blackwell's Rare Books ABA ILAB BA, Oxford, Vereinigtes Königreich
FIRST EDITION, 275/350 COPIES signed by the artist, frontispiece and 14 further tipped-in plates by Dulac, all captioned and within a gilt border, pp. [x], 170, 4to, original white cloth with elaborate design to upper board and backstrip stamped in blue and gilt, just a hint of browning around the edges, untrimmed edges and endpapers a little browned, bookplate of Kathleen Vaughan Craddock to front pastedown with near-contemporary gift inscription to facing flyleaf, very good.
Verlag: Hodder and Stoughton [1909], London, 1909
Anbieter: Phillip J. Pirages Rare Books (ABAA), McMinnville, OR, USA
320 x 255 mm. (12 1/2 x 10"). [58] leaves.Translated by Edward FitzGerald (second version, 110 quatrains). Original stiff vellum, gilt, upper cover with whimsical frame formed by the sweeping tails of two peacocks perched at the head of the board, these decorated with flowers, two elephants at the foot of the frame, lettering in faux Arabic script to upper cover and smooth spine, two tan silk ribbon closures, endpapers patterned with peacock feathers, top edge gilt, other edges untrimmed. 20 tipped-in color plates by Edmund Dulac, with numbered tissue guards. Potter 131; Paas 2583. â Half-inch crack at top of front joint, ribbon closures with minor fraying (though both intact and snug), a whisper of soiling to the vellum, minor bumping at spine ends, other similarly trivial imperfections, but still qualifying as a fine copy and notable for not having the typical splaying to the vellum. This is the deluxe limited edition of an "Art Gift Book" illustrated by the celebrated Edmund Dulac. A review in The London Times on 18 October 1909 praised the work: "As a designer Mr. Dulac is wonderfully varied, and as a draughtsman often exquisite. His colour, too, is charming, with the preciosity that is to be expected from an illustrator of a poet of the East." Dulac (1882-1953) studied art at the university in his native Toulouse before emigrating to England when he was 22, at just the time when the process of color separation was making it possible to print faithfully the glowing colors of his palette. Between 1907, when his "Arabian Nights" appeared, and 1920, his works found an appreciative audience. Influenced by the work of the older artist Arthur Rackham, Dulac's illustrations have a sophisticated and exotic tone with rich color, reminiscent of the paintings of Gustav Klimt. Houfe says, "Dulac was immensely versatile and had more sense of color and design than most of his English contemporaries, excepting Rackham. He looked to the Middle and Far East for inspiration, and his watercolors of legendary subjects have a gemlike brilliance found only in Mogul miniatures, their flat, stylized and sleepy beauty sometimes comes from the Japanese print, sometimes from the Pre-Raphaelites and even occasionally from the Renaissance." After 1920, Dulac, who had become a naturalized British citizen, published several more illustrated fairy tales and also worked as a designer of costumes and sets. No. 215 OF 750 COPIES SIGNED BY THE ILLUSTRATOR.
Zustand: Fair. S.l.: Hodder & Stoughton, 1938. 1st edition. Sm 4to. 222pp. Illus. Book Good. No dust jacket. Spine ends darkened and chipped. Top edge of front board bumped. Owner's name on front free endpage. Binding shaken. (Arabs, fairy tales, folklore) Inquire if you need further information.
Verlag: Abi Melzer Verlag,, 1979
ISBN 10: 3820100156ISBN 13: 9783820100150
Anbieter: DER COMICWURM - Ralf Heinig, Hohnhorst, DE, Deutschland
Buch
Softcover. Zustand: Sehr gut. Alterbedingte Gebrauchsspuren !---. nein.
Verlag: The Limited Editions Club [Printed at the Fanfare Press], New York, 1950
Anbieter: Swan's Fine Books, ABAA, ILAB, IOBA, Walnut Creek, CA, USA
Signiert
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: near fine. Dulac, Edmund (illustrator). Limited Edition. One of 1500 copies, quarto size, 44 pp., signed by Edmund Dulac, with Announcement. After Nicholas I, the newly crowned Tsar of Russia, had suppressed the revolutionary rising of December 1825, Alexander Pushkin, who had shown sympathy with the movement but had influential friends at Court, was granted an audience. He was forgiven. When he has gone, Nicholas said to his Secretary of State, Count Bludov "I have been conversing with the wittiest man in Russia." With Pushkin's death Russia lost not only her "wittiest man" but also one of her best poets and a writer who was among the first to lay the foundations of modern Russian literature and to gather together some of the best stories and popular songs from the immense treasure of Russian folklore (from Foreward). Edmund Dulac (1882-1953), who truly needs no introduction, was the only illustrator of his day on a par with Arthur Rackham and was known for his sensational colors, great design impact, orientalism and humor. ___DESCRIPTION: Bound in Russian-red cloth with brass cockerel on cover and gilt text on spine; teal, gold, and black text and illustrations on title page, illustrated throughout with watercolours by Dulac; set in monotype Poliphilus, Abbey Mills special paper; quarto in size (approximately 12" tall); pagination: (1) - (42), blank (43), colophon (44); signed by illustrator, Limited Edition no. 1285 of 1500. With original glassine wrapper. Russian-red chemise with gold stamped paper of cockerel illustrations, gilt text on spine; Russian-red paper slipcase with no text or decoration. Loosely laid in is the LEC Announcement for the book, a single sheet measuring 8 3/8" by 5 1/2". ___CONDITION: Book in near fine condition; usual tarnishing and light wear to brass cockerel on the front board, all else fine; clean, sturdy, free of prior owner markings. Wrapper near fine with minor wear. Chemise is near fine with sunning to the spine, front and back joints. Slipcase is near fine with sbustantial sunning to the sides, but still strong and sturdy. Announcement near fine, clean, with a few very light creases, no edgewear. ___CITATION: LEC no. 205. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.
Verlag: Hodder & Stoughton, New York/London; nd
Anbieter: Charles Parkhurst Rare Books, Inc. ABAA, Surprise, AZ, USA
Hard Cover. Zustand: Very Good. 16 color plates illustrated by Edmund Dulac, 143(1)pp., bound in a blue pictorial cloth accented in dark blue, lettering gilt, previous owner's bookplate to front pastedown; very light wear at extremities; internally clean and bright, a very good copy with beautiful illustrations.
Verlag: Hodder And Stoughton
Anbieter: Chapter 1, Johannesburg, GAU, Südafrika
Buch
Hardcover. Zustand: Good. No Jacket. undated. c1915. maroon boards with gold gilt peacock design. the boards are worn and the spine is a bit darkened. the top of the spine has a tear and has been repaired. front board has 'F.S. 19.4.21' in gold gilt.complete with 20 tipped in illustrations all with tissue gurads. all plates are fine. no inscriptions, but there is some light foxing. the binding is a little shaken but strong. text printed by T. and A. Constable. Illustrations by Henry Stone and Son. Our orders are shipped using tracked courier delivery services.
Verlag: Hodder and Stoughton, London, 1928
Anbieter: Kenneth Mallory Bookseller ABAA, Decatur, GA, USA
Hardcover. Zustand: Very good. Hardcover. 20 tipped in color plates by Dulac. Scattered foxing throughout, boards a bit rubbed and darkened with a small split at the bottom of the front joint, else very good in publisher's cream cloth elaborately decorated in gilt. All illustrations present and in very good condition.