andrew eccles (14 Ergebnisse)

Zustand: New.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Paperback. Zustand: New.

Zustand: New. In.

Soft cover. Zustand: Fine. 1st Edition. A fine copy, signed on the title page by the author. 156pp. Signed by Author(s).

Zustand: Good. Glossy full-color photograph 8 x 10 inches. Near Fine. Studio portrait of Catherine Malfirano taken by Andrew Eccles.

Zustand: Good. Glossy full-color photograph 8 x 10 inches. Near Fine. Studio portrait of Catherine Malfirano in a black dress, taken by Andrew Eccles.

Zustand: Good. Glossy B/W photograph 8 x 10 inches. Near Fine. Studio portrait of Catherine Malfirano taken by Andrew Eccles.

Zustand: Good. Glossy B/W photograph 8 x 10 inches. Near Fine. Studio portrait of Catherine Malfirano in a black dress, taken by Andrew Eccles.

40 pp.; 30.7 x 24.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; letterpress; January 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Pay at the turnstile;" "A Policy for the arts," by Lord Eccles talks to Edward Lucie-Smith; "Kokoschka's early work," a conversation between the artist and Wolfgang Fischer; "Correspondence;" "News and Notes;" "Leger's city, and Atget's," by Jonathan Benthall; "The Vienna Secession and its early relations with Great Britain," by Horst-Herbert Kossatz; "Ends and Beginnings: Viennese art at the turn of the century," by Frank Whitford; "Four sculptors (part 4): David Smith," by William Tucker; "Art on TV," by Charles Harrison; "Forces against object-based art," by Andrew Forge and "New York commentary: Downtown, Uptown, all around the town," by Dore Ashton. Cover: based on the cover design of "The Studio" 1906 special issue which introduced the Vienna Secession and the Wiener Werkstätte to an English-speaking public. Very Good. Light bumping of corners and edge with light yellowing and 21 cm. dog-ear to bottom right corner of recto. Staplebound text block has separated from the covers they were glue bound to. Light bumping of corners. Contents otherwise clean and unmarked.

Zustand: New. Move past the ESG culture wars and make better choices for your business.Embracing ESG-environmental, social, and governance goals-isn t just the right thing to do. It s good business. Companies that don t address their material long-term r.

Paperback. Zustand: Brand New. 1st edition. 200 pages. 8.75x6.00x0.50 inches. In Stock.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. 60 pages, 35 illustrations, 1994. SHOW CATALOG. ".Already, Vogue had observed the emotional response to Geoffrey Beene presentations: Women cry at his shows. But Beene continued to experiment with the format each season. In 1992, Beene began to cast dancers from the School of American Ballet to animate his clothing on the runway and in print advertisements. He collaborated with filmmakers and designers from the dance world to infuse his work with a fresh, often unpredictable angle. New York Magazine celebrated Beene s Fall 1995 presentation as one of that season s best: There is one Picasso; there is one Astaire; there is one Beene. It is a truism that his clothes move but watching a column dress dance across the stage is to re-see fashion as art, not mere commerce. PVH Archives.

Hardcover. Third Edition. 12mo, vi, 481 pp. Fair; bound in contemporary leather with a few small surface marks, some wear to spine edges and tears to corners; binding to front cover and first few pages slightly compromised, else tight; discoloration and light foxing to pages throughout; ex-library copy with bookplate to front pastedown. MF consignment. Shelved in Upstairs Hall. 1354747. Special Collections.