Larry o'hara (27 Ergebnisse)

Hardcover. Zustand: Fair. Harry Abrams 1969? HC No DJ Former Library with usual markings.

Zustand: Very good. - Small quarto [9-1/4 inches high by 8-1/4 inches wide], softcover bound in pictorial wrappers by Larry Rivers. The binding is very lightly bumped & the spine is rubbed. 91 & [1] pages. Black-and-white & color plates and profuse illustrations in black & white. Very good. From the library of Inez Garcia with her signature penned at the top of the title page. Garcia [d. 1983] was an artist and art historian. She worked at the Museum of Modern Art, New York City, directed the White Art Museum at Cornell University and was curator at the Hirshhorn Museum, Washington, DC.Catalog for an exhibition organized by the Poses Institute of Fine Art, Brandeis University, in collaboration with several other museums. The catalog includes a memoir by Frank O'Hara, an introduction by Sam Hunter and a statement by Larry Rivers. The exhibition toured from April 1965 to February 1966.…

Pamphlet. Zustand: Brand New. 64 pages. In Stock.

Pamphlet. Zustand: Brand New. 36 pages. In Stock.

paperback. Zustand: Very Good. Waltham, 1965; illustrated paper covers; bottom corner of front cover lifted; 8vo - over 7 3/4" to 9 3/4" tall; Interior is clean and unmarked; 92 pages.

Paperback. Zustand: Good+. Paperback. Binding sound, text clean, moderate shelfwear. 92 pages. Illustrated, oversize exhibition catalogue. Book.

Zustand: New. 2024. pamphlet. . . . . . Books ship from the US and Ireland.

First Edition. First edition. Softcover. 122 pages. Literary journal with contributions by John Rechy, Alexander Trocchi, Paul Blackburn, Larry Rivers, and Frank O'Hara and others. Also includes LeRoi Jones' poem "The New Sheriff." A near fine copy in wrappers.

Small 4to.; illustrated stiff wraps, softcover; 92 pages; black and white and color illustrations; "An exhibition of the Poses Institute of Fine Arts, Bradeis University in collaboration with The Detroit Institute of Arts, The Jewish Museum, The Minneapolis Institute of Arts and The Pasadena Art Museum."; very lightly edge-rubbed else very good.…

Pamphlet. Zustand: Good. 54pp. Covers a little grubby. Internally bright and clean. Uncommon.

Pamphlet. Zustand: Good. 28pp A4 Format. Contents include: Islington Childcare Scandal; Motability and the disabled; BNP & NF; racist policing; minimum wage; women-only shortlists; TGWU & Jack Dromey; rail pay ballots; NUS and student grants; Turkey and Kurds; Nigeria etc.

softcover. Zustand: Sehr gut. 91, (1) p. Introduction by Sam Hunter, with a memoir by Frank O'Hara and a statement by the artist. The publication accompanies an exhibition at Brandeis University, The Pasadena Art Museum, The Jewish Museum, The Detroit Institute of Arts, The Minneapolis Instituts of Arts. Sprache: Englisch Gewicht in Gramm: 349.…

Magazine. Zustand: Very Good. 28pp A4.

First Edition. 21 x 15cm. Stapled paperback, 40pp. Illustrated with many xerox-quality photos, drawings and cartoons. "A view of two rather disappointed, but nevertheless determined, radicals (Green socialists even - but of a kind you might not have come across before) on the future of the Green Party". Published in the wake of the 1990 Coventry conference of the Green Party of Britain. (ref: 144).…

First Edition. First edition and first printing. Hardcover. 294 pages. Features text by Sam Hunter and a memoir by Frank O'Hara Includes 246 illustrations of which 66 are in color, a chronology, list of previous exhibitions, and a bibliography. A clean and tight very near fine copy in cloth boards and in a very near fine dust jacket. A very nice copy of what is still one of the best books on Rivers.…

83 pp.; 20.3 x 13.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Survey of young artists of the school of New York edited and with an introduction by B.H. Friedman. Contents include: "Helen Frankenthaler," by B.H. Friedman; "Robert Goodnough," by Barbara Guest; "Grace Hartigan," by Emily Dennis; "Jasper Johns," by Ben Heller; "Alfred Leslie," by James Schuyler; "Joan Mitchell," by Irving Sandler; "Raymond Parker," by Bill Godden; "Robert Rauschenberg," by David Harrison Myers; "Larry Rivers," by Frank O'Hara; "Jon Schueler," by Alastair Reid and "Richard Stankiewicz," by Fairfield Porter. Additional contributions by Walter Silver and Sonya Rudikoff. Includes biographical notes and photographic credits. Good. Rubbing and yellowing of covers with light edgewear and yellow soiling to top edge of recto. Light scratching of covers and rubbing of spine. Contents clean and unmarked.…

Paperback. Zustand: Good+. First Edition. 97pp Faint trace of sticker to back cover. A very clean copy.

Zustand: Good. 8vo, 92 pp. Softcover, Very Good. Mostly B&W Plates.

Zustand: As New. Unread book in perfect condition.

Softcover. Zustand: Near Fine. Magazine. Cover by Norman Bluhm. 65pp. Tipped-in illustration on page 63. Stapled wrappers. Spine lightly rubbed, else fine. One of the most influential of all the "little magazines" published during the mimeograph revolution. This issue features contributions from Jones, Allen Ginsberg, Robert Creeley, John Ashbery, Charles Olson, Gilbert Sorrentino, Philip Whalen, Larry Eigner, Frank O'Hara, Bruce Boyd, Kenneth Koch, George Stanley, Gregory Corso, B. Smith, Stuart Z. Perkoff, Max Finstein, Joel Oppenheimer, Diane di Prima, and Edward Marshall.…

First Edition. 29.5 x 21cm. Four A4 sheets stapled in top left corner. Cover sheet printed recto-only, with three double-sided reproductions of Larry O'Hara's Stewart Home: The Fascists' Flunkey, Chronos Publications' Some Facts About Steward [sic] Home/Mr Mobile at the CIA, and an article in Lookout (No. 1 Summer 1995) by David Black responding to an attack in the London Psychogeographical Association Newsletter. A rare, juicy and retrospectively amusing collection of texts critical of artist Stewart Home and his use of disinformation and confusion ("which seem to uncannily echo the agenda of the State" [according to Larry O'Hara]). Published in the wake of an emotionally-charged leafletting incident at London's Institute of Contemporary Arts (ICA) on 18th March 1996 organised by Serpent's Tail Press entitled 'Ten Years of Hell'. Stewart Home later countered some of the arguments here in a self-published tract entitled 'Prigent-O'Hara: A Tale of two Shitheads'. Very good condition. (ref: 145).…

Pamphlet. Zustand: Very Good. 1997 - 2009. A4. Each 35pp-68pp. Rare. A magazine revelling in conspiracy theories, links between the secret state, fascists, antifascists, leftists, the media. It describes itself as 'Britain's premier parapolitical investigative magazine'. The most attacked organisation in O'Hara's writings is 'Searchlight'.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. First edition, hardcover issue. Memoir by Frank O'Hara, Introduction by Sam Hunter, with a Statement by Larry Rivers. Exhibition catalogue. Quarto. 91, [1] pp. Illustrated. Fine in fine dust jacket. The hardcover issue is very uncommon.…

Cloth. Zustand: Fine. Zustand des Schutzumschlags: near fine. First Edition, First Printing. Quarto, xxix, [1], 586pp, [6]. The first state binding, with cream cloth, title and author stamped in gilt. The second issue binding was nearly identical, but the covers were stamped in blind. Stated "First Edition" on the copyright page. Illustrated endpapers. Light rubbing along lower edge of text block. This copy appears unread. In the publisher's suppressed first state jacket, $17.50 on the front flap, "10/71" date code on rear flap, light shelf wear, bright illustrations, a near fine example. The first state jacket, designed by Larry Rivers, was distributed to subscribers and advance reviewers. It was suppressed because of the depiction of a nude male on the front cover and was replaced with a typographic jacket. The Collected Poems of Frank O'Hara, published posthumously, shared the 1972 National Book Award for Poetry. The first edition of The Collected Poems of Frank O'Hara, with the suppressed first state dust jacket by Larry Rivers. (illustrator).…

Zustand: Used: Like New. Livre à l'état de neuf, très frais sans annotations ni défauts dissmulés.

[4] pp.; 17.3 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; letterpress Single fold card / announcement printed on laid paper published in conjunction with show held August 26 - October 17, 1976. announcement incorporates the facsimile signatures of Larry Rivers, Frank O'Hara, Maurice Grosman, Jasper Johns, Helen Frankenthaler, Robert Motherwell, Robert Rauschenberg, Jim Dine, Lee Bontecou, Joseph Albers, Marisol Escobar, James Rosenquist, Saul Steinberg, Harold Rosenberg, Tony Towle, and Willem de Kooning. Very Good / Fine. Light handling wear, otherwise clean and unmarked.…

First edition of this exhibition flyer for the 1959 Tibor de Nagy exhibition of works by Larry Rivers and Grace Hartigan inspired by O'Hara's poetry. Octavo, original wrappers as issued, illustrated with twelve black and white lithographs. Association copy, inscribed by Larry Rivers on the verso of the front cover to fellow member of the informal New York School of artists Willem de Kooning, "For Bill de Kooning much admiration Larry Rivers." Musician, artist and filmmaker Larry Rivers took up painting in 1945 and lived in the the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol's Factory. A part of the New York School of the 1950s (of which Frank O'Harra was the crux due to his position at the MOMA), Rivers' paintings drew inspiration from the contemporary avant-garde movement, in particular abstract expressionism. De Kooning too was a part of the New York School, his well-known The Woman Series notable for its powerful expression of the frustrations and desires of the post-World War II era. In near fine condition. An intimate association copy, linking these great artists of the 20th century. The New York School was an informal group of American artists, musicians and poets active in New York City throughout the 50s and 60s. At the heart of the group was poet Frank O'Harra, due to his post as a curator at the Museum of Modern Art where he created connections between poets and painters including Larry Rivers, John Ashberry, and Fairfield Porter. The group participated in many joint collaborations including several publications, exhibitions, and works of art. While the poets of the group often wrote in an immediate and spontaneous manner reminiscent of stream of consciousness writing, the painters represented the New York abstract expressionists. The Abstract Expressionism movement in American painting was the first specifically American movement to achieve international influence and put New York City at the center of the western art world, a role formerly filled by Paris.…