Eugenio dittborn (8 Ergebnisse)

Softcover. Zustand: Fine. Leichte Gebrauchsspuren.

Zustand: Nuevo. Ensayos del artista visual chileno Eugenio Dittborn Santa Cruz (Santiago de Chile, 1943-), ganador del Premio Nacional de Artes Plásticas en el 2005. 142 pages.

No Binding. Zustand: Very Good. No Jacket. 1st Edition. Large 4to size 13 page unbound booklet. One small museum library sticker inside.

Soft cover. Zustand: Good. No Jacket. 1st Edition. Folio size softbound volume ex library with some spine labels and bent cover corners. Contents fine and unmarked. 239 pages.

Zustand: Good. First Edition. Eugenio DITTBORN | Peste (SIDA) | Year: 1994 | Medium: original poster - affiche originale | Dimensions: 59 × 84 cm | Image Size: 59 × 84 cm | Support: coated paper - papier couché | Signature: unsigned and not numbered - non signé(e), non numéroté(e) | Edition: 1000 copies | Editor: Artis | Printer: Graficaza | Condition: in very good condition - en très bon état | Eugenio DITTBORN's work "Peste (SIDA)" from 1994 is a original poster on coated paper. It measures 59 × 84 cm. It is unsigned and not numbered. From an edition of 1000. Printed by Graficaza. | Keywords: Conceptual Art, Couple - Art conceptuel, Couple. Eugenio DITTBORN (illustrator).…

Soft cover. Zustand: Very Good. 1st Edition. 8vo softcover in black and yellow wraps. Very good with minor wear. 192 + pages are in fine unmarked condition.

Soft Cover. Zustand: Near Fine. This is a near fine softcover copy with virtually no wear. Completely clean. Text in English and Spanish. Illustrated mostly in black & white, some color. Essays by Ticio Escobar, Oscar Gacitua, Roberto Merino, and Luis Perez-Oramas. Bibliography. Exhibition history. Biographical sketch. 11" high X 8" wide, 247 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. …

Santiago de Chile: Grupo Cámara Chile [1979]. Quarto (31 × 21.5 cm). Original spiral-bound printed card wrappers; [44] pp; Each page with a reproduced collage of newspaper clippings, typewritten texts, book pages, manuscripts, etc., printed in dark blue, brown and black. Due to the paper quality, the leaves are somewhat toned and occasionally with small marginal tears; else good or better. Exceptionally rare first edition of the artist book by one of the central protagonists of the Escena de Avanzada. Eugenio Dittborn's mixed-media images are influenced by Concept Art, Fluxus, in particular Wolf Vostell's décollage, as well as the aesthetic strategies of the "antipoesía" of the Chilean poet Nicanor Parra, whose daughter Catalina Parra collaborated with Dittborn on various projects. The parallels between the catalog she designed for the "Imbunches" exhibition and the artist's book presented here are unmistakable. Dittborn also incorporates the spiral binding into the fragmented images like a stitched wound. Here too, the collage presents itself not only as a new combination, but also as a "deformation", a fragmentation. Images of heads and bodies are cut off, as it were, injured bodies are shown next to butchered flesh, texts are radically cut or partially deleted and overwritten. The use of photographs of anonymous people from newspaper clippings and older criminological publications, which document acts of violence against social outsiders (indigenous people, the sick, asocials, criminals), runs through his entire oeuvre and can ultimately also be interpreted as allusions to those who "disappeared" during the Pinochet dictatorship of the 1970s and 1980s. Nevertheless, together with the Escena de Avanzada, Dittborn rejects a decidedly left-wing activist, political art. He and his comrades-in-arms were too interested in an experimental approach to various materials, media, and techniques. In 1981, for example, he poured 350 liters of used oil over the ground of the Tarapaca Desert in an action (Cambio de aceite) or worked with video art. He uses his collage technique not only in exhibition installations, but also in his mail art works, which, when unfolded, on occasion result in large wall tableaus. (Cf. Michael Nungesser, AKL XXVIII, 2001, p. 18.) As of September 2024, KVK, OCLC lists only one copy worldwide, which is merely the "reedicion" published in 1981 (Princeton). …