CHARLES RAY ED (22 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Hardcover without jacket. Ex library copy with former owner's bookplate and some library markings, but clean text, and moderate cover shelfwear. Serviceable condition. Heavy book: priority or international shipping may be extra. Book.

Zustand: Good. No edition remarks. 1096 pages. No dust jacket. Pictorial cloth covered boards. Black and white photographs and diagrams. Colour frontispiece. Pages with some foxing and tanning, particularly to endpapers and textblock edges. Binding slightly loose. Tape marks to endpapers. Boards have mild shelf wear with light rubbing and corner bumping. Some mild marking and tanning. Gilt lettering remains bright and clear.

Paperback. Zustand: Brand New. 1st edition. 332 pages. 9.13x5.98x0.94 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Charles Hasler (illustrator). 1st Edition. An anthology of fact and fiction, memoirs and verse mainly about wine. No inscriptions. In a complete dustjacket, not price-clipped (30s. net) but chipped at corners.

Hardcover. Zustand: Very Good. Sherbourne Press January 1965 Binding: Hardcover $NRP.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. With owner's name and inscription inside cover. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,3700grams, ISBN:9780306464430.

Hardcover. Zustand: Fair. No Jacket. First Edition. 1st edition. No Date- C.1937. Heavy, extra postage may be required if posted outside South Africa. Boards edge worn, scarring, knocked and marked. Gift inscription on front end page. Tanning. Some age related marks throughout the pages. However, it is in fair condition considering age, tightly bound and intact. MK. Our orders are shipped using tracked courier delivery services.

Zustand: Fair. No Edition Remarks. Unpaginated. No dust jacket. Blue cloth. Volume 2 with pagination continued from previous volume. Black and white illustrations throughout. Pages and illustrations have light tanning and foxing throughout. Creasing to some pages. Slight cracking to hinges, with exposed netting, pages remain attached. Small tears to some page edges, text remains unaffected. Boards have light shelf-wear with corner bumping. Light tanning to spine and edges. Staining to rear board.

Hardcover. Zustand: Good. 1945; Baltimore; blue cloth covered boards with gold titles; edges are worn; covers are scuffed; binding is loose but intact; Previous owner's name on front end paper; Interior is clean and unmarked; toned pages; 4to, 9 3/4"-12" tall; musty smell; 238 pages.

Hardcover. Zustand: Fine. Signed. First Edition. fine copy, signed by the contributors.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A good undated (c. 1930s) hardcover copy. Rebound, black pebble-grained cloth boards without dustjacket. A few small marks to boards. 8cm tear to rear joint with some gently fraying cloth; rear board is consequently a little shaky. Lightly foxed endpapers, otherwise contents are clean and unmarked. 732pp.

Hardcover. Zustand: Poor. No Jacket. 1st Edition. 712 pages (complete). A robust if somewhat tired book in stoic condition. The tough cover is dignified; it is worn to the shelving edges and the corners. The spine is strong and secure. There is wear to the head and foot of the spine. The papertrims are much foxed. The front and end pages are heavily foxed. The frontis fold out illustration is torn and worn, but otherwise whole and secure. The early pages have marks and foxing and have some wear and tear to the binding edge. Nonetheless they are strong, competent, sure and clear. fk. Our orders are shipped using tracked courier delivery services.

Zustand: New. This collection of essays looks at the shared experience of exile across different groups in the early modern period. Contributors argue that exile is a useful analytical tool in the study of a wide variety of peoples previously examined in isolation. Editor(s): Fehler, Timothy G.; Kroeker, Greta Grace; Parker, Charles H.; Ray, Jonathan. Series: Religious Cultures in the Early Modern World. Num Pages: 272 pages, black & white illustrations. BIC Classification: 1D; 3JB; 3JD; HBJD; HBLH; HBTB; HRAX. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 234 x 156 x 14. Weight in Grams: 489. . 2016. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Zustand: New. This collection of essays looks at the shared experience of exile across different groups in the early modern period. Contributors argue that exile is a useful analytical tool in the study of a wide variety of peoples previously examined in isolation. Editor(s): Kroeker, Greta Grace; Parker, Charles H.; Ray, Jonathan. Series: Religious Cultures in the Early Modern World. Num Pages: 272 pages, 8 black & white illustrations. BIC Classification: 1D; 3JB; 3JD; HBJD; HBLH; HBTB; HRAX. Category: (P) Professional & Vocational. Dimension: 239 x 161 x 25. Weight in Grams: 554. . 2013. Hardback. . . . . Books ship from the US and Ireland.

Softcover. Zustand: Near Fine. Magazine. Cover by Basil King. 52pp. Stapled wrappers. Wrappers lightly age-toned, else fine. One of the most influential of all the "little magazines" published during the mimeograph revolution. This issue features the first appearance of Jack Kerouac's poem "Rimbaud." Other contributors include Charles Olson, Hubert Selby, Jr., Robert Creeley, Tristan Tzara, Gary Snyder, Frank O'Hara, Michael McClure, Ron Loewinsohn, Philip Lamantia, Paul Blackburn, Robin Blaser, David Meltzer, Ray Bremser, Ed Dorn, Rochelle Owens, Paul Carroll, Edward Marshall, David Wang, Kenneth Koch, and Edward Dahlberg.

Stapled Booklet. Zustand: Very Good. No Jacket. 1st Edition. 51 of 52 issues, in very good condition for their age, of this weekly children's magazine which started in November 1932 and ran into 1933. All parts present apart from Number 42. All covers are colour and show a boy and girl with images of the Tower of London, a train, a car, an ocean liner, a biplane and an airship, an elephant and a giraffe. Each cover has a contents panel and the appropriate number for the issue with white (outlined in black) title lettering to front and advertising material for binders for the series to the rear. All issues have clearly been well read and some covers have slight tears to stapled spine and rubbing to all edges with some page corners turned up, but nevertheless clean and remarkably good for their age. Part 1's cover is slightly darkened compared with the others having been on top of the pile. Internally: clean although read, with many black and white illustrations and photos. 1460 pp. Pagination continuous so there is a gap for issued 42. A large and heavy set which will incurr increased postal charges outside the UK.

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. Charles Hasler; Brian Keogh; F. H. K. Henrion et al (illustrator). First edition. Charmingly illustrated throughout, present here are the first editions of twelve volumes of Cyril Ray's anthology about the pleasures of drinking. Present here are twelve volumes of Ray's entertaining anthology series. Published annually, these volumes feature a blend of essays, poems, stories, and illustrations by an eclectic mix of writers, all about the culture, history, and pleasures of drink, particularly wine and spirits.Ray, a journalist and wine critic, envisioned 'The Compleat Imbiber' as a modern equivalent of the 17th-century gentleman"s miscellany, drawing inspiration from Izaak Walton"s 'The Compleat Angler'.Present here are:The 1957 first edition, second impression of volume I. Illustrated by F. H. K. Henrion and Jane Mackay, and in the publisher's original unclipped dust wrapper.The 1958 first edition, first impression of volume II. Illustrated by F. H. K. Henrion and Jane Mackay, and in the publisher's original unclipped dust wrapper.The uncommon 1960 first edition, first impression of volume III. Illustrated by Brian Keogh, and in the publisher's original unclipped dust wrapper.The 1961 first edition, first impression of volume IV. Illustrated by Charles Hasler, and in the publisher's original unclipped dust wrapper.The 1963 first edition, first impression of volume VI. Illustrated by Charles Hasler, and in the publisher's original unclipped dust wrapper.The 1965 first edition, first impression of volume VIII. Illustrated by Charles Hasler, and in the publisher's original unclipped dust wrapper.The 1967 first edition, first impression of volume IX. Illustrated by Charles Hasler, and in the publisher's original clipped dust wrapper.The 1969 first edition, first impression of volume X. Illustrated by Charles Hasler, and in the publisher's original unclipped dust wrapper.The 1970 first edition, first impression of volume XI. Illustrated by Charles Hasler, and in the publisher's original clipped dust wrapper.The 1971 first edition, first impression of volume XII. Illustrated by Charles Hasler, and in the publisher's original clipped dust wrapper.The 1986 first edition, first impression of 'The New Compleat Imbiber', effectively volume XIII. In the publisher's original clipped dust wrapper.The 1989 first edition, first impression volume XIV. In the publisher's original clipped dust wrapper.With essays and literary contributions from such figures as Iris Murdoch, Kingsley Amis, Laurie Lee, Diana Athill, J. B. Priestley, V. S. Pritchett and many others. In the publisher's original cloth bindings, with four clipped dust wrappers, and the rest unclipped. Externally, excellent, with instances of bumping to back strip tails. Losses to heads and tails of wraps and back strip of volume I and VIII dust wrapper, with tape repairs to perimeters of vol VIII dust wrapper. Chip to head of volume II back strip head. Back strip of vol VI, IX age toned, with handling marks to wraps. Sunning to volume X back strip, with closes tears to back strip head and tail. Further sunning to volume XI back strip, with tape reinforcement to reverse at perimeters. Internally, firmly bound. Pages exceptionally clean and bright. Near Fine. book.

Softcover. Zustand: g- to vg. First edition. Octavo (8 1/2 x 7 1/4"). Unpaginated. Original spiral bound illustrated wrappers by Gilberte Vigué. Laid in, the first two pages of a four-page program for the 1944 edition of "La Nuit du Cinéma," a French event whose primary purpose was the raising of funds to help the unemployed of the movie industry. Bound in at rear is a tombola-ticket for the above mentioned event. This elegant brochure was published to comemorate the fourth year of the "Comité d'Organisation de l'Industrie Cinématographique" (COIC: Committee for the Organization of the Cinema Industry), an organization created by the Nazis in the first months of the occupation. The COIC was to oversee and manage film production in occupied France. "Cinéma 1944" is profusely illustrated throughout with 22 pages of b/w photographic reproductions, five original lithographs (by Jean Colin, Grau Sala, Touchagues, Ray Bret Koch, Jean Effel), and features a series of delightful b/w and color sketched portraits of some of the most celebrated French actors of the period, such as: - Raimu; Pierre-Richard Willm; actor and singer Tino Rossi; Claude Genia; actor and director Sacha Guitry; Noel Roquevert; Raymond Rouleau; Michèle Alfa; Jeanne Fusier-Gir; Fernandel; Michel Simon; Charles Vanel; Jean Tissier; Fernand Ledoux; Fernand Gravey; Mila Parely; Suzy Carrier, and Jacques Dumesnil. The brochure contains also a preface and a photo-illustrated article on the fiftieth anniversary of the French movie industry, as well as advertisement pages for the following movie companies: - Gaumont, Pathé Cinéma, France-Actualités, Minerva, Tobis, ACE, Consortium du Film, Continental Films, UFA, Continental Films, Francinex, Films Roger Richebé, Regina, Scalera Film, Sirius, Eclair, Les Films Raoul Ploquin and Les Productions Camille Tramichel. Includes advertisements for the following movies: - Les Visiteurs du Soir; L'Eternel Retour; Paméla; Le Merle Blanc; Le Ciel est à Vous, La Nuit Fantastique, Les Visiteurs du Soir, Pontcarral, Les Anges du Péché, Goupi Mains Rouges, Le Corbeau, Paméla: l'Enigme du Temple, etc. Also includes advertisements for the following magazines and newspapers: - "Sensations," "Actu," "Le Film Complet," "Vedettes," "Ciné-Mondial," "Le Petit Parisien," "Le Miroir des Sports," "Ciné-Miroir," Paris-Soir," and "Le Matin." The last section contains advertisements for high end Parisian fashion, jewelry, and fragrance companies (Lucien Lelong, Rolex, Paquin, Phebel, Worth, Marin, Jeanne Lanvin, Cherigan, A la Ville du Puy, Kriegck, L. Larsen & Co., Renoir, Chanel, Robel, Armand Gabriel, La Samaritaine de Luxe, Heyraud, etc.), as well as restaurants, cabarets and French mineral water, wines and spirits (Chateau Bagatelle, Bar François Ier, Champagne de Saint-Marceaux, Calvados Blanchard, Perrier, Cognac Rouyer, Kressmann, Chateau Cheval Blanc St. Emilion, Cognac Larsen, St. Emilion Jean-Jacques Galhaud, Chateau d'Yquem, St. Emilion Chateau Ausone, St. Emilion Chateau Belair, and Cognac Camus. Wrappers partly foxed and age-toned. Fore-edge of front cover partly and slightly water-stained. Text in French. Wrappers in overall good-, interior in good+ to very good condition.

Malmö; Rooseum -- Centor for Contemporary Art, 1994. 25,5x21 cm. 95, (1 blank) pp. Illustrated. Original boards with printed dustjacket. Spine is slightly out of square, and there is a minimal bump mark on the lower edge of both boards. A fine copy. The book accompanied the exhibition that started in Malmö and visited ICA in London, Kunsthalle Zürich, and Kunsthalle Bern. With an English, German, and Swedish version of the essay "The Sculpture of Charles Ray", by Bruce W. Ferguson. Inscribed by the artist to gallery owner Anders Tornberg: "Anders / Thanks so much for coming to my opening / Charley". From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Zustand: Near Fine. San Francisco: X-Ray Book Company, 1996. First Edition, limited issue of 226 copies, of which 200 were numbered, this being #101. Octavo; unpaginated. Illustrations on multi-color varying types of paper stock; envelope, cards, notes mounted throughout. Acetate covers secured in hard black plastic fasteners; yellow cover decorated in felt; "Red Man American Red Grape Wine" label to rear. "A Visit from Jake" chapbook by Brautigan laid in. Rubbing to edges; binding sound; pages unmarked. A Near Fine copy of this attractive and meticulously produced magazine devoted to poetry and the arts; uncommon.

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Fair. Folded in eight. Extensive handling wear with overall creasing and crinkling of the page. 6 mm. dog-ear to upper right corner and 12.7 cm. dog-ear to upper left corner. 2 cm. rip at bottom edge of sheet along fold.

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Good. Folded in eight with light edge-wear, a 6 mm. ink mark on recto and 2 cm. area of light yellow soiling.