Ken wilder (17 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Used-Very Good. dj. First Edition. Cloth, dj. Minor shelf wear; light creasing along edges of jacket. Else a bright, clean copy.

Zustand: New. In English.

Hard Cover. F-. First Edition. F/F-. 8vo. original blue boards gilt in dustwrapper (a little rubbed & frayed at corners); pp. I-VIII, 9-226 (last blank), with illustrations and decorative endpapers. A fine copy.

Zustand: New. In English.

paperback. Zustand: Fine.

Zustand: New.

Paperback. Zustand: Brand New. 336 pages. 9.21x6.14x1.00 inches. In Stock.

Soft cover. Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. &Uumlber den AutorKen WilderInhaltsverzeichnisList of PlatesList of FiguresPrefaceAcknowledgments IntroductionPart I: Sacred ImageryChapter 1: The Beholder As WitnessChapter 2: Of Clouds and Terrestr.

Buch. Zustand: Neu. Neuware - Beholding considers the spatially situated encounter between artwork and spectator. It argues that artworks created for specific places or conditions structure a reciprocal encounter, which is completed by the presence of a beholder. These are works which demand the 'beholder's share', but not, as Ernst Gombrich famously claimed, to sustain an illusion. Rather, Beholding reconfigures Gombrich's notion of the beholder's share as a set of 'licensed' imaginative and cognitive projections.Each chapter frames a particular work of art from the remit of a complementary theoretical text. The book establishes a transhistorical notion of the spatially situated encounter, and considers the role of the architectural host in bringing the beholder's orientation into play. The book engages a diverse range of practices: from Renaissance painting and group portraiture to intermedia practices of installation and performance art. Written within the broad remit of reception aesthetics, the book proposes a phenomenological theory of beholding, argued through an in-depth examination of artworks and their spatial contexts, selected for their explanatory potential. These various encounters allocate different constitutive roles to the beholder, bringing not only spatial and temporal orientation into play, but also a repertoire of anticipated ideas and beliefs.…

Hardcover. Zustand: Brand New. 320 pages. 9.25x6.25x1.00 inches. In Stock.