443 (14 Ergebnisse)

0. 16.-26.Tsd., 76 S., 8°, Pbd. Insel-Bücherei Nr. 443. Der Grimmschen Märcher dritter Teil. (HKIB) Band: 0.

Broschiert. Zustand: Gut. 2. Auflage, Seiten etwas gebräunt 76511x Sprache: Deutsch Gewicht in Gramm: 500.

Zustand: 1. Brochà , parfait à tat.

Couverture souple. Zustand: bon. RO10020236: Janvier 1989. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non Renseigné. . . . Classification Dewey : 702-Ouvrages divers sur les beaux-arts et les arts décoratifs.

Couverture souple. Zustand: bon. RO10014970: 1983. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non Renseigné. . . . Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE.

Couverture souple. Zustand: bon. RO10017069: Décembre 1982. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non Renseigné. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

Couverture souple. Zustand: bon. RO10014389: Octobre 1983. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non Renseigné. . . . Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE.

11.-15. Tsd. N.a.V.

Softcover. Zustand: Befriedigend. n/a. 10x17cm (35x41cm) Notiz auf Rückseitakzeptables Exemplar--- Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , 1 Seiten. nein.

Softcover. Zustand: Gut. n/a. 13x17cm (35x40cm) Original-Karton auf Leinen Aufkleber und Notiz auf Rückseite, Karte am Falzmit Leinen hinterlegt, sonst GUTES EXEMPLAR.--- Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , 1 Seiten. nein.

Très bon.

2. London, 1923, small in-4°, 336 pp, sewn, orig. wrapper. (Part I, literature from A to K).

Quarto, [480] pp., Greek types, printed in black and red; complete with the two blank leaves; woodcut devices of a caduceus and Kallierges's double-headed eagle on the title, eagle device repeated on final leaf; modern tan calf binding of period style. The important editio romana of the Odes of Pindar, the first separate edition, the first Greek book to be printed in Rome, and "the most important Pindar edition ever" (Fogelmark). It was produced in Rome by Zacharias Kallierges, a native Cretan, Renaissance humanist and scholar, who had set up the first Greek-owned printing press in Venice in 1499, subsequently moving to Rome to set up his press there. Pindar, the classical ancient Greek lyric poet, was a perfect choice for Kallierges to put into print: the first Greek poet to reflect on the nature of poetry and on the poet's role, he was hugely prized by later writers, not least the Latin poet Horace who admiringly compared the vigour of his writing to the "uncontrollable momentum of a river that has burst its banks". Pindar's four books of epinikia or "victory odes" represent one of "the great monuments of Greek lyric" (Mathiesen). The tradition of epinikia, written to honour victorious athletes at the games, dates back to at least the 6th century BC with verses by Simonides of Ceos surviving in fragments. Pindar's four books, which were written between about 520 and 460 BCE, are associated with the four major festivals of the Panhellenic Games: Olympian, Pythian, Isthmian, and Nemean. Thomas Mathiesen has demonstrated how many of the odes can be identified by event, champion, and year. Kallierges had already established two presses at Venice before he arrived in Rome to teach under Lascaris at the newly founded Greek Gymnasium, an academy created at the behest of Pope Leo X. When working in Venice he was not only a contemporary of but also must have been close to Aldus Manutius, who played the critical role in the publication of classical texts from surviving manuscript sources. Aldus's edition of Pindar of two years earlier, the editio princeps, had offered a text of the odes alone, without the comparatively huge apparatus of scholia which appear in Kallierges' printing for the first time, and which were crucial to the scholarly understanding of Pindar throughout the centuries to come. Their extent can be seen on every page where the comparatively small printing of text is surrounded by the extensive annotations and explanations. Kallierges' edition "has always been acknowledged as textually superior" (The Greek Book, 5). . A little occasional very light foxing; a very good clean copy with good margins.

Zustand: 1850-1900. Seid umschlungen Millionen Walzer für die Internationale Ausstellung für Musik und Theaterwesen in Wien componirt von Johann Strauss op 443 für Clavier solo pour Piano N. Simrock in Berlin9756 XIXe siècle ca1892 11 pages 33.0 x 26.0 cm Très bon état, couverture un peu défraîchie 056805 Piano solo.