james ulmer (12 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft Cover. Zustand: Very Good.

Zustand: Good. Edge/corner wear, sun toning around edges.

hardcover. Zustand: As New. Zustand des Schutzumschlags: Very Good. berkeley, 2005; blue cloth covered boards; minimal shelf wear; very good illustrated dust jacket with minor wear; Folio, 12"- 15" tall; interior is clean and unmarked; 176 pages; Additional shipping charges may need to be requested due to size or weight of book.

Gebunden. Zustand: New. &Uumlber den AutorDr. Ulmer has authored many books and is the Senior Pastor of Faithful Central Bible Church. In addition, he serves as Bishop of Christian Education of the Full Gospel Baptist Church Fellowship, where he served as a.

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut SG - leichte Beschädigungen oder Verschmutzungen, ungelesenes Mängelexemplar, gestempelt, Versand Büchersendung - Beschaffungsanalyse, Absatzplanung, Kundenorientierung, Markenpflege der Kunstmarkt verändert sich so rasant wie nie zuvor. Für Kunstwerke erzielte Preise bestimmen deren Einordnung in den kunstgeschichtlichen Kanon. Auktionshäuser haben sich neben Kunstmessen, Galerien und Kunsthandel als dominante Distributionsform etabliert. Dabei gleicht die rituelle Dramaturgie der Auktion bis heute einem archaischen Wettstreit: Sie verschlägt Mitwirkenden die Sprache und zieht Unbeteiligte in ihren Bann. Im Zentrum steht der Auktionator, dessen Art des Auftritts zunehmend den Zuschlag bestimmt. Anhand der Porträts von Auktionatoren, darunter auch eine Frau, erzählt der Band die Geschichte des Kunstauktionswesens. Entscheidende Ereignisse an Schauplätzen wie New York, Paris, Zürich, Berlin, Stuttgart oder Pompeji werden lebendig und zeigen, wie der Auktionator aus dem Schatten gesichtsloser Dienstleistung als Star ins Rampenlicht tritt.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "American Myths," J. Hoberman on Lost Las Vegas; "Books: Larissa MacFarguhar on Robert Woolley's 'Going Once,'" by Larissa MacFarquhar; "Books: Martha Frankel on Norman Mailer's 'Portrait of Picasso as a Young Man,'" by Martha Frankel; "Books: Peter Plagens on Christopher Knight's 'Last Chance for Eden,'" by Peter Plagens; "Books: J. Hills Miller on W. J. T. Mitchell's 'Picture Theory,'" by J. Hillis Miller; "Preview: Daniel Birnbaum talks with the Louisiana's Lars Nittve"; "Letter from London," by Louisa Buck; "Martin Maloney on the Turner Prize," by Martin Maloney; "James Hall on 'Brilliant! New Art from London,'" by James Hall; "Gadget Love: Brian D'Amato on Cybersalons," by Brian D'Amato; "Real Life Rock: Jeff Weinstein's Top Ten," by Jeff Weinstein; "Old Softies: Claes Oldenburg in Retrospect," by Jeff Weinstein; "Solitary Refinement: Marilyn Minter's 'Coral Ridge Towers,'" by Bruce Hainley; "The Subject in Question: Richard Shiff reviews 'Howard Hodgkin: Paintings 1975-1995,'" by Richard Shiff; "The Subject in Question," A.M. Homes Talks with Howard Hodgkin; "Theory on TV: Gadget Goes to Florida," Laurence A. Rickels talks with Gregory Ulmer; "Joan Mitchell: Les Bluets," by Lydia Davis; "Olivier Zahm's Hot Shots," fashion by Hussein Chalayan, photographs by Mark Borthwick; "Openings: Alex Bag," by Bruce Hainley. Reviews by Ernest Pascucci, David Frankel, Barry Schwabsky, Mark Van de Walle, Marek Bartelik, Donald Kuspit, Keith Seward, Thomas McEvilley, Linda Yablonsky, Ingrid Schaffner, Nico Israel, Justin Spring, Tom Moody, John Ash, RoseLee Goldberg, Francine Koslow Miller, David Carrier, James Yood, Lisa Anne Auerbach, Laura U. Marks, John K. Grande, Yishai Jusidman, Menene Gras Balaguer, Massimo Carboni, Giorgio Verzotti, Jérôme Sans, Miriam Rosen, Christian Kravagna, Noemi Smolik, Yilmaz Dziewior, and Jean Fisher. Cover: Alex Bag.

Draft script for the 1960 film, seen here under the working title "The Invisible Intruder." Annotations in manuscript pencil on the front wrapper, noting filming dates and location, and the film's release title. With a cast list and 14-page shooting schedule bound in before the script, and a secondary 14-page shooting schedule laid in. A crazed former Army major forces a scientist to perfect an invisibility machine, with the eventual aim of taking over the world using invisible soldiers. The final feature film appearance of Marguerite Chapman, and one of two science fiction films shot back-to-back in Dallas by legendary Poverty Row director Edgar G. Ulmer (the other being "Behind the Time Barrier," also released in 1960). Pink titled wrappers, dated March 25, 1959. Title page present, dated March 24, 1959, noted as production No. 592, with credits for Ulmer and screenwriter Jack Lewis. 105 leaves, with last page of text numbered 104. Mimeograph duplication, rectos only. Pages Near Fine, wrapper about Near Fine, bound with two gold brads.

Audio-CD. Zustand: Neu. Neuware.