Paul j. bourgeois (6 Ergebnisse)

71 + [2]pp.avec ills. + planche hors-texte, 29cm., dans la série "Académie royale de Belgique, classe des sciences, mémoires, collection in-4o, deuxième série" tome 5 fascicule 9, br.orig., non coupé, bon état.

Hardcover. Zustand: sehr gut. Zustand des Schutzumschlags: sehr gut. Softcover 8°. 1303-137 pages, with figures, former Library Copy, good condition. Extrait des Bulletins de l`Academie royale de Belgique. 1936. No. 12. in französischer Sprache (en francais).

Couverture souple. Zustand: Satisfaisant. J. Bourgeois Catalogue des coléoptères de la chaine des Vosges et des régions limitrophes fascicules I,IV, V, VI, VII, IX (tome IX continué par Scherdlin) et Supplément au catalogue des coléoptères de la chaine des Vosges et des Régions limitrophes par Paul Scherdlin, 1916 Deuxième Supplément au catalogue des coléoptères de la chaine des Vosges et des Régions limitrophes par Paul Scherdlin, 1920 Bon état général, quelques usures et taches aux couvertures, jaunissement marginal des papiers, ouvrages non rognés.…

Zustand: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .…

FIRST AND ONLY EDITION OF THIS FOUNDATIONAL TEXT IN THE FIELD OF WOMEN'S STUDIES, an examination of how art and literature depict the ways society has failed to protect women in vulnerable circumstances. 158 pp. plus numerous hors-texte illustrations, including TEN ORIGINAL PRINTS BY Charles Cottet, André Devambez, Abel Faivre, Gaston La Touche, Charles Léandre, Auguste Lepère, Bernard Naudin, Alfred Roll, Steinlen, and Jean Veber. EDITION LIMITED TO 250 NUMBERED COPIES, OF WHICH THIS IS ONE OF 220 PRINTED ON FINE ARCHES WOVE PAPER. Folio. Bound in publisher's boards with Japanese paper covers. FINE AND BRIGHT, LIKE NEW, WITH NO DEFECTS. Housed in the original board chemise and slipcases. PRISTINE AND COMPLETE COPIES LIKE THIS ONE ARE OF THE GREATEST RARITY. …

Editions du Fleuve, Lyon - 1948 - Tome 1 - In-8, broché - 401 p. - Riche iconographie in et hors-texte en N&B Bon état - Menues tâches et rousseurs sur la couverture - Plis de lecture au dos - Départ de fente aux extrémités du "mors" de la 1ère de couverture.