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Erscheinungsdatum: 1984
Anbieter: Libreria Piani, Monte San Pietro, BO, Italien
Buch
Bologna, Forni, 1984, 8vo quadrato brossura, copertina illustrata, pp. 100 compl. ill. da fot. in nero.
Verlag: Dalla stamperia francese. Fibreno, NAPOLI, 1830
Anbieter: Biblioteca di Babele, Tarquinia, VT, Italien
Zustand: BUONO USATO. ITALIANO Due opere in un unico volume, 248+200, rilegatura in mezza pelle, piatti cartonati, con qualche abrasione ed usura ai bordi, dorso con titoli d'oro e qualche piccola spellatura, all'interno pagine con fioriture sparse, testi perfettamente fruibili, scuriti e con fioritura i tagli. Numero pagine 448.
Verlag: Antonio de Rossi., Rome., 1702
Anbieter: Sims Reed Ltd ABA ILAB, London, Vereinigtes Königreich
4to. (325 x 230 mm). Irregular pagination: 1-16, 35-50, 65-76. Illustrated with 35 engraved plates, one folding. Contemporary full mottled calf, red leather title label on banded spine, gilt armorial vignette to front and rear boards. Second edition of Bartoli's important study of the frescoes of the tomb of Quintus Nasonius Ambrosius. One of the most important archaeological finds of the period, the tomb of Quintus Nasonius Ambrosius was originally unearthed in March 1674 during the course of excavations of the Via Flaminia. Regarded as one of the most elaborate examples of sepulchral art from the Roman era, painted around 150 AD, its discovery occasioned much excitement, not least because at first it was widely believed to be the tomb of the poet Ovid. The tomb was a family burial place with multiple niches, adorned by frescoes with a series of seven apse paintings, a figured frieze incorporating ten enigmatic mythological figures, and a cassette ceiling. The walls contain scenes referring to death and the underworld, while the ceiling alludes to the soul's liberation after death. Pietro Santi Bartoli (1635-1700), the engraver and draughtsman, was probably engaged by Cardinal Camillo Massimo to produce a record of the frescoes adorning the walls of the tomb. Bartoli was responsible for several publications on Roman sculpture and works of art, such as the 'Admiranda romanarum antiquitatum' of 1693. In 1680, he produced these engravings of the Nasonii tomb paintings, and the work includes a commentary by Bartoli's friend, Giovanni Pietro Bellori (1613-96), the leading theorist of seventeenth century classicism. The work appears to have been so successful that not only was this second edition published in 1702, but the work was also republished as part of a larger work, 'Le pitture antiche delle grotte di Roma, e del sepolcro de' Nasonii' (Rome. Zenobi, 1706), combined in one volume with two other illustrated essays, 'Pitture antiche delle grotte' (begun by Pietro Santi Bartoli and completed by his son Francesco), and 'Appendice di alcune memorie sepolcrali, e di varia cose appartenenti a' defonti'.
Erscheinungsdatum: 1984
Anbieter: Libreria Piani, Monte San Pietro, BO, Italien
Buch
Napoli, 1984, 8vo stralcio con copertina posticcia muta, pp. 71/84 con una piantina, una tabella e tre grafici. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : ?extract? or ?excerpt? means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from? ?to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Verlag: Decca (Universal Music)
Anbieter: Book Broker, Berlin, Deutschland
Zustand: Wie neu. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Datenträger ohne Kratzer. Sprache: Englisch Gewicht in Gramm: 100 Audio CD, Maße: 12.29 cm x 14.2 cm x 1.19 cm.
Erscheinungsdatum: 1981
Anbieter: Libreria Piani, Monte San Pietro, BO, Italien
Buch
Vignola, Comune di Vignola, 1981, 8vo punto metallico, pp. 22 con una tavola in antiporta ed un'illustrazione nel testo.
Verlag: Decca (Universal Music), 1999
Anbieter: Antiquariat Armebooks, Frankfurt am Main, Deutschland
Buch
audioCD. Zustand: Wie neu. Seiten; CD + Booklet - 10287 TG-AIEH-4RMP Sprache: Deutsch Gewicht in Gramm: 500.
Verlag: WENTWORTH PR, 2016
ISBN 10: 1363117270ISBN 13: 9781363117277
Anbieter: moluna, Greven, Deutschland
Buch
Kartoniert / Broschiert. Zustand: New.
Verlag: WENTWORTH PR, 2016
ISBN 10: 1363046705ISBN 13: 9781363046706
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: WENTWORTH PR, 2016
ISBN 10: 1363046721ISBN 13: 9781363046720
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Imp. Giovanni Battista Bussotti. Roma, 1680, 1680
Anbieter: Libreria Anticuaria Farré, Barcelona, BARCE, Spanien
. 32 cm. Pág. 1-16, 35-36, 29-32, 41-50, 65-76 (paginación irregular, pero texto completo). Ilustr. con 35 láminas o "tavole" numeradas I-XXXV de grabados a toda página. Enc. de época en pergamino, aunque con la rotulación de la lomera reciente. * El volumen contiene una colección de grabados realizados por el pintor y grabador Pietro Santi Bartoli (1635-1700), especializado en la reproducción e imitación de monumentos clásicos. En este caso reprodujo las pinturas de un monumento funerario romano recientemente descubierto durante las obras de mantenimiento de la Vía Flaminia en 1674; la presencia de un "Nasonius" en una de sus inscripciones motivó la errónea identificación del conjunto sepulcral con el de la familia del poeta Ovidio (Publio Ovidio Nasón), presuntamente representado en una de las pinturas. Las estampas de Bartoli se completan con la descripción y comentario de Giovanni Pietro Bellori. Ilustraciones y comentario son un buen ejemplo de la pasión coetánea por la anticuaria y el interés con que el público seguía los hallazgos arqueológicos relacionados con la antigua Roma.
Verlag: Rome: Giacomo De Rossi, 1672
Anbieter: Symonds Rare Books Ltd, London, Vereinigtes Königreich
Buch Erstausgabe
Hardcover. Zustand: Very Good. 1st Edition. FIRST EDITION. Oblong folio (35 x 45 cm). Title page; engraved dedication to Louis XIV of France; publisher s dedication; 7 unnumbered engraved diagrams of Trajan s Column; 119 numbered engraved plates; 14 pp. of text description by Alfonso Chacón and 2 pp. of index. Richly inked impressions on laid paper, with various watermarks; the majority of the plates with Paschal Lamb within a circle surmounted by letter 'A' and the letter 'N' underneath [cf. Corpus Chartarum Fabriano, dated to 1667]. Wide margins; minor foxing on margins and surface dirt; creases to text pages in closing. Ink manuscript inscriptions of previous owners (see provenance below). 18th century mottled calf; gilt decoration to cover; marbled endpapers; sympathetically rebacked, bumped and scuffed; spine in raised compartments with gilt black label and gilt title; upper cover beginning to start. An excellent copy. Berlin Katalog 3622; Cicognara 3603. Provenance: John Baxter, inscription dated 1770 and crossed out, (Scottish architect, d. 1798) William Oliphant of Leith [ink inscription to title] T. [?] Borthwick, Jan. 20th 1843 [pencil inscription to front free endpaper].
Verlag: Roma, (Antonio de Rossi, Stamperia di Domenico de Rossi), 1729,, 1729
Anbieter: Harteveld Rare Books Ltd., Fribourg, Schweiz
in-folio, 3 engr. titles + 115 plates (of 116, lacks plate 35), untrimmed, small red school-library stamp on t.p. ?Ecole Sainte Genevieve B.D.J.?, half calf binding on raised bands, gilt bands, two grey title labels on spine with gilt lettering, some rubbing to edges, topedge gilt, corners slightly bumped. Still a very good copy. Second ed. with 115 engraved plates. / Superbe recueil de planches du a' Bartoli (1635-1700), peintre et graveur a' l'eau-forte, eleve de P. Le Maire et de Nicolas Poussin.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Brunet I/759.
Verlag: Joanne Jacobo de Rubeis, Roma, 1693
Anbieter: Librería José Porrúa Turanzas S.A., Madrid, Spanien
Roma, Joanne Jacobo de Rubeis, 1693. En gran folio oblongo (375 x 445)mm. 84 láminas grabadas incluyendo portada y dedicatoria. Encuadernacià n de la à poca en holandesa, papel de las cubiertas renovado. Ejemplar sin cortar, de grandes márgenes. Segunda edicià n adicionada, tras la rarÃsima primera edicià n publicada sin fecha pero que debià imprimirse hacia 1666. MagnÃfico trabajo dedicado a la escultura, relieves y antigüedades romanas ilustrado con 84 preciosas láminas grabadas por Pietro Bartoli a partir de modelos en mármol que aún existen en Roma en el Capitolio, y en las casas y jardines de los prÃncipes (Barberini, Medici, Borghese, Mattei, Giustiniani, Pamphili, Mazarins, Montalto, Della Valle etcà tera). "Entre todas las publicaciones anticuarias jamás producidas en el perÃodo moderno, la Admiranda vestigia ocupa un lugar de excelencia dentro de la cultura intelectual y visual del siglo XVIII y se convirtià en la referencia estándar para imágenes narrativas de la antigüedad para artistas y miembros eruditos de la República de las Letras en toda Europa. Admiranda es la clave privilegiada para comprender las referencias figurativas de interiores neoclásicos desde San Petersburgo hasta Lisboa y desde Escocia hasta Sicilia. Relieves de yeso y mármol, pinturas de grisalla y paneles decorativos de techo que se refieren a la antigua Roma a menudo proponen composiciones extraÃdas de las placas de esta y otras publicaciones de Bartoli. " (Adriano Aymonino). Las láminas 60 y 61 de esta edicià n están dedicadas al fresco romano conocido como la Boda de Aldobrandini, fueron grabados por Bartoli en 1677 y añadidos a la obra. En 1690 un grupo de 31 planchas fueron utilizadas para otra publicacià n de Rossi (Veteres arcus Augustorum), y se reemplazaron por otras 31 nuevas. Lámina 30 firmada con iniciales por Robert van Audenaerd, quien tambià n fue responsable de otras láminas. Treinta y una de las planchas de Francesco Bartoli son copias al revà s de las láminas de Icones et segmenta de François Perrier (Roma, 1645). El monograma de Perrier aparece en las láminas 53 y 54. 375x445mm. (14¾x17½").
Verlag: Buagni, Rome, 1690
Anbieter: Phillip J. Pirages Rare Books (ABAA), McMinnville, OR, USA
492 x 310 mm. (19 1/4 x 12 1/4"). [6] leaves of text numbered in sequence with the plates; i.e, title page, frontispiece, To the Reader, plates 3-15, text leaves 16-19, plates 20-52. Modern quarter calf over marbled boards, raised bands, spine panels with gilt starburst centerpiece. With allegorical frontispiece featuring a portrait of the dedicatee (Cardinal Otthobono) and 46 FINELY ENGRAVED COPPERPLATES OF ROMAN ARCHES, half of these double-page, all mounted on stubs. Cicognara 3608; Brunet I, 758 and VI, 29473. â Slight signs of use to the covers, first and last three leaves faintly foxed, one- to two-inch light dampstain to bottom corners (far from images or text), other trivial imperfections, but A FINE COPY--internally clean, fresh, and bright, with excellent impressions of the engravings, and in a pleasing binding showing virtually no wear. This work depicting the triumphal arches of imperial Rome is considered by Cicognara to be "the most beautiful of this genre, and classic especially for the magnificence and elegance of the prints, which are the masterpiece of Pietro Bartoli." Bartoli (1635-1700) was an antiquary as well as an engraver; he produced engravings of many Roman antiquities and helped to excavate Nero's Domus Aurea, the sprawling complex built by the emperor in the middle of Rome after the fire in 64 A.D. had destroyed much of the city. Bellori (1613-96) was an author and antiquarian who served as curator of antiquities for Pope Clement X. He was later librarian and antiquary to Queen Christina of Sweden, who also employed Bartoli. Bartoli's illustrations show the Arch of Constantine, the Arch of Titus, and the Arch of Septimus Severus, examining the details of each. J. M. Suarez wrote the text discussing the Arch of Septimus Severus. The vastness of the present volume, the very considerable detail of the plates, and the richness of the engravings make this a very impressive book.
Anbieter: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgien
Verbandsmitglied: ILAB
Erstausgabe
Nürnberg, Johann Jacob von Sandrart, 1692, in-folio, 36,5 x 25 cm, engraved title with large ornamental border + halftitle + 8 pp with three engraved vignettes + 79 numbered engraved plates (many double page) + 20 pp with two engraved vignettes and one engraved drawing in the text (complete). Some occasional light soiling and spotting. Bound in 19th-century half calf with marbled sides and endpapers; later reback with old backstrip laid down, a bit rubbed along edgfes, headcap damaged, otherwise good. With a manuscript note on the first fly-leaf stating that the book was bought at Benjamins, Alter Walle, Hamburg, on Oct. 3 1879, for 19 Mark ; with heraldic ex-libris stamp on fly-leaf. First German edition of these engravings depicting Roman antiquities. The theoretical text on painting by the French Académicien Henri Testelin ( Paris 1616 - The Hague 1695) appears here also for the first time in German and is a translation of ''Sentiments des plus habiles peintres'', published in Paris in 1680. Testelin, being a Calvinist, was excluded from the Academy n 1681 and fled to the Netherlands.