jean elder (30 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. FIRST THUS. First Edition, Second Printing (1978). Not price-clipped. Published by Cistercian Publications, 1976. Octavo. Paperback. Book is very good with spotting on page ends and endpages, sticker residue front cover, crease spine, and shelf/edgewear. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Good. jean elder (illustrator). d/j top edge wear.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Paperback. Zustand: Brand New. 276 pages. 9.00x6.00x0.75 inches. In Stock.

4to. 36pp. Original cloth-backed pictorial boards, water-damage to lower board, just touching later leaves, otherwise a very good bright copy. Muir 3793. First edition.

Zustand: New. In.

Paperback. Zustand: Brand New. 292 pages. 9.00x6.00x0.79 inches. In Stock.

Zustand: New. In.

Zustand: New. In.

4to. 36pp. Colour illustration throughout, original cloth-backed pictorial boards, some wear and water discolouration to both front and back boards, previous owner's markings and bookplate on inside front cover, presentation inscription on t.p., internally bright, a reading copy. Muir 3792. First edition.

Hardcover. Zustand: Brand New. 276 pages. 6.00x0.69x9.00 inches. In Stock.

Zustand: New. In.

Hardcover. Zustand: Brand New. 292 pages. 6.00x0.94x9.00 inches. In Stock.

Kartoniert / Broschiert. Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Hardcover. Zustand: Fair. Elder, Jean (illustrator). 1st Edition. First edition, first impression. Plum cloth-covered boards with black lettering and central vignette on upper panel. Blue and white decorated endpapers. 238pp, with colour plate frontispiece, eight further colour plate illustrations, some full page black white illustrations and line drawings in text. 8vo. Cloth is worn, scuffed and tired, a little rounded at corners and spine ends, and sunned around spine. Text block edges browned. Lacks first and last black leaves. The occasional small pen. stain or smudge mark on pages which are otherwise generally clean; some minor signs of handling; the rear endpapers have been partially coloured in, quite nicely, and there's a doodle of a dinosaur on the verso of he rear free endpaper. An enchanting tale, unusually illustrated, Helen and her elven friend, Whirlaway, explore the history of the Earth's geological past.

Hardback. Zustand: Very Good. Zustand des Schutzumschlags: Good. Elder, Jean (illustrator). circa 1941. Very good condition in a good dustwrapper. David, a small cripple boy, is given a wonderful magical brooch and has many amusing adventures. Red cloth, black titles. 219 pages. Colour frontis, b/w text illustrations. Spine and corners bumped. Some fading to cover edges. Name and address in ink to front pastedown, inscription in ink to endpaper. There is a small mark to the textblock and very pale page browning else contents clean. Dustwrapper is worn at edges with minimal loss to corners and slightly grubby to rear panel/spine. Packaged with care and promptly dispatched!

First Edition. Very good copy in the original title-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. First free end-paper price-clipped. Signed and inscribed. Audience; juvenile. 3 Kg.

Jean Berain the Elder (illustrator). 'BERAIN INVENT.'; 'IEREMIAS WOLFF EXCUDIT AUG. VIND.'; 'GOTTFRIED STEIN SCULPS.'; 'NO. 8.''Rich baroque decorative panel featuring the arms of Colbert within an elaborate architectural frame. Central cartouche with canopy, flanked by herm figures, sphinxes and classical trophies. Abundant scrollwork, grotesques, masks, and mythological figures arranged symmetrically in French ornamental style of the late 17th century.Made by Gottfried Stein after Jean Le Pautre after Jean Berain the Elder.Medium: Engraving on hand laid (verge) paper. Watermark: Amsterdam coat of arms with flanking lions.Sheet size: 25.4 x 32.4 cm (10 x 12.76 inch). Image size: 25.4 x 32.4 cm. (10 x 12.76 inch).JEAN BERAIN, JEAN LE PAUTRE, ARMES DE COLBERT, PANNEAUX, FRENCH ORNAMENT, BAROQUE DESIGN, GROTESQUE DECORATION, 17TH CENTURY ENGRAVING, DECORATIVE PANEL | PCO-E31-02BACKGROUND INFORMATIONFrom: Panneaux (Paris, c. 1670-1680); later Augsburg edition published by Jeremias Wolff.Reference: Portfolio: Panneaux; Accession no. P.17, 196 (Minnich Collection).Biography engraver: Jean Le Pautre (1618-1682) was a leading French engraver and ornamental designer whose prints disseminated the Louis XIV style across Europe. His works, often after designs by Jean Berain, were widely copied and reissued. Gottfried Stein was an engraver active in Augsburg who reproduced French ornamental designs for the German market.Biography artist: Jean Berain the Elder (1640-1711) was a French designer and draughtsman at the court of Louis XIV. Known for his refined grotesque and ornamental style, he designed stage sets, interior decorations, and ornamental prints that defined the decorative vocabulary of the late 17th century. Condition: good, given age. Light foxing, creasing, and soiling. Narrow left margin remargined. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jean Berain the Elder (illustrator). Ornamental architectural composition with a central obelisk placed beneath a richly decorated half dome supported by caryatids. Three putti with garlands surround the obelisk. Below, a tomb-like structure flanked by veiled figures, smoking urns, and music-playing satyrs. Side panels with additional obelisks and caryatids; abundant grotesque scrollwork and theatrical decoration in symmetrical layout.Made by an anonymous engraver after Jean Berain the Elder.Medium: Etching on hand laid (verge) paper. Watermark: coat of arms of Amsterdam with lions.Sheet size: 27.5 x 34.7 cm (10.83 x 13.66 inch). Image size: 24 x 30.6 cm. (9.45 x 12.05 inch).JEAN BERAIN, OBELISK, CARYATID, GROTESQUE ORNAMENT, LOUIS XIV STYLE, AUGSBURG ENGRAVING, JEREMIAS WOLFF, ARCHITECTURAL FANTASY, BAROQUE DECORATION | PCO-E31-01BACKGROUND INFORMATIONAugsburg edition, possibly published by Jeremias Wolff, after designs by Jean Berain (le Vieux), circa 1686-1724.Reference: Hollstein German (Jacob von Sandrart) 648-649; Paisey 2002 (Catalogue of German printed books to 1900, 462).Biography artist: Jean Berain the Elder (1640-1711) was a French ornamental designer and draughtsman at the court of Louis XIV. His elegant grotesques, arabesques and architectural fantasies became highly influential across Europe through engraved suites that were widely copied and reissued. Condition: good, given age. Light foxing, creasing, and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Good. Original engraving. 38.5 x 53cm Few tiny wormholes. No images on the internet.

Paris, Apud Michaëlum de Roigny, 1569. Small 8vo. Very nice recent half calf with five raised bands and gilt title to spine. Old owner's name to title-page (discreet). A nice and clean copy with only minor, very light soiling. Nice woodcut initials. 51 ff. Very rare first edition of this work on the freedom and immortality of the soul, by the father of the famous physicist and anatomist, Jean Riolan the Younger. Jean Riolan the Elder (1539-1605) was also himself a noted French anatomist and a leading member of the medical faculty of Paris. He fought against the novelties that entered the faculty due to Paracelsus and authored a number of works attacking the most famous of the scientists who were in favour of chemical means. Works by him are of great scarcity.The work, which is divided into three parts attacks the theories on the soul of Pomponazzi, Portius, Sepulveda, and Cardano, and as such it is an important document in the seminal controversy about the immortality odf the soul which dominated most philosohical thought of the Renaissance.We have been unable to find the work in any bibliographies.

No binding. Zustand: Very Good. a drawing by I.B. Nattier after Peter Paul Rubens (illustrator). 'L' Accouchement de la Reine.'Original etching/engraving on hand laid paper. Sheet size: 45,8 x 61,8 cm. (18 x 24,3 inch). Image size: 34 x 50 cm. (13,4 x 19,7 inch).From: 'La Gallerie de Palais du Luxembourg ', published by Duchange in Paris 1710. This is the large series of engraving by Nattier after the famous series of paintings by Rubens, currently held in the Louvre, depicting the Marriage of Maria de' Medici with Henri IV. Reknown engravers contributed to this work which consists of a Title page, Advertisement page, an engraved portrait of Rubens and 24 large plates.Made by 'Benoit Audran I, the elder (1661-1721) was a French designer, etcher and engraver from Lyon. He was the brother of Jean Audran (1667-1756). He was taught the rudiments of engraving by his father (Germain Audran), and was later placed under the care of his' after 'a drawing by I.B. Nattier after Peter Paul Rubens'. Benoit Audran I, the elder (1661-1721) was a French designer, etcher and engraver from Lyon. He was the brother of Jean Audran (1667-1756). He was taught the rudiments of engraving by his father (Germain Audran), and was later placed under the care of his uncle Gerard Audran in Paris. Benoit Audran II was his nephew and the son of Jean Audran. He was appointed engraver to the king. He was active in Paris and his prints very well respected. Jean-Baptiste Nattier (1678-1726) was A French history painter from Paris. He was the eldest son of Marc Nattier the elder and Marie Courtois. Peter Paul Rubens (1577-1640) was a reknown Flemish Baroque painter, who ran a large studio in Antwerp.Condition: Very good, given age. Print attached to carrier. Edges reinforced on rear. Top left corner with some damage, but not nearly effecting image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: ACCOUCHEMENT-BIRTH LOUIS XIII-DE MEDICIRT-B1-15.

Design for a ceiling.Very charming wide drawing divided in two sections with a decorative progression: from a sketch of the basic lines to the most complete outlook of the designed, filled in with colors.Other drawings with a very similar compositional scheme are to be found at the Ashmolean Museum in Oxford (i.e. WA1925.298.56 / .72 / .111).With the address of, possibly, one of the collectors of this drawing, stamped on the bottom left corner: CLAUDE DAVID ARCHITECT DECORATEUR 11 RUE POISSONIÈRE PARIS.Collector's mark on bottom right corner: Lodewijk Arnold Houthakker (1926-2008) [L.3893].Scarce is the available information on this artist. He appears [as Claude-Jules or Jules-Claude David] among the artists listed in the catalogue of the World's Fair of 1889 [nrs. 2247 to 2250] with the designs of the Hotel de la Banque Cordier, in Rue Chauchat in Paris (1880), the Hôtellerie du Lyon d'Or: salle des festins(1882), the Hôtel de M. le baron J. de R.: grand salon Louis XIV (1888), and the Restitution du château d'Echoisy (Charente).[NL] Ontwerp voor een plafond. Pen, ink, pencil, brush and wash in many colors on paper; total: 342 x 418 mm; some damages due to folding of the paper, some traces of handling, though overall in fair condition. Rare.