june e smith (7 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Second edition hard back binding in publisher's original blue and white illustrated navy cloth covers, gilt title and author lettering to the spine and to the front cover. 8vo. 8'' x 5¼''. Contains (xvi), 316 (+ 16 page catalogue) printed pages of text with 7 (as called for) full-page single-sided monochrome illustrations throughout. Ink message inside dated 1925, front free end paper missing and in Very Good clean condition. Member of the P.B.F.A. LITERATURE 1900-1925.

Hard back binding in publisher's original red and pansy illustrated cloth covers, gilt and black title and author block lettering to the spine and the upper panel, all page edges gilt. 8vo. 9'' x 6''. Contains 447 printed pages of text with chapter heading illustrations and initial letters. Prize message to the front free end paper dated 1914, light rubbing to the corners and in Very Good clean condition. Member of the P.B.F.A. LITERATURE 1900-1925.

Hard back binding in publisher's original scarlet cloth covers, black lettering to spine and upper panel. 8vo 7½" x 5¼" 310 pp. Slightest hint of foxing to page edges and in Very Good clean and bright condition, spine not faded, no dust wrapper. Member of the P.B.F.A. LITERATURE 1926-1945.

Original illustrated souvenir cinema flyer 7½'' x 6''. Front half opens across to reveal stills. Paper slightly creased. Member of the P.B.F.A. CINEMA, SCREEN & FILMS.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

Softcover. Zustand: gut. 2009. Lagerfeuerromantik, Planwagen, Quarter Horses, die Weite der Prärie und eine Pistole, die locker im Halfter steckt das sind die spontanen Assoziationen, wenn von Cowboys die Rede ist. Dass es auch eine klassische Küche der Kuhhirten gibt, wissen die wenigstens. Die Chefs der so genannten Chuck-Wagons, der Versorgungswagen, mussten mit wenig auskommen ob es nun um Zutaten ging oder um die Küchenutensilien. Sie zauberten mit viel Kreativität, Experimentierfreude und einem gehörigen Maß an Improvisation. - Die Rezepte sind raffiniert, abwechslungsreich, rustikal, und haben schon mal ein paar Kalorien mehr als es das Diätdiktat vorschreibt. - Vom Sauerteigpfannkuchen mit Heidelbeerbutter, dem typischen Cowboyfrühstück, bis zum glasierten Red Snapper bietet das Cowboy-Kochbuch eine verblüffende Bandbreite an Rezepten, die ohne viel Aufwand zuzubereiten sind bis hin zum German Potato Salad. - Die stimmungsvollen zeitgenössischen schwarz-weiß-Fotos des Cowboyfotografen Erwin E. Smith geben diesem ungewöhnlichen Kochbuch einen ganz besonderen Reiz. In deutscher Sprache. 228 pages. 28 x 22,8 x 2,2 cm.