marta minujin (13 Ergebnisse)

Hardcover. Zustand: Very Good+. No Jacket. Hardcover without jacket (as issued). Binding sound, text clean, light shelfwear. 168 page, color illustrated exhibition catalogue. Heavy book: priority or international shipping may require a surcharge. Book.

Paperback. Zustand: Gut. unnumbered, numerous figures, 24 cm, Good condition. Library copy with usual marks. Span.-engl. Sprache: Spanisch Gewicht in Gramm: 315.

24 Bll. (48 S.) mit Abbildungen. Kuratiert und mit einem Text zu Marta Minujin versehen von Jorge Glusberg. Text in Spanisch und Englisch (gutes Exemplar, Einbandkarton mit leichten Kratzspuren). Sprache: Englisch Gewicht in Gramm: 750 Gr.8°. Silberfarbener Orig.-Karton.

Hardcover. Zustand: Brand New. 240 pages. 12.50x9.25x1.89 inches. In Stock.

Ohne Stempel, keine An-und Unterstreichungen, guter bis sehr guter Zustand. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Zustand: Nuevo. Publicado en Argentina en 2024. 174 pages, 16 unnumbered pages of plates.

Encuadernación de tapa blanda. Zustand: Excelente. 1ª Edición. MINUJIN, MARTA. MINUPHONE 1967 2010. FUNDACIÓN TELEFONICA Y FUNDACIÓN ESPIGAS.304 PP, ejemplar bilingüe, que documenta la obra de Minujin desde sus orígenes: Ensayos, Prensa y lecturas de época, Recreaciones/ Reconstrucciones, textos de R. Alonso, Romero Brest, C. Ferrer, y otros cartas recibidas por la artista y emitidas por ella, enorme documentación fotográfica B/N y color, es una publicación de enorme calidad de investigación y muy relevante por su aporte documental. Ed. Espacio Fundación Telefónica. Impecable estado. ESTAIRACOND.

Zustand: New. Zustand des Schutzumschlags: NUEVO.

Zustand: New. Zustand des Schutzumschlags: NUEVO.

Softcover. Zustand: Near Fine. First edition. Small quarto. 38pp. Illustrated from photographs. Bound in blue and white mattress ticking over flexible card wrappers. Slight fraying at the edges and a couple of small stains on the cloth, near fine. Copy number 194 of 200 copies. Inscribed by Richard Squires: "For Sally love Richard." Documentation of a Fluxus or Soft Art installation and "happening" by Argentine-born feminist conceptual artist Marta Minujín collaborating with Squires at his Soft Gallery, an environmental performance space in Washington, DC. Minujín and Squires were commissioned by Harold Rivkin to create an installation using 200 mattresses rented from a Washington, DC hotel. Among those listed as "Photographers" who created events in the environment were Carolee Schneeman, Ray Johnson, Charlotte Moorman, Lynn Anderson, and several others, with their contributions illustrated and noted in the index. The installation was later recreated at the Museum of Contemporary Art in Los Angeles in 2007 and at the Museum of Modern Art in New York in 2008. Very scarce. *OCLC* locates five copies.

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Fair. Folded in eight. Extensive handling wear with overall creasing and crinkling of the page. 6 mm. dog-ear to upper right corner and 12.7 cm. dog-ear to upper left corner. 2 cm. rip at bottom edge of sheet along fold.

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Good. Folded in eight with light edge-wear, a 6 mm. ink mark on recto and 2 cm. area of light yellow soiling.

Soft cover. Zustand: Very Good. 1st Edition. Buenos Aires: Galeria Lirolay, 1961. Staple-bound softcover. 16 Pages. Spanish language. Very good. Minor wear to spine. Light edge wear to covers. Opening blank tissue paper page has fold at bottom with unobtrusive small closed tear. 5 plates, one by each of the artists with a centerfold featuring biographical information. Scarce early Galeria Lirolay exhibition catalog from 1961, the gallery's second year of existence, featuring early work by Marta Minujin and Jaime Davidovich. Minujin showed paintings in this exhibition; by 1962, in France, she would burn all of her paintings in a public exhibition and turn to happenings, installations and pop art. Jaime Davidovich would exchange a paintbrush for conceptual art, packing tape, video art and television upon moving to New York City in the early '60s. Only one copy located in OCLC.