Barbara mooney (19 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. The book is in fair condition, with the dust jacket showing visible wear and some edge tears. The binding remains intact, ensuring the pages are secure. There are no inscriptions or library markings, maintaining its original presentation. visible wear with some edge tears.

Hardcover. Zustand: Acceptable. Worn with tears and edge wear. The book is a hardcover edition with a dust jacket that exhibits noticeable wear, including tears and edge wear. The binding is exposed in some areas, indicating wear and potential fragility. The interior pages appear clean and unmarked, offering a clear presentation of the text and images. …

Paperback. Zustand: Brand New. 173 pages. 11.00x8.50x0.39 inches. In Stock.

Hardback. Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: new.

Zustand: New. pp. ix + 366 Illus.

Zustand: New. In English.

Zustand: New.

Zustand: New. Num Pages: 366 pages, black & white illustrations, black & white line drawings. BIC Classification: AB; AMK. Category: (G) General (US: Trade). Dimension: 257 x 185 x 29. Weight in Grams: 975. . 2008. First Printing. Hardcover. . . . .

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Brand New. 400 pages. 10.00x7.00x1.00 inches. In Stock.

Zustand: New. Num Pages: 366 pages, black & white illustrations, black & white line drawings. BIC Classification: AB; AMK. Category: (G) General (US: Trade). Dimension: 257 x 185 x 29. Weight in Grams: 975. . 2008. First Printing. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 400 pages. 10.00x7.00x1.00 inches. In Stock.

Gebunden. Zustand: New. &Uumlber den AutorBarbara Burlison Mooney is Associate Professor of Art and Art History at the University of Iowa.

Hardback. Zustand: New.

Buch. Zustand: Neu. Neuware - In a list of objectives and inquiries meant to guide and make profitable the European travel of two young Americans in 1788, Thomas Jefferson noted, 'Architecture [is] worth great attention. As we double our numbers ever 20 years we must double our houses. It is then among the most important arts: and it is desireable to introduce taste into an art which shews so much.' Referring both to the large physical presence of architecture, as well as the ability of a structure to reveal its owner's character, Jefferson articulates the telling relationship in eighteenth-century Virginia between architecture and construction of the self. In 'Prodigy Houses of Virginia: Architecture and the Native Elite,' Barbara Burlison Mooney employs Jefferson's theory to examine twenty-five great eighteenth-century Virginia mansions, and offer an analytical overview of Virginia's elite residential architecture from a patronage perspective. Though it focuses on architectural history, the book concerns itself less with issues of design and construction than with the social and cultural context in which the Virginia gentry commissioned their imposing dwellings. In her examination of such places as Stratford Hall, Carter's Grove, and Gunston Hall--mansions whose grandeur has become synonymous with the image--if not the reality--of life in Colonial Virginia--Mooney illuminates the fortunes, motivations, and aspirations of the wealthy and powerful owners who built their 'homes' with the objective of securing their status and impressing the public. In choosing to spend astonishing sums to provide themselves with grand houses that far exceeded their living requirements--in some cases, by a disastrous measure--the owners of these mansions advanced grand claims to social and political prestige. Clearly and accessibly written, 'Prodigy Houses of Virginia' will appeal not only to architectural and social historians of the Colonial period but also to the general reader interested in these mansions and the people who inhabited them.…

[2] pp.; 27.9 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Flyer published in conjunction with readings held at Ear Inn, Saturdays, January 6 - February 24, [1979]. Organized by Ted Greenwald and Charles Bernstein. Readings by Gary Lenhart, Alexandra Anderson, Annabel Levitt, Chuck Wachtel, Ted Mooney, Larry Fagin, Nick Piombino, Brian McInerney, El Friedman, Bob Rosenthal, Dick Higgins, Steve McCaffery, Barbara Guest, Ray DiPalma, Steve Carey and Tom Carey. Very Good. Folded in four with moderate overall handling wear, yellowing of page edges, and wear to corners with bumping to bottom left corner and a 2.2 cm. crease with bumping to bottom right corner. Overall soiling of bottom half of verso including 3 cm. and 6.2 cm. marks. Otherwise clean and unmarked.…