Lynda benglis (36 Ergebnisse)

Zustand: New. 64 pp., paperback, new. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

First Edition. First edition. Hardcover. Exhibition catalog. Features text by Nancy Princethal. Includes numerous color illustrations, list of previous exhibitions, and a list of public collections. A clean near fine copy in illustrated boards. No dust jacket as issued.

First Edition. First edition. Oblong softcover. 23 pages. Exhibition catalog for a show that ran November 18 through December 7, 1983 at the Hillwood Art Gallery and then January 12-29, 1984 at the Tyler Galleries. Features a preface by Judy K. Collischan Van Wagner and an essay by curator by John Perreault. Includes information about and illustrations of works by Carl Andre, Lynda Benglis, Tina Girouard, Ira Joel Haber, Harmony Hammond, Lila Katzen, and Kyong D. Park. A fine copy in stapled wrappers and from the library of Lucas Samaras with estate stamp. A very nice copy with an interesting provenance.…

Paperback. Zustand: Brand New. 160 pages. 11.38x9.88x0.50 inches. In Stock.

Erste Auflage. 28,1 x 21,9 cm. 52 S. Illustrierter, geprägter OKarton. Rücken wenig aufgehellt, sonst sehr gutes Exemplar. Durchgehend mit schwarz-weißen und einigen farbigen Abbildungen versehen. Katalog zur gleichnamigen Gemeinschaftsausstellung der beiden Künstler im Alexandria Museum of Art in Alexandria (Lousiana), vom 9. Oktober bis zum 25. November 1987. Texte in englischer Sprache.…

[52] pp.; 21 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with a series of building ways shows titled "Critical Perspectives," held at P.S.1, Long Island City, Queens, January 17 - March 14, 1982, and featuring different curators throughout the building. Foreword by Alanna Heiss. Includes texts by the curators of each show. "Self-Indulgence," curated and with an essay by Linda Burnham, Artists include Edie Ellis, Marc Kreisel, Jeffrey Vallance ; "Energism," curated by Ronny Cohen, artists include Nancy Arlen, Richard Beckett, Lynda Benglis, Jonathan Borofsky, Tom Butter, Arthur Cohen, Peggy Cyphers, Cynthia Gallagher, Dina F. Ghen, Deborah Kass, Kathryn Kennedy, Robert Kitchen, Elizabeth Murray, Marilla Palmer, Suzan Pitt, Barbara Quinn, Randal Rupert, Takao Saito, Frank Schröder, Leora Klaymer Stewart, Robin Tewes, Jeff Way; "Untitled," curated and with an essay by Edit deAk, artists include Futura 2000, James Nares, Yoko Ono, Pat Place, Alan Vega; "The Frame As Stage," curated and with an essay by John Howell, artists include Ericka Beckman, Julia Heyward, Pooh Kaye, Tony Mascaterello, Michael McClard, Robin Winters; "Untitled," curated and with an essay by Thomas Lawson, Artists include Eric Fischl, Jack Goldstein, Thomas Lawson, Nachume Miller, Gerry Morehead, Walter Robinson, Salomé, Michael Zwack; "Untitled," curated and with an essay by Joseph Masheck, artists include Jeremy Gilbert-Rolfe, Sharon Gold, Richard Hennessy, Stewart Hitch, Vered Lieb, Thomas Nozkowski, Catherine Porter-Scully, Sean Scully, Andrew Spence, Thornton Willis; "Untitled," curated and with an essay by Peter Plagens, artists include Laurie Fendrich, Patrick Hogan, Ron Linden, Carol Lindsey, John Phillips "Untitled," curated and with an essay by Marcia Tucker, artists include Billy Copley, John Hull, Kristin Hodson, Kent Shell, Kenneth Shorr, Kevin Teare, and Paul Wong. Includes an exhibition checklist and exhibition map. Very Good. Light yellowing of covers, 3 mm. and 2 mm. tear to top edge of recto, and additional light edge-wear. Contents clean and unmarked. …

72 pp.; 20 x 23 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 3 - June 3, 1982. Interviews with the artists by Lynn Gumpert, Ned Rifkin, and Marcia Tucker. Artists featured in exhibition are Lynda Benglis, Joan Brown, Luis Jimenez, Gary Stephan, and Lawrence Weiner. With list of works in the exhibition, exhibition histories, and selected bibliography. Illustrated in black-and-white. Very Good / Fine. Light rubbing of spine and cover edges, otherwise Fine.…

Hardcover. Zustand: Near Fine. 1st Edition. In original shrinkwrap. New. BP/ArtCats/B.

Hardback. Zustand: Near fine. First Edition. 23 x 30cm near fine hardback exhibition catalogue featuring single page colour reproductions of the incredible sculptures including 'Night Sherbet B', 'Night Sherbet A' and 'Yankee'.

[8] pp. (folded); 20.3 x 22.8 cm. (folded); black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Folded exhibition booklet published in conjunction with show held October 8 - November 27, 1983. Organized by Lynn Gumpert, Ned Rifkin, and Marcia Tucker. Includes text by Marcia Tucker. Artists include Vito Acconci, John Baldessari, Douglas Davis, Eleanor Dube, Lauren Ewing, John Fekner, Howard Finster, Vernon Fisher, Alfred Jensen, Brad Melamed, Claire Moore, Adrian Piper, Earl Ripling, Allen Ruppersberg, Ed Ruscha, Irvin Tepper, Anne Turyn, Lawrence Weiner, William T. Wiley, Nicholas Africano, John Ahearn, Rigoberto Torres, Terry Allen, Joan Brown, Claudia Fitch, James Hill, Joseph Hilton, Luis Jimenez, Barry LeVa, Linda Montano, Ree Morton, Howardena Pindell, Mike Roddy, David Saunders, Pat Steir, Terry Sullivan, Jamie Summers, William Wegman, Grace Williams, Mr. Apology, Dara Birnbaum, Bruce Charlesworth, Robert Cumming, Jamie Davidovich, Keith Haring, Donald Lipski, Steve Miller, Richard Prince, Erika Rothenberg, Al Souza, Mark Tansey, Nancy Arlen, Lynda Benglis, Tom Butter, Ed Flood, Ron Gorchov, Al Held, Bill Jensen, Steve Keister, Brice Marden, Elizabeth Murray, David Reed, Dorothea Rockburne, Joel Shapiro, and Gary Stephan. Good. Rubbing of covers and edgewear. Sticker and sticker residue on recto cover.…

Hardcover. First Edition, First Printing. Octavo, 45 numbered plates; VG; full white and pictorial paper binding; spine white with gray lettering; mild shelf wear and soiling; profusely illustrated in full color and black and white; pages clean; shelved Front Table. 1353973. Shelved Dupont Bookstore.…

First Edition. Softcover. First Edition. Published in conjunction with an exhibition of Lynda Benglis' work at the University of North Texas. Near Fine in wrappers.

First Edition. Softcover. First Edition. Published in conjunction with an exhibition of Lynda Benglis and Louise Bourgeois' work which ran from June 21 to August 31, 2007 at Cheim and Read. Near Fine in wrappers.

Hardcover. Zustand: New. 1st Edition. In original publisher's shrinkwrap.

Hardcover. Zustand: Very Good. 1st Edition, Limited Edition. Very good +. Debossed cloth boards issued without jacket. Designed by John Cheim. Mild shelfwear and slight bumping to forecorner. First edition, first printing. One of 1000 copies, complete with exhibition checklist and chronology. Austerely designed catalogue published in conjunction with a posthumous 2010 exhibition of twelve works executed between 1958 and 1992 by second generation abstract expressionist Joan Mitchell held at Inverleith House, Royal Botanic Garden Edinburgh. Includes full page reproductions of each of the paintings shown, installation images, transcribed interviews between curator Phillip Larratt-Smith and Paul Auster, and Lynda Benglis on the subject of Joan Mitchell. This book was photographed in an archival book protector. Inverleith House, Royal Botanic Garden, Edinburgh: 2010. John Cheim, book designer (illustrator). …

116 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. Essays by David Antin, Lizzie Borden, Jack Burnham, John McHale, and Suzanne Delehanty. Includes works by Vito Acconci, Sonia Andrade, Ant Farm, Eleanor Antin, David Askevold, John Baldessari, Lynda Benglis, Jim Byrne, Pierpaolo Calzolari, Colin Campbell, Peter Campus, Giuseppe Chiari, Fernando França Cocchiarale, Andrea Daninos, Douglas Davis, Antonio Dias, Juan Downey, Ed Emshwiller, Valie Export, Terry Fox, Howard Fried, Seiichi Fujii, Anna Bella Geiger, Michael Geissler and Video Audio Mediem, General Idea, Frank Gillette, Dan Graham, Sakumi Hagiwara, Martha Haslanger, Michael Hayden, K.H. Hödicke, Nancy Holt, Rebecca Horn, Mako Idemitsu, Taka Iimura, Joan Jonas, Allan Kaprow, Nobuhiro Kawanaka, Hakudo Kobayashi, Masao Komura, Beryl Korot, Paul Kos, Ernie Kovacs, Shigeko Kubota, Richard Landry, Les Levine, Alvin Lucier, Urs Lüthi, Ivens Olinto Machado, Andy Mann, Toshio Matsumoto, Kyoto Michishita, Robert Morris, Philip Morton, Fujiko Nakaya, Bruce Nauman, Dennis Oppenheim, Jean Otth, Nam June Paik, Giulio Paolini, Ulrike Rosenbach, Reiner Ruthenbeck, Daniel Sandin, Ira Schneider, Eric Siegel, Richard Serra, Nina Sobel, Keith Sonnier, Lisa Stelle, Skip Sweeney, Telethon, Top Value Television, Steina and Woody Vasulka, Bill Viola, Wolf Vostell, Morihiro Wada, Andy Warhol, William Wegman, Peter Weibel, Katsuhiro Yamaguchi, Keigo Yamamoto, and twenty-two broadcast commercials. Includes exhibition checklist and a selected bibliography. Good. Light bumping to top and bottom right corners of publication. Rubbing of cover edges. 1 cm. tear to bottom edge of recto with adjacent 6.5 cm. crease. Light yellow foxing to title page with yellowing of inside of recto. 1 mm. mark on the table of contents and on page 116. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Forum Kunst Rottweil, 1998. Square 8vo. [Unpaginated]. Orig. cover. Very Good+.

Hardback. Zustand: Very good. First Edition. 20 x 26cm 550pp very good hardback monograph published on the occasion of the exhibition in Dublin. French and English text with some highlighting by the previous owner, David Anfam, writer, curator and leading authority on modern American art. He was the Senior Consulting Curator at the Clyfford Still Museum in Denver and the Director of its Research Center.There are also a couple of pos-it notes issued by the Clyfford Still Museum which bear Anfam's comments. Lynda Benglis is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. Lavishly illustrated throughout with colour plus black and white reproductions. A heavy book, may need extra postage.…

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good. 5 mm. tear to spine edge. Four small tears at edges of staple binding. 2 mm. and 1 mm. tear to top edge of recto and chipping along top edge of verso. Light yellowing of covers and pages. Contents clean and unmarked.…

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good / Fine. 5 mm. tear with creasing to top left corner of recto. 2.9 cm. tear to spine edge of recto. 3.6 cm. dog-ear to bottom left corner of verso with light 1 cm. dog-ear to bottom right corner of most pages. Contents clean and unmarked.…

unpaginated; 27.3 x 17.9 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Newcomb Gallery, Tulane University, New Orleans, May 1981. Traveled to PS1, Long Island City, NY, April - May 1982; Planfield, New Jersey, August, 1982; Contemporary Arts Center, January 1983; Art Cars life size conversion for Krewe of Clones, Mardi Gras, new Orleans (featuring a car by Linda Benglis) and Barbara Gillman Gallery, Florida, February 1983. Concept and curation by Emery Clark. Artists included: Ron Filson, Mark Grote, Francie Rich, Mignon Faget, Missy Maloney, Tina GIrouard, Bob Tannen, Didi Susan Dubelyew, Issa Eismont, George Dudley, Peter Balintffy, Pat Ball, Charlotte Curley, Ersy, Jesselyn Benson Zurik, Pat Jessee, Beverly Overton, Lynda Benglis, Dona Lee Lief, Franc Palaia, Michelle Milosh, John Wallace, Deborah J. Winsten, Dale Milford, Brian A. Thompson, Jacqueline Humphries, Richard Tuttle, and many, many others. Good / Very Good. 5 cm. dog-ear to lower right corner of recto and title page with two 4 mm. tears and a 6 mm. tear to upper edge of recto. Moderate yellowing of paper from age. Contents clean and unmarked. …

[1] pp.; 10.8 x 36.2 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided postcard / announcement published in conjunction with show on view through June 1971. Artists included Lynda Benglis, Luis Camnitzer, David Diao, Peter Forakis, Charles Ginnever, Robert Grosvenor, Robert Huot, Bernard Kirschenbaum, Harvey Quaytman, Edwin Ruda, Alan Shields, Kes Zapkus, Chris Wilmarth, Dallas W. Smythe, Richard Van Buren, Joel Fisher, Garry Kuehn, Joel Shapiro and others. Fair / Good. Addressed and mailed copy with mailing marks and mailing wear. Bend along height of recto 3.5 cm. from right side edge. 3.2 cm. drawing on recto in pencil and red ink. Significant foxing to left and right sides of verso. …

[2] pp.; 8.2 x 13.9 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard / announcement published in conjunction with show held September 20 - October 15, [1969]. Very Good / Fine. Hand addressed mailed copy with postmark, clean and unmarked.

Zustand: Good. Exhibition Catalogue. 4to. Soft Covers. 30 pp. Color Plates. Very Good.Provenance: Suzaan Boettger.

24 pp.; 26 x 19 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1974 issue of Art-Rite, edited by Edit deAk, Joshua Cohn, and Walter Robinson. Contents include: "Two for the Road," by Stephanie Edens; "Heubl, Heubler, Heublest"; "On Documentation"; "The Book"; "Un-Skirting the Issue," statements by Laurie Anderson, Lynda Benglis, Judy Chicago, Abigail Gerd, Nancy Graves, Joan Jonas, Agnes Martin, Lee Krasner, Sylvia Sleigh, Sylvia Stone, May Wilson, and Hannah Wilke; "Diaristic Art: A Trek Through the Navelocentric Universe"; "Michelle Stuart"; "Excerpts: The Red Horse"; "'Some Form to Hold Me,'" by John Howell; "Lucy Lippard: Freelancing the Dragon"; "Latent Life: Boltanski," by Bill Zimmer; "Contemporanea.Italian Stereo: Conversation with Acconci," by Vito Acconci and "Contemporanea.Italian Stereo: The Tabula Rasa," by Barbara Radice. Additional contributions by Lee Breuer. Cover: Christo. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Fine. Yellowing of covers and pages. Contents clean and unmarked. An outstandingly well-preserved copy. …

Hardcover. First Edition, First Printing. Octavo, unpaginated; VG; full white and pictorial binding; spine with, with tan and green lettering; mild shelf wear and soiling; profusely illustrated with black and white and full color photos; pages clean; shelved Front Table. 1353978. Shelved Dupont Bookstore.…

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.…

55 pp.; 35.5 x 25 cm.; loose leaves; duotone; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited section by Seth Siegelaub incorporates interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner conducted individually by themselves. rovides an overview of participating galleries and their artists. Additionally includes "in unabhängiger Präsentation, da von Auswahlkomitee eingeladen, aber nicht von den PROSPECT 69 vertretenen Galerien in der Kunstalle gezeight" [in an independent presentation, as invited by the selection committee, but not shown by the galleries represented by PROSPECT 69 in the Kunsthalle]. Artists include Bernd & Hilla Becher, Hanne Darboven, Jan Dibbets, Bruno Gronen, Michael Heizer, Sol LeWitt, Richard Long, Reiner Ruthenbeck, and Niele Toroni. Additionally includes full-page images or projects by Robert Smithson (Mirror Displacement, Portland Isle, England, 1969), Charles Ross, Markus Raetz, Jean-Frédéric Schnyder, Jannis Kounellis, Eliseo Mattiacci, Stanley Brouwn, Alighero Bottti (1/2 page), Emilio Prini (1/2 page), Giuseppe Penone (1/2 page), Pier Paolo, Calzolari (1/2 page), E.P. Butler (1/2 page), Eric Orr (1/2 page), James Lee Byars (1/2 page), Paul Cotton (1/2 page), Hans Haacke, Lynda Benglis, Ron Cooper, Doug Wheeler, Giorgio Griffa, David Prentice, a double-page centerfold of blue stripes by Daniel Buren, Dennis Oppenheim, ZAJ-Gruppe, Dick Higgins, Joseph Beuys (photo by Ute Klophaus), David Lamelas, and 13 "Information" pages with advertising.Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited by Seth Siegelaub. Provides an overview of participating galleries and their artists and includes interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner. References : "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 176-179. "Six Years, The Dematerialization of the Art Object from 1966 to 1972 : A Cross-Reference Book of Information on Some Esthetic Boundaries . / edited and annotated by Lucy R. Lippard." by Lucy R. Lippard. Praeger Publishers Inc., NY / DC : Praeger Publishers Inc., 1973, pp. 113 - 115. Very Good. Light overall aging to paper, few very small chips to lower edge of recto cover, pale time staining to verso cover. Contents clean and unmarked. An outstandingly well preserved copy of a otherwise typically fragile publication.…

94 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; November 1974 issue of Artforum, edited by John Coplans. This is the issue of Artforum that includes the (in)famous Lynda Benglis "dildo photograph" advertisement. Contents include: "Skyscraper Style: Art Deco New York," by Cervin Robinson and Rosemarie Bletter; "John Storrs, Early Sculptor of the Machine Age," by Abraham A. Davidson; "Talking with Williams Rubin: 'Like Folding Out of a Hand of Cards'," by Lawrence Alloway and John Coplans; "Lynda Benglis: the Frozen Gesture," by Robert Pincus-Witten; "On Bruce Boice," by Robert Pincus-Witten; "Jonathan Borofsky at 2,096,974," by Lucy Lippard; "Two Articles on Photography: The Territory of Photographs and Meatyard," by Max Kozloff and "1913, Book Review," by Edward F. Fry. Reviews by Peter Plagens. Cover: Ralph Eugene Meatyard. Also includes a letter protesting the arrest of Jean Toche signed by Joyce Kozloff, Alice Neel, Yvonne Rainer, Corinne Robins, Salvatore Romano, Larry Rosing, Rudolf Baranik, Arnold Belkin, Louise Bourgeois, Allan D'Arcangelo, Hans Haacke, Phoebe Helman, Tom Wesselmann, Robert Wiegand, Joan Semmel, Jack Sonenberg, and May Stevens. References : No. 62 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 32, 66. No. 62 in "Extra Art : A Survey of Artists' Ephemera 1960 - 1999" by Steven Leiber, Ralph Rugoff, Anne Moeglin-Delcroix, Todd Alden, Ted Purves. San Francisco / Santa Monica, CA : California College of Arts and Crafts [CCAC] / Smart Art Press, 2001, pp. 66. Good. Dinging and creasing of covers with rubbing of cover edges and rusting of staples. Foxing to right side edge of Benglis advertisement. Additional light handling wear. Contents clean and unmarked.…