Hamish wilson (18 Ergebnisse)

Zustand: Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Zustand des Schutzumschlags: 47231308. 1786521512. 8/12/2026 7:58:32 AM.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Wilson, Alexander (illustrator).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Wilson, Alexander (illustrator).

Zustand: New. Wilson, Alexander (illustrator).

Paperback. Zustand: Brand New. 70 pages. 7.70x5.10x0.30 inches. In Stock. Wilson, Alexander (illustrator).

Hardcover. Zustand: Very Good. Limited Edition. A very clean copy. Privately published family history tracing three generations of the Wilsons and the development of their farming properties along the Rangitīkei River, centred on Ngaio Station near Bulls.

Taschenbuch. Zustand: Neu. Neuware - 'The crossbill is a bonny birdAn she sings wi a guid Scots tongueJip-jip-jipA'll gie ye gipGin ye meddle wi me nor ma young'This book highlights the works of a notable Scottish writer and illustrator, Alexander Wilson. Wilson explored the world of birds through the rich and vibrant medium of the Scots language. Because of his vast travels across North America in the eighteenth century, Wilson pioneered the science of ornithological writing and illustration. He was also a radically-minded weaver and minor poet. Because of this, he was something of a rebel in his own country. Before he emigrated to the United States, Wilson wrote and published a number of poems in Scots. This new book celebrates the artwork of Alexander Wilson by reproducing his illustrations alongside new poems in Scots by Hamish MacDonald. The new poems look at the habits, habitats, and characteristics of birds. Wilson, Alexander (illustrator).…

Hardcover. Zustand: Very Good. 75 pp. b/w photos & sketches by Alice & Adrian White. Foxed page edg es. Light spotting to endpapers - pages clean & tight.

Kartoniert / Broschiert. Zustand: New. Wilson, Alexander (illustrator).

Hardcover. Zustand: Brand New. 345 pages. 9.75x6.75x1.00 inches. In Stock.

Hardcover. Zustand: gut. 2016. The Holy Roman Empire In englischer Sprache. pages.

Zustand: Good. Mild shelf wear to extremities. Previous owner name on title page. Gentle tanning to page edges.

Hardcover/Großformat. Zustand: Gut. 318 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); Einbandkanten sind leicht bestoßen. der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. ENGLISCH. Bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten. Sprache: Englisch Gewicht in Gramm: 2010.…

251 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; May 1974 issue of Studio International edited by Peter Townsend. Contents include: "The Complete Artist," by John McEwen; "2 Fisherman: 1. An Appreciation of C.M. Wells," by J.W. Chance and "2. Ivan Marks: fishing as a profession;" "Correspondence;" "Acanthonemus Lubaurus Fossil;" "The Fish as a Symbol," by Cara Montgomery; "Multiple Exercise," by William Allan; "Sea Grant second narrative and two precedent works," by Newton Harrison; "Char and char fishing," by Geoffrey White; "Feuilleton," by Marcel Broodthaers; "The paintings of Joseph Raffael," by William S. Wilson; "A/S Mowi: industrial fish farming;" "Man's Impact on life in inland waters," by H.A. Hawkes; "Recipes," by Henri de Toulouse-Lautrec, Marcello Salvadori; and X-ray of a flounder" and reviews by Clive Phillpot, Malcolm LeGrice, John Walker, Liesbeth Corstius, Keith Albarn, Günther Wirth, R.C. Kenedy, David Troostwyck, Tony Rothon, Judy Marle, Paul Rosenbloom, Fenella Crichton, Christopher Fox, James Faure Walker, Robert Corbett, and Frank Whitford. Cover specifically designed for this issue by James Sneath. Also includes a ten page artist project by Hamish Fulton presented by Robert Self, presumably paid for as an advertisement in the magazine and not presented as editorial content. Good. Bumping of corners with creasing. 5.7 cm. area of writing in pencil on recto. 4 mm. tear to bottom right corner of verso and two 8 mm. tears across spine. Yellowing of pages. Contents clean and unmarked.…

Paperback. Zustand: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia et al / No.20, 17, C: Merlin Carpenter, Bedfellows, Francisco Camacho Herrera, Radio Anti, Willats, Eliana Otta et al / No.21, C: Helen Walker & Harun Morrison, Pete Clarke, Lucie Kolb, Gary Bratchford & Robin Parkinson, Rebecca Davies & Eva Sajovic, Elina Otta, Stephen Willats, Javier Calderon, Chalton Gallery. Collated and correct. Near fine.…

Zustand: Near fine. On Loan, Coracle Press, London, 1980. Cards printed black on white in 88 x 60 x 70mm white box, together with 75 x 75 x 85mm outer mailing box. Edition 11 of 15 signed copies. Numbered by Simon Cutts on underside of both boxes. Published to coincide with the On Loan exhibition ('an exhibition of borrowed art lent by artists'), 22 November 19 December 1980 at 233 Camberwell New Road, London. Artists included Roger Ackling, Glen Baxter, David Brown, Marc Camille Chaimovicz, John Christie, Thomas and Laurie Clark, Les Coleman, Simon Cutts, Stephen Duncalf, Sandra Fisher, Barry Flanagan, Hamish Fulton, Bill Furlong, John Furnival, Gerry Hunt, R. B. Kitaj, Robin Klassnik, Brian Lane, Richard Long, Leonard McComb, Stuart Mills, Eduardo Paolozzi, Roy Perry, David Pescod, David Roe, Martin Rogers, S. East Gallery (Sally East), Joe Tilson, Ian Tyson, Steve Wheatley, Stephen Willats, Jonathan Williams and Richard Wilson.On Loan references the analogue card system once used by British libraries for loaning books. In all, it functions as a list of works for the show, with one card per artist and their exhibited work. In this special edition numbered 11 of 15, each card is signed in ink or pencil by one of the artists who participated in the exhibition. Condition: Near fine.…