1929 paris (32 Ergebnisse)

First Edition. Good copy in the original stiff-card wrappers; edges slightly nicked and dust-dulled as with age. Physical description; 574 pages. Subjects; Church and industry France Congresses. Church and labor France Congresses. Sociology, Christian Catholic Church Congresses. 3 Kg.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 574 pages; Description: 574 p. : plates ; 22 cm. Subjects: Church and industry -- France -- Congresses -- Church and labor -- Sociology, Christian -- Catholic Church -- Organization, control, etc. -- Industry. 4 Kg.

Broschiert. Zustand: Gut. 1re. éd. dans cette collection. In-16 (160x135 mm.). Collection Poètes d'aujourd'hui N.° 168. 192 p. Broché. Sprache: Französisch, ill. photos en n. & b. ill. hors texte. Bon état. Couvertures : légers frottements et plis, dos légèrement passé par l'exposition à la lumière. Intérieur : pages légèrement brunies, sans autres marques et en bon état général. USADO / GEBRAUCHT / USED. Belle anthologie de poèmes de César Vallejo, préparée par sa veuve Georgette et par le poète et critique littéraire péruvien Américo Ferrari pour les éditions Seghers et leur célèbre collection "Poètes d'aujourd'hui", fondée en mai 1944 par Pierre Seghers poète, résistant, éditeur de revues et fondateur des Éditions Seghers. L'ouvrage contient des photographies du poète péruvien et de son entourage, dont certaines peu diffusées et difficiles à trouver dans d'autres publications. [literatura peruana+poesía+poetas peruanos+poetas latinoamericanos+traducido al francés+antología]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 22,50 (original price 25,00) **.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Unread copy with pages unopened. ; 8vo 8" - 9" tall; 574 pages; Description: 574 p. : plates ; 22 cm. Subjects: Church and industry -- France -- Congresses -- Church and labor -- Sociology, Christian -- Catholic Church -- Organization, control, etc. -- Industry. 4 Kg.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Ex-libris copy with minor marks remaining.; 8vo 8" - 9" tall; 574 pages; Description: 574 p. : plates ; 22 cm. Subjects: Church and industry -- France -- Congresses -- Church and labor -- Sociology, Christian -- Catholic Church -- Organization, control, etc. -- Industry. 4 Kg.

95pp.

Couverture rigide. Zustand: Très bon. Le Moël, Michel (1929-2019). Rédacteur Dérens, Jean (1943-2012). Rédacteur (illustrator). Exposition. Paris, Hôtel de Ville. 1991 185 p. : ill. en noir et en coul. ; 29 cm Exposition. Paris, Hôtel de Ville. 1991 . Pleine rel. toile & jaquette. Très bon état. J4 2200g.

101pp.

302pp. Con cubierta en acuarela y 210 dibujos originales de Henry Fournier. 34e mille.

ALBUMBLATT (4°) mit aufgezogenem Porträt mit seiner Frau Anja Silva, beide Unterschriften signiert ! (auch vorhanden : Rüdel-Porträtfotopostkarte, eigh. signiert, Euro 35,- ; E.Albumblatt (1 S. quer 8°) mit Unterschrift signiert "Dem Orchester und den Solisten meinen herzlichen Dank Ihr CHRISTOPH VON DOHNANYI Berlin 16.IV.72" mit BEILAGE : Original-Programm BERLINER FESTWOCHEN 1972 des Berliner Philharmonisches Orchester unter seiner Leitung, von den 3 Solisten: KARL LEISTNER (1937) Klarinette, LOTHAR KOCH (1935-2003) Flöte und KARLHEINZ ZÖLLER (1928-2005) Flöte, sowie dem aufgeführten Komponist BORIS BLACHER (1903-75) eigenhändig signiert zus. Euro 185,-).

Paperback. Zustand: Good. [56] pages : illustrations en noir et en couleur ; 31 cm Paris--Expositions--1991-1992. Rainer, Arnulf, 1929---Exhibitions. Text French.

Softcover. Zustand: Gut. 1a.ed. 23x15cm. Colección Archivo Epistolar Colombiano, vol. XI. Erste Auflage, 368 p., Rústica. Sprache: Spanisch, ilustr. láms. hors text y h. facsimiladas en b/n. Buen estado. Cubiertas: algo fatigadas y leves roces y descoloridos. Interiores: sin marcas y en buen estado. USADO / GEBRAUCHT / USED. [Epistolario+Rufino José Cuervo+Raymond Foulché-Delbosc+Archivo Epistolar Colombiano+Charles Leselbaum+intelectuales americanos del siglo XIX]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 43,20 (original price 48,00) **.

FOTO mit eigenhändiger Widmung, Unterschrift 60'er , mit kleinen Zeichnungen (3 Vögel) !

E.Postkarte in Tinte mit Ort, Datum, Unterschrift (Initiale) L. signiert Berlin, 15.X.1907 - an seine Mutter, Frau Professor von Sybel in MARBURG, CAROLINE VON SYBEL ( geb. Eckhardt (1817?1884, Tochter des Geodäten Christian Eckhardt ), seit 1841 verheiratet mit HEINRICH VON SYBEL (1817-95, deutscher Historiker , Archivar und Politiker ), mit der Ankündigung seines Besuches in Marburg, berichtet von einer schönen Feier : Der Kaiser schickte Gen(eral) Pleßen, außerdem der Kronprinz u. viel Militär. (dito : E.Brief (2,5 S. 8 to) in Tinte mit Ort, Datum, eigenhändiger Unterschrift / Initiale signiert Dein treuer Neffe L. Marburg, 13.9.99 - an Liebe Tante Anna ! (ANNA ECKHARDT, Darmstadt), die eine neue Wohnung bezogen hatte Euro 48,-).

Brief (1 S. 8°) mit Ort, Datum, Unterschrift signiert Badenweiler, 11.1.1985 - dankt für Glückwünsche zum 80. Geburtstag mit Autogrammen.

XXIV-403pp.

Briefkarte mit eigenhändiger Unterschrift signiert - mit Repro-Porträtfoto unter dunkelblaues Passepartout (4 to) gerahmt.

2. In-8°, 27 x 19 cm, 98 pp, 157 lots, b/w ills., sewn, orig. wrappers.

Overall 1.660 pages, few partly colour-plates; first 2 blank sheets with holograph 'Table of Contents'. - Gilt-titled dark-red half-chagrin-leather binding of the period with marbled panels and endpapers; lex.-8vo.(ca. 23 x 17,5 x 8 cm; ca. 2,2 kg.). *** FIRST EDITIONS, 28 DOCTORATE-THESISES FROM 'FACULTÉ DE MÉDECINE DE PARIS' AND 5 OFFPRINTS; ALL ON VARIOUS ASPECTS OF THE DIABETES-DESEASE, all from the 1890ies when Dr. Fernand Widal was lecturer in Paris. First titlepage ('Le Goff') with round stamp 'Bibliothèque du Professeur Widal, F. W.', inner frontpanel with bookplate of 'Administration générale de l'Assistance publique à Paris / Bibliothèque Centrale de l'Internat / Don de M. le Docteur [holograph:] Widal'. - 1) #383, LE GOFF (*Hémonstoir, 1864): 'Thèse pour le Doctorat en Médecine', Paris 1897, 118 pages / 2) #582, LEDIEU (*Paris, 1873): 'Thèse . . . (20.7.1898)'; Paris, Jouve, 1898; 67 p. / 3) #428, BOISUMEAU: 'Thèse . . . (1.7.1897)'; Paris, Carré / Naud, 1897; 83 p. / 4) #540, MASCAREL (*La Chartre-sur-Loir, 1873; ancien Externe des Hopitaux, Medaille de Bronze de l'Assistance publique): 'Thèse . . . (19.7.1898)'; Paris, Jouve, 1898; 78 (1) p. / 5) #365, WINTER (*Thann, 1870; Docteur en Médecine de la Faculté Strasbourg): 'Thèse . . . (29.5.1897)'; Paris, Jouve, 1897; 112 p. / 6) #490, GOUDARD (*Genève, 1870; Interne de l'Asile de Vincennes, . . .): 'Thèse . . . (15.7.1897)'; Paris, Steinheil, 1897; 137 (1) p. / 7) #302, QUIVY (*Vieux-Condé, 1875): 'Thèse . . . (23.2.1875)'; Paris, Jouve, 1898; 52 p. / 8) #87, MATHIEU (*Mirecourt, 1872): 'Thèse . . . (22.12.1897); Paris, Jouve, 1897; 94 p. / 9) #45x, BLANC (*Saint-Poney, 1864): 'Thèse . . . (16.7.1896)'; Paris, Jouve et Cie, 1896; 50 p. / 10) #109, CORNEILLE (*Montpezat, 1872): 'Thèse . . . (23.12.1897)', Paris, Cornois, 1897; 52 p. / 11) CARAMANOS: 'Thèse . . . (8.7.1897)'; Paris, Carré / Naud, 1897; (4) 132 p., 4 'Figures' on 2 singleside colour-lithograph plates. / 12) DUTOURNIER (*Bayonne, 1867): 'Thèse . . . (27.6.1895)'; Paris, Steinheil, 1895; 96 p. / 13) #130, ARGENSON (*Paris, 1869): 'Thèse . . . (12.1.1898)'; Paris, Jouve, 1898; 90 p. / 14) 6e Année No. 8, VERGELY (Professeur à la Faculté de médécine de Bordeaux): 'Archives Cliniques de Bordeaux)' 1897; 34 (1) p. / 15) ROQUE (Agrégé, Médecin des Hôpitaux de Lyon); DEVIC (Agr. de la Faculté de Médecine de Lyon); HUGOUNENC (Professeur de Chimie à la Fac.): Révue de Médecine, p. (995)-1.007. / 16) BOINET (Agrégé des Facultés, Professeur á l'École de Médecine de Marseilles): not dated, 1 p. / 17) MABBOUX, M. (Médecin-Major de l'Armée): inscribed and signed (first line of inscr.iption cut); 'Révue de Médecine', p. (759)-783. / 18) WORMS (Membre de l'Académie de Médecine, Officier de la Légion d'Honneur): Extrait du 'Bulletin de l'Académie', Séance du 5 Déc. 1893; Paris, Masson, 1893; 23 p. / 19) DEBRAY (*Longueval, 1869; Interne à l'Asile de Convalescence des Hôpitaux de Paris): 'Thèse . . . (3.6.1896)'; Paris, Impr. de la Fac. de Méd., 1893; 207 p. / 20) SOREL (Interne des Hôpitaux de Rouen, Prix Pillore 1891): 'Thèse . . . (18.7.1894)'; Societe d'Éditions Scientifiques; Paris, 1894; 96 p., 4 fig. on 1 plate. / 21) #36, SEKEYAN, M. (*Constantinople, 1873): 'Thèse . . . (17.11.1897)'; Paris, Jouve, 1897; 50 p. / 22) #228, RODAT: 'Thèse . . . (15.3.1898)'; Paris, Carré / Naud, 1898; 95 p. / 23) #22[0], LEGENDRE (*Beuzeville, 1857): 'Thèse . . . (4.4.1895)'; Paris, Jouve, 1895; 70 p. --- Corners of the panels and foot of spine partly somewhat rubbed, joints slightly rubbed, bottom frontjoint slightly split (not affecting the tightness of the binding); else in best condition.

Zustand: Good. Large 8vo. 15.5 x 24cm. 2 volumes in one: First Series: [8], 141, [7], [2 blank leaves]; Second Series: [10], 104, [4], [1 blank leaf].Very good. Three-quarter contemporary red morocco; wraps bound in. One of 44 copies with a color drawing by the author; likely a collotype. In this copy the title in the drawing has been reworked by hand. Minkoff A11 and A20. Minkoff correctly states that the copies are not numbered as called for on the justification page. What appears as "17" beneath the drawing is apparently some other notation by Crosby. OCLC Number / Unique Identifier:458990437: Morgan Library accession number: PML 184715 Provenance: Collection of Dr. Gregory R. Bonomo.

Zustand: Good. Large 8vo. 16.1 x 24.9 cm. Original wraps and gold chemise with red silk ties (one tie now shorter).One of 44 numbered copies on Imperial Japan paper. Crease on cover.Minkoff A-3(d) .OCLC Number / Unique Identifier:960107655: "First published in October 1925."Il a été tiré de cette édition définitive quarante-quatre exemplaires su Japon impérial numérotés de 1 à 44." No. 37."Provenance? Collection of Dr. Gregory R. Bonomo.

In-8°, 23 x 17,5 cm, xii + 81 pp + 16 plates h.t., sewn, orig. wrappers (back slightly damaged).

Paris, Galerie Georges Petit, 1929, 3 vols small in-4°, 24,5 x 19 cm, 115 pp + 85 plates (describing 124 lots) ; 115 pp + plates 86-178 (descr. lots 125-266) ; 64 pp + plates 179-225 (descr. lots 267-346 - sculptures). Publisher's marbled soft cover, printed on high quality paper. Fine copies.

2. Paris, Drouot, ( Desvouges-Baudoin), 1929, large in-8°, 36 pp, ca. 15 plates, 237 lots, sewn, orig. wrapper (wrapper dustsoiled, spine with a tear, interior fine) Annoncé comme la première vente de cette collection. (Announced as the first sale of this collection).

2. Paris, Giraud Badin, 1927, 1929, 2 vols In-8°, 27 x 19 cm, 218 pp, 478 lots, 111 pp , 479-791 lots( b/w ills., sewn, orig. wrapper. (two volumes, both a bit scruffy and dust soiled).

Zustand: Good. First Edition. RUSSIAN MODERNISM REBORN ON THE PARISIAN STAGE. A visually striking Première Saison program documenting the post-Diaghilev continuation of Russian operatic and theatrical culture in interwar Paris. Issued by the newly founded Opéra Privé de Paris in 1929, this richly illustrated production program for Rimsky-Korsakov's 'Tsar Saltan' preserves the artistic language of the Ballets Russes through tipped-in color costume and scenic designs after Ivan Bilibin and Alexandre Korovine. Founded immediately following the death of Sergei Diaghilev, the Opéra Privé de Paris sought to sustain the creative energy of Russian émigré theater in Western Europe. This production united performers, designers, and musicians associated with the Russian diaspora, transforming Pushkin's fairy-tale opera into a vivid expression of émigré modernism transplanted into the cultural life of Paris. PHYSICAL DESCRIPTION: Quarto format, approximately 9.5 × 12.5 inches. Stapled illustrated wraps with full-color chromolithographic cover after Ivan Bilibin. Illustrated with six tipped-in color chromolithographs of costume designs after Bilibin, executed from stage maquettes by Alexandre Korovine, together with two additional tipped-in scenic plates and a tipped-in color portrait of Madame Maria Kousnezoff-Massenet by Nicolas Kousnezoff. Numerous illustrated period advertisements throughout, including several full-page advertisements. CONDITION: One advertisement leaf detached but present. Plates remain vivid and visually strong with only light handling wear to the wraps. Staples sound. A well-preserved and unusually attractive example of interwar Parisian opera ephemera. Première Saison issue. Première Saison programs of the Opéra Privé de Paris survive in comparatively small numbers, particularly examples retaining the full suite of tipped-in color plates after Ivan Bilibin. Comparable illustrated programs from this short-lived company appear only intermittently in the market, especially in near-complete condition. HISTORICAL SIGNIFICANCE - The Opéra Privé de Paris was co-directed by the Russian soprano Maria Kousnezoff-Massenet and functioned as an important cultural bridge for displaced Russian artists after the Revolution. Though short-lived, the company preserved important elements of Russian operatic staging and Ballets Russes visual identity during a transitional moment in European theater history. Ivan Bilibin's influence on Russian stage aesthetics remained profound well into the twentieth century, and his designs for productions such as 'Tsar Saltan' helped define the visual mythology of Russian folklore on the international stage. This program captures a pivotal moment in the evolution of Russian theatrical modernism after the dissolution of the Ballets Russes. Following Diaghilev's death in 1929, Russian émigré artists in Paris sought new institutional forms through which to continue the aesthetic innovations that had transformed European stage culture during the previous two decades. The production of Rimsky-Korsakov's 'Tsar Saltan', adapted from Pushkin's fairy-tale poem, provided an ideal vehicle for this visual and musical continuity. The decorative richness of Ivan Bilibin's folkloric imagery, combined with the scenic interpretation of Alexandre Korovine, preserves the highly ornamental stage language that became synonymous with Russian theatrical design in the early twentieth century. Beyond its theatrical importance, the program also presents a vivid portrait of interwar Parisian cultural life. Its advertisements, portraiture, typography, and chromolithographic inserts collectively illustrate the commercial and artistic environment surrounding Russian émigré performance culture in France between the wars. SUBJECTS: Ballets Russes Legacy, Ivan Bilibin Stage Design, Russian Émigré Art, Paris Theater History, Rimsky-Korsakov, Tsar Saltan, Interwar Opera Culture, Russian Opera In Paris, Chromolithographic Illustration, Illustrated Performance Programs, Opera Ephemera, Theater History, Russian Modernism, Illustrated Programs.

25,6 : 25,6 cm auf weissem Karton 50 : 35 cm. Erschienen 1975 im Mappenwerk "30 Jahre Galerie d'Art Moderne Bâle", in 150 + 50 Exemplaren. Makellos erhalten. Sprache: de.

White stereo-photograph frames with blue text 'LE MOULIN ROUGE' in ornaments at both sides and a small red windmill at the top, the coloured rear (unveiling its effects only against a light) is originally protected (within the frames) by thin halftransparent paper; 9 x 18 cm overall. *** RARE ORIGINALS OF WEBER'S OFFICIAL MOULIN-ROUGE STAGE-PHOTOGRAPHS; in different postures (posing, leg-up, uskirt etc.), wearing different dresses and 'hairs'(blond, black). - The rear-cardboards bear the old inscription '85 [- 123] La Goulue' while the frontparts of the frames bear a younger inscription 'La Goulue E-75'. --- BEAUTIFUL DOCUMENTS, only minimally aged. - Other Moulin-Rouge Stereo-Photographs of other dancers ('La Mélinite'[Jane Avril], 'Chiquita', 'Paquerette', 'Margot' and 'Le Carnaval au Moulin Rouge') in stock. . .

12hh. impresas en letra gótica. Edición total numerada de 77 ejemplares. Aquí el Nº 32 de los 65 en papel de hilo. Perfecto ejemplar. Palau,94.017. Rarísimo.

2. Paris, Comm. Priseur Lair-Dubreuil, 1929, in-8°, 53 pp , 304 lots, ills. Sewn, original stiff wrapper ( wrapper soiled, interior fine).