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Verlag: Bod Third Party Titles 2018-11-19, 2018
ISBN 10: 3337606466ISBN 13: 9783337606466
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
paperback. Zustand: New. Language: ENG.
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Verlag: WENTWORTH PR, 2018
ISBN 10: 0274675544ISBN 13: 9780274675548
Anbieter: moluna, Greven, Deutschland
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Zustand: New.
Verlag: WENTWORTH PR, 2019
ISBN 10: 1010508091ISBN 13: 9781010508090
Anbieter: moluna, Greven, Deutschland
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Zustand: New.
Verlag: Gale Ecco, Print Editions, 2018
ISBN 10: 1385490624ISBN 13: 9781385490624
Anbieter: moluna, Greven, Deutschland
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Zustand: New.
Verlag: Gale ECCO, Print Editions, 2018
ISBN 10: 1379600529ISBN 13: 9781379600527
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: K.P.Kraus,Wien, 1757
Anbieter: Fabri Antiquariat Dr. Jürgen Aschoff, Ulm, BW, Deutschland
De ossibus corporis humani ad auditores suos. Neuerer Ppbd (Hardcover) im Stil d. Z. mit RSchild. 16,5 x 10 cm, Einband perfekt, als bibliophile Neubindung. Durchgehend leicht braunfleckig, ansonsten erstaunlich frisches Exemplar. vi, 308 S.
Erscheinungsdatum: 1838
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Kunst / Grafik / Poster
Pettigrew's Med. Portr. Gall., 1/ 3. - London, published Fisher, Son, & Co., 1838, 11,5 x 9,5 auf 23 x 16 cm; 2 pp. Biography. Bernhard Siegfried Albinus (1697-1770) Anatomist and surgeon at Leyden. Wellcome 35/3.
Verlag: Augsburg, Haid, 1744., 1744
Anbieter: Antiquariat Thomas Rezek, München, Deutschland
Kunst / Grafik / Poster
circa 37,5 x 22,5 cm (Blatt). 1 Blatt verso weiß "Hüftbild-Portrait, darunter Inschrift und Wappen, im Hintergrund menschliches Skelett; aus Brucker: "Bildersaal berühmter Schriftsteller". - Zu sehen ist der Mediziner Bernhard Siegfried Albinus (1697-1770), Professor in Leiden und Verfasser zahlreichen anatomischer Schriften. " - Gut erhalten.
Erscheinungsdatum: 1770
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Kunst / Grafik / Poster
Diderot & d'Alembert, Anatomie, 6.Taf. - Paris, ca.1770, Folio, Kupferstichtafel aus der "Encyclopédie", 41 X 28 cm; beigelegt die Erklärungen in Kopie. Dieses Blatt zeigt die Muskel der Füsse und der Hand.
Erscheinungsdatum: 1741
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 1 leaf of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1741
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 1 leaf of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1749
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 3 leafs of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1749
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 1 leaf of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1749
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 1 leaf of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1749
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 1 leaf of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1749
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 2 leafs of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1749
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 1 leaf of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1749
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 1 leaf of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1741
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 3 leafs of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1749
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 4 leafs of plate explanations. "In the following Tables all the muscles are exhibited separate from the body, together with the bones to which they are affixed, or on which they lie contiguous, and such other parts belonging to them seemed necessary. They are all figured twice as large as in the preceding Tables, but in the same position, and in all other respects the same, so far as they are represented in the whole figures : but we must except a few of the muscles, which required to be either drawn in a different position, or in their natural magnitude, or which we shall advertise the reader in its proper place. The figures of the bones and other parts, being almost every where in the out-lines only, are either sufficiently intelligible of themselves, or are so from the Tables of the sceleton and bones; for which reason we have added an explanation to only a few of them." Albinus This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1744
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Kunst / Grafik / Poster
Car. de Moor pinx. I.I. Haid excudit A.V. (Augsburg). 1744, 38,7 x 24,4 cm. Bernhard Siegfried Albinus (1697-1770), "berühmtester der Söhne BERNARD'S ALBINUS (1653-1721), geboren am 24. Februar 1607 zu Frankfurt an der 0der, kam schon als Knabe von 5 Jahren mit seinem Vater nach Lcyden. Im Jahre 1712 wurde er an der Hochschule Lcyden's als Student immatriculirt und frequentirte hauptsächlich die Vorlesungen von BIDLOO, RAU, FRIED, WECKERT und BOERHAAVE. Als er im Jahre 1718 seine Studien absolvirt hatte, ging er auf Verlangen seines Vaters nach Paris, um sich dort nur mit Anatomie und Chirurgie zu beschäftigen. Sein Aufenthalt in Paris dauerte aber nicht lange, weil er schon im Juni 1719 durch das Curatorium der Universität nach Leyden zurückberufen ward, um wegen der fortdauernden Krankheit seines Lehrers RAU als Lector anatomiae et chirurgiae aufzutreten, bei welcher Gelegenheit er zugleich honoris causa zum Doctor med. promovirt wurde. Schon im October 1719 hielt er eine Antrittsrede: "De anatome composita". Zwei Jahre später (1721) starb sein Vater und er ward, 24 Jahre alt, namentlich auf Empfehlung von BOERHAAVE an dessen Stelle zum Professor anatomiae et chirurgiae Ordinarius ernannt. Noch im selben Jahre hielt er seine Antrittsrede: "Oratio, qua in verum viam, quae ad fabricae corporis humani cognitionem ducit, inquiritur", eine Art von Programm, worin er seine Meinungen über die nothwendige Richtung des anatomischen Unterrichtes mittheilt, eine Richtung, die noch heut zu Tage als die einzig wahre gilt. Auf Verlangen des Curatoriuins verfasste er einen ausführlichen Katalog der anatomischen Präparate, welche der verstorbene RAU an die Universität vermacht hatte und that dies auf solch' eine Weise, dass diese Arbeit noch jetzt als Muster für derartige Schriften dienen kann. Im selben Jahre (1725) bewirkte er mit seinem Collegen BOERHAAVE eine neue Ausgabe der sämmtlichen anatomischen und chirurgischen Werke von ANDREAS VESALIUS, ZU denen er eine höchst interessante Vorrede schrieb. Da die Abbildungen von VESALIUS und auch die von EUSTACHIUS ihm jedoch für den Unterricht nicht zureichend vorkamen, gab er im Jahre 1726 zum Dienste seines anatomischen Unterrichtes ein " Libellus de ossibus corporis humani" aus, worauf er im Jahre 1734 zum selben Zwecke seine "Historia musculorum corporis humani" folgen liess; beide Schriften werden von HALLER und SANDIFQRT sehr gepriesen, weil sie Früchte sind von eigenen Untersuchungen und fortwährenden genauen Studien an Leichen, zwei Sachen, die Albinus seinen Schülern stets anempfahl als die einzigen guten Mittel zum gründlichen Anatomiestudium. Auch das Studium älterer Autoren förderte er sehr durch die Ausgabe der "Opera omnia" von FABRICIUS AB AQUAPENDENTE (1737) und durch eine vortreffliche Bearbeitung der Tabulae anatomicae von EUSTACHIUS (1744); mit dieser letzten Arbeit hat er der descriptiven Anatomie einen grossen Dienst geleistet, weil er bei dem Texte und auch bei den Abbildungen so viel Neues hinzufügte, dass der Werth des Werkes in nicht geringem Masse dadurch erhöht worden ist. Eigene genaue Untersuchung war stets seine Devise, und so gab diese Art von Handeln auch Anlass zur Ausgabe der merkwürdigen Abhandlung über den Sitz der Hautfarbe bei den Negern, wobei er viel Neues, bis jetzt Unbekanntes über das Corpus reticulare Malpighii an's Licht brachte, das noch heut zu Tage nicht besser und genauer untersucht worden ist. - Seine Abhandlung über die Entwicklung der Knochen beim Fötus ist in jeder Hinsicht ein Muster von accurater wissenschaftlicher Bearbeitung, die beigefügten Abbildungen sind ausserordentlich schön und alle nach durch ihn selbst zu diesem Zweck verfertigten Präparaten genommen. Alibert's Hauptarbeit sind aber seine "Tabulae sceleti et musculorum corporis humani" (1747), Welche im Jahre 1757 mit der "Tabulae vasis chyliferi cum veno, azyga, arteriis intercostalibus, aliisque vicinis partibus" vermehrt wurden. Alle diese .
Erscheinungsdatum: 1750
Anbieter: Jeremy Norman's historyofscience, Novato, CA, USA
Erscheinungsdatum: 1749
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 2 leafs of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1749
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 3 leafs of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1749
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 2 leafs of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1749
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 2 leafs of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Erscheinungsdatum: 1749
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate and 2 leafs of plate explanations. This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.
Anbieter: Buch & Consult Ulrich Keip, Berlin, Deutschland
Erstausgabe
Leiden, Verbeek, 1754-64. 104 (recte 102) S., 1 Bl.; 114; 120; 118 S., 1 Bl.; 150 S., 1 Bl.; 166 S., 1 Bl. Mit insgesamt 34 Kupfertafeln. Leder d. Zeit (berieben, bestoßen u. fleckig, Gelenke gebrochen). Erste Ausgabe. Untersuchungen hauptsächlich auf dem Gebiet der Anatomie, Physiologie u. Pathologie. Albinus versuchte u.a. die Funktion der Nerven bei der Muskelkontraktion zu bestimmen. Eine wichtige Rolle spielt die Frage nach der "substantia elementaris" des menschlichen Körpers. Albinus hatte als erster "fast alle Häute des menschlichen Leibes in ein schwammichtes Wesen aufgelöst und gezeigt, daß dieses und nicht die Gefässe das wahre Element der Häute ist" (Teil 5, S. 147). Die Bedeutung der Membrane war dann von seinem früheren Schüler Albrecht v. Haller weiter untersucht worden. Über diesen Punkt entstand zwischen beiden Gelehrten ein Prioritätsstreit, dem fast der ganze fünfte Teil gewidmet ist (am Ende mit Wiederabdruck der entsprechenden Rezensionen aus den von Haller herausgegebenen Göttingischen Anzeigen von gelehrten Sachen). "It does seem an established fact that Albinus performed vitality experiments with membranes before Haller did . (and) it seems plausible that Albinus even stimulated Haller's efforts in this direction" (Punt, Bernhard Siegfried Albinus, S. 94). - Die beiden fehlenden Teile 7 u. 8 erschienen 1766 u. 1768. - Blake 9; Walter 336 (nur Teil 1-3); Wellcome II, 26. - Gebräunt, Titel fingerfleckig u. gestempelt. Paginierung in Teil 1 springt nach S. 96.
Erscheinungsdatum: 1737
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch Erstausgabe
Leidae Batavorum, Apud Joh. et Herm Verbeek, Bibliop., 1737, 4°, (4, 162, (2) pp., mit 32 Kupferstichtafeln, davon 16 Umrisstafeln, Pergamenteinband d.Zt.; Rücken restauriert; Tafeln gebräunt. First Edition! "Albinus is particularly remembered for his descriptions of the bones, and this first edition of his treatise on fetal bones is one of his finest atlases. All of the fetal bones are illustrated with great detail and are finely lined in the sixteen plates and sixteen line drawings, but in no place is the total skeleton depicted. At the end of his preface, Albinus promises to see to it that only good prints are published and that the plates are not given away to anybody, to prevent the making of inferior prints for the sake of pecuniary gain." Heirs Bernhard Siegfried Albinus (24. Februar 1697 in Frankfurt (Oder) - 9. September 1770 in Leiden) war ein deutscher Anatom und Chirurg sowie Verfasser und Herausgeber medizinischer Schriften. Er gilt als einer der bedeutendsten Beschreibenden Anatomen des 18. Jahrhunderts. siehe - Choulant-Frank, p. 280 Heirs of Hipporates No. 830; ; Wellcome II, p. 26.
Erscheinungsdatum: 1749
Anbieter: Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Deutschland
Buch
London, Printed by H. Woodfall, for John and Paul Knapton, 1749, Royal Folio (678 x 520 mm), 1 engraved plate; added 1 one outline plate and 1 leaf of plate explanations. "In the Figure are expressed the second order of the muscles in the back part of the body, together with some o the ligaments and naked parts of the Sceleton, with part of the scrotum. This corresponds to the figure of the second table, of which is the back view ; but there is this difference, that in the present figure the Sternomastoidei and Cleidomastoidei muscles are taken away, the back parts of those muscles having been sufficiently represented in the fifth table." Albinus This splendid copperplate of the bones and muscles drawn by Jan Wandelaar established a new standard in anatomical illustration, which remained unsurpassed for their artistic beauty and scientific accuracy. In an attempt to increase the scientific accuracy of anatomical illustration, Bernhard Siegfried Albinus (1697-1770) and Jan Wandelaar (1690-1759) the artist and engraver devised a new technique of placing nets with square webbing at specified intervals between the artist and the anatomical specimen and copying the images using the grid patterns. Albinus believed in the idea of "homo perfectus", an idealized perfect human model based on which all humans were derived as variants. In order to represent this perfect human, the illustrations were drawn from multiple specimens. Earlier anatomical drawings such as those accompanying Vesalius' work were drawn from single specimens. Albinus preferred athletic slender forms. 'Tabulae sceleti et musculorum corporis humani' (1747) was criticized by such scholars as Petrus Camper, especially for the whimsical backgrounds added to many of the pieces by Wandelaar, but Albinus staunchly defended him. Wandelaar made the first of the plates in 1742, well before the publication of the Tabulae, and this included the skeleton superposed in front of a rhinoceros. This was the famous rhinoceros Clara which at that time lived in Leiden and was extremely popular. "[Albinus'] works [.] were originally published in Latin at Leiden, but some were reprinted in other places. Especially notable are the first London reprints, in 1749, [.] in Latin; and (in a shorter version) in English, as Tables of the skeleton and muscles of the human body, H. Woodfall for John and Paul Knapton. The plates for these reprints were most carefully and elegantly re-engraved." Roberts & Tomlinson, p.329.