Richard dillman (6 Ergebnisse)

Vintage full-color still photograph from the 1978 UK release of the 1977 Chinese-American film. Robert Mitchum stars as ex-DEA agent Quinlan, hired by a the leader of a drug cartel in Amsterdam to act as a rat and give the DEA information on drug deals. 8 x 10 inches. Very Good plus, with a diagonal crease, and slight waviness to the top edge.…

Vintage oversize borderless black-and-white double weight press photograph from the set of the 1960 film. Shot by Jean Schmidt for the French magazine Cinema, with stamps for both parties on the verso. A cinematic experiment tailor made for Welles, in which three actors portray two roles each, spinning two intertwined stories of romantic triangles gone wrong. This image from the first segment of the film, wherein Welles plays a loutish construction worker with an unhappy wife who takes up with a suitor, leading to unfortunate results. 8.5 x 12 inches. Fine. …

Draft script for the 1974 film. Copy belonging to construction coordinator Hendrik Wynands, with his name in manuscript ink on the front wrapper, and on a label affixed to the three-ring binder housing the script. Bound in after the script are several production documents, including interoffice memos, a staff and crew contact list, a shooting schedule, and a construction estimate and set breakdown sheet. A satirical neo-noir following a professional hit man who is contracted by a local mob boss to take out the competition, but soon finds himself the target of several personal attacks in retaliation. Shot on location in Seattle, Washington and Silver Springs, Florida. Script housed in a black three-ring binder. Blue titled Twentieth Century-Fox wrappers, noted as FINAL and copy No. 332 on the front wrapper. Title page present, undated, noted as FINAL, with credits for director John Frankenheimer and screenwriter Robert Dillon. 130 leaves, with last page of text numbered 129. Mimeograph duplication on eye-rest green stock, rectos only. Pages Near Fine, wrapper Near Fine. Spicer US Neo-Noir.…

Collection of nine vintage studio still photographs from the 1961 film. Based on William Faulkner's novels, "Sanctuary" and "Requiem for a Nun." A harsh film with frank dialogue throughout regarding rape, female sensuality, and sexual brutality. The final version of the film suffered from the changes made, an attempt to make something "literary" and "respectable" from a novel where disrespect and ill repute were at the center of a grim story. 8 x 10 inches. Near Fine with light toning overall, wrinkling, and a graphite manuscript notation to the verso of one image.…

Collection of 28 vintage studio still photographs from the 1961 film. Based on William Faulkner's novels, "Sanctuary" and "Requiem for a Nun." A harsh film with frank dialogue and thematic content throughout regarding rape, female sensuality, and sexual brutality. The final version of the film suffered from censorship, as well as an attempt to make something "literary" and "respectable" from a novel where disrespect and ill repute were at the center of a grim story. 8 x 10 inches. Near Fine to Fine condition.…

Set of 90 vintage snapshot-size keybook publicity photographs from the 1960 film, with punch holes at the left (or top) margin as called for. To our knowledge, snapshot-size reference photographs were utilized only by Twentieth Century-Fox, during a period roughly between 1940-1965, and are very scarce, particularly in the keybook format. A cinematic experiment tailor made for Welles, in which three actors portray two roles each, spinning two intertwined stories of romantic triangles gone wrong. This image from the first segment of the film, wherein Welles plays a loutish construction worker with an unhappy wife who takes up with a suitor, leading to unfortunate results. 4 x 5 inches. One photo with some loss at the right margin, all others Near Fine or better.…