CARDEW, CORNELIUS (22 Ergebnisse)

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 0.56.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Firmly bound, gilt decorated black cloth boards. Front end paper is cut out. Light wear and a few marks on the jacket, not price clipped.

Hinrichsen Edition, no.823b. Size: Large folio. 6pp. Folded as issued. Dust-stained, edges sunned. Facsimile of the composer's manuscript.

64 pp.; 30.6 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; June 1974 issue of Studio International with cover specially designed for this issue by David Diao. Edited by Peter Townsend. Contents include: "Foreword;" "Bibliography;" "High Modern: an introduction to post-Pollock painting in America," by John Elderfield; "Correspondence;" "Modernist art 1960 to 1970," by E.A. Carmean Jr; "Statements: Richard Diebenkorn;" "Statements: Robert Goodnough;" "A Conversation with Friedel Dzubas," by Ken Carpenter; "Morris Louis and the re-structured picture," by Walter Darby Bannard; "To re-examine the work of Kenneth Noland," by Ken Carpenter; "Jack Bush: Recent Paintings," by John McLean; "Statements: David Diao, John Seery, Joan Snyder, Peter Bradley, Stanley Boxer;" "Abstract painting in California," by Peter Plagens; "Style, Toronto, and younger art," by W. Neil Marshall; "Reviews" and"Supplement Summer 1974: new and recent art books," reviews by Andrei B. Nakov, J.P. Hodin, Peter Gidal, Reyner Banham, Michael Spens, Brian Rushton, Cornelius Cardew, Norbert Lynton, Theo Crosby. Good. Light curling of spine edge. Rubbing of spine and cover edges with dusting and light scratching of covers. 6.5 cm. dog-ear to bottom right corner of recto. 4 cm. dog-ear to bottom left corner of verso. Soiling to text block edge, contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Taschenbuch. Zustand: Neu. Treatise | Cornelius Cardew | Taschenbuch | Edition Peters | Buch | Englisch | 2022 | Edition Peters | EAN 9790577086712 | Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Soft cover. Zustand: Very Good. 1st Edition. An essential collection of key experimental musician's published writings. xviii, 390 pages, illustrations. First edition, first printing. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Sheet music. Zustand: Brand New. 999 pages. 11.69x7.24x0.87 inches. In Stock.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Quarto 129 pages (the pages 19 - 72 have alphabetical numbers from A-X), illustrated throughout. Orange leatherette binding with printed spine. Original illustrated wrappers after page E, in this book. - First edition. Including Scratch Music by Cornelius Cardew, Stella Cardew, Carole Finer, Lou Gare, Phil Gebbett, Bryn Harris, Christopher Hobbs, David Jackman, Diane Jackman, Christopher May, Tim Mitchell, John Nash, Michael Parsons, Tom Phillips, Howard Skempton, Catherine Williams Also including '1001 Activities' by members of the Scratch Orchestra, and musical compositions by David Ahern, Greg Bright, Michael Chant and Roger Frampton. "Any direction modern music will take in England will come about only through Cardew, because of him, by way of him. If the new ideas in music are felt today as a movement in England, it's because he acts as a moral force, a moral centre." Morton Feldman's assessment of Cardew's importance - (as Cage said of Satie 'It's not a question of his relevance. He's indispensable) - took on prophetic status when the Scratch Orchestra was founded in 1969?" from front flap.

Hardcover. Zustand: Good. 1st Edition. Half Title; Title Page Dated 1785; Advertisement (Quote From Rollin]; Preface [3 Pp., With Errata On Verso Of Last Page];177 Pp; Ad At Rear. First Edition Of This Work, An Enlarged Edition Of A Preliminary Version, This Version Being The First Publication On This Topic To Achieve Popularity. Original Full Calf With Spine Label Lacking But Impressed Title Visible On Spine . Ownership Signature "Cardew / Truro School 1786" On Front Pastedown; Cornelius Cardew Was The Well-Known Master Of The School From 1771, And Had Many Well-Known Students Including Humphrey Davy. Binding Quite Worn And Frayed But Intact, Hinges Tight, Pages Clean And Square With Light Aging.

43 pp.; 27.8 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S.E.M. Emsemble Festival, Willoughby Sharp, Tape Inc., Richard Teitelbaum, David Tudor, Peter van Riper, Robin Winters, Walter Wright, and Susan Wolfson. Cover photo by Robin Winters. Very Good / Fine. Light rubbing of covers with light bumping of corners and creasing at spine. Contents clean and unmarked.

Translated by Cornelius Cardew. Illustrated. (illustrator). Very Good (minor wear covers; contents clean & tight). A nice association copy. 8vo., pictorial wraps; 219 pages Reprint Edition. Signed by musician/composer Joseph Packales on the front endpaper. Also, with an autograph note signed from his widow on a separate sheet of stationery, saying her late husband "used this book extensively." A well-known and productive musician, Packales' list of works includes piano, orchestral, choral, and chamber pieces in addition to an opera. He has twice been nominated for The Pulitzer Prize, and has been honored with The Howard Hanson Prize, several MacDowell Colony fellowships, a major grant from the I.B.M. Corporation, and two grants from The National Endowment for the Arts. Packales served the faculties of Skidmore College, Belknap College, and Cleveland State University and was, from 1984 to 1999, Composer-in-Residence and Associate Professor of Music at The University of Texas at El Paso. He also taught composition and theory courses at The University of Southern Maine Alban Berg [1885-1935] was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively small oeuvre, he is remembered as one of the most important composers of the 20th century for his expressive style.

4to 129 pages. Laminated wrappers, slightly worn at edges. Else VG. Illustrated throughout.

94 pp.; 29.1 x 22.9 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 3 - July 28, 2007. Edited by Alex Waterman. Contributors include: Alex Waterman, Robert Ashley, J.S. Bach, Anner Bylsma, Bruce Andrews, John Law, Charles Curtis, Eliane Radigue, Christian Wolff, The Brothers Grimm, Herbert Read, Frances Stark, James Saunder, Cornelius Cardew, Ludwig Wittgenstein, Will Holder, Alvin Lucier, and Chris Mann. "Agape is the drawing together of poets, philosophers, writers, composers, and musicians in an attempt to address the role of reading as a social act through an exhibition and concert series." -- from the preface by Alex Waterman. Very Good / Fine. Light curl to right side edge of publication. Light sunning of pages. Contents clean and unmarked.

8vo 125 pages. Cloth, stained, in stained and slightly rubbed d/w. Pages browned, else internally VG.

Paperback. Zustand: Near Fine. 1st Edition. Book. Rare complete run of Living Arts Magazine (3 issues published 1963-4),edited by Theo Crosby and John Bodley. Black & white printed in glossy wraps. Crosby associated himself with ICA in the early 60s and in 1963, under Croby's lead, the ICA exhibited Living Cities, to foreground the urban theories of the young Archigram group. The magazine therefore becomes an intrinsic part of the new international vision set out by Crosby and others, overlapping with other landmark publications of the era/movewment such as This Is Tomorrow, and Archigram. Autumn '60 for Ochestra by Cornelius Cardew, Photographs by Robert Freeman and Letter from the Airport by Carl Nesjar feature in Volume 1. Volume 2 includes : Sculptures and Statement by Peter Startup, Urbane Image by Richard Hamilton and Living City by Peter Cook, Dennis Compton et al. Volume 3 includes THe Allegorical Situation by Bernard Cohen, David Sylvester interviewing David Smith, Communication and Symbolic Value by Gillo Dorfles, THe Atavism of the Short-Distance Minicyclist by Reyner Banham and review of Living City by Robert Maxwell. The 50 page Living City section of Volume 2 includes THE EXHIBITION - EXPERIENCE 19 JUNE - 2 AUGUST 1963 described and expanded by it's designers, with Manifesto, Introduction & ket to the numerous pages of illustrations, design and texts. Amongst the many contributions are THE KEY TO THE VITALITY OF THE CITY by Peter Cook, CITY SYNTHESIS by Dennis Crompton, Total Exhibition Structure, MOVEMENT GLOOP, and FINAL NOTES ON THE LIVING CITY. Condition - the plastic cover tends to bubble. A fault uniform in all copies (& apparent in all 9 copies of issue 2 exhibited in Tate Modern Hamilton retrospective, 2014). These copies have some of that bubble effect but are the best I have seen with only a little near spine. Each rubber stamped neatly on colophon page "Michael Farr (Design Integration) 97 Jerymn Street London " (a prestigious London design company). Slight wear to issue 1 cover. General minor handling. Copies are prone to curling of covers due to plastic overlay, but being housed in a homemade cardboard slipcase these copies are better than usual. Minor rubbing to colophon pages (from inside flap printed image). Very difficult to find a set in this kind of condition. VG++/ near fine.

Zustand: Very Good +. Pages 1, 2, 3 (Complete Set), Edited by David Briers. Pages can be seen as a more refined and less chaotic publication than Writers Forum productions of the time. Emphasising Briers' knowledge and connections with established artists, it can be argued that it was ahead of its time, though Zurbrugg's inclusion in no. 1 emphasises that it did see itself as a reaction against narrow concrete: "The aim of Pages is to publicise the avant-garde, and by doing so to prove that it does not exist except as a name" (Foreward, Pages No. 1, David Briers). Pages No. 1, Autumn, 1970. David Briers (ed.), 35pp., 210 x 295 mm. Printed black, white and blue on white stock, stapled into colour printed wraps. Includes a loose inserted postcard by Richard Hamilton 'Postmark' (1970). Contents include: dsh's 'parameters and paramitas' with other contributions from Diter Rot, Jochen Gerz, Jiri Valoch, Tom Phillips, Mauricio Kagel, Joseph Beuys. Cover image by Herman Makkink 'Christ Unlimited'. Pages No. 2, Winter, 1970. David Briers (ed.), 37pp., 210 x 295 mm. Printed black, white on white and green paper, stapled into colour printed wraps. 39pp. Includes Nicholas Zurbrugg's article 'Towards the death of concrete poetry' and controbutions from Jiri Valoch, John Furnival, Richard Demarco, Cornelius Cardew, Ian Breakwell, Robert Filliou and others. Cover image by Herman Damen. Pages No. 3, 1972. 23pp., 210 x 295 mm. Cover image by Robin Crozier. Ref: Allen, Artist's Magazines - An Alternative Space For Art, MIT Press, 2011 p283. Condition: some wear and marks to covers, some foxing to top of front covers of issues 1 & 3, no writing or tears. Overall: VG+. ADDITIONAL MATERIAL: Included with this complete set of magazines are 2 additional sheets, printed black on white stock and stapled in corner. These sheets are rare and have not been seen by us before. They include Pages information and sales details.