Raymond lawrence smith (6 Ergebnisse)

Paperback. Zustand: Very Good.

Soft cover. Zustand: Very Good. 1st Edition. Light edgewear. Binding still tight. All pages intact and free of marks.

Softcover. Zustand: Very Good. Vol. XXXVIII No. 1. Edited by John W. Campbell, Jr. Cover by William Timmins. 178pp. Owner stamp on the front cover and the first page. Wrappers worn with chips, creases, and a couple of stains, pages toned and with a few small chips, about very good. Includes contributions by Isaac Asimov, Raymond F. Jones, Lawrence O'Donnell, George O. Smith, and others.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Black cloth hardcover. Previous owner's business class attached at front endpaper. Inscribed at title page. "To Everrett & Jean, Best wishes to someone I've known for ages. Love you guys! Raymond Lawrence Smith, Christmas 1994." Pages otherwise clean, unmarked. Binding is sound. Inscribed by Author(s). …

Hardcover. Zustand: Very Good. 2 v. (Vol. 1 : xi, 534, xxii ; Vol. 2 : viii, 521 p., numbered 535 to 1056, xxii) : illustrated with 667 figures, 196 in color ; 26 cm. ; grey cloth with gold lettering ; no dustjackets ; OCLC: 6372539 ; LC: RC920; Dewey: 616.62 ; Each volume has own index ; Dr. Lowrain McCrea, a graduate of Jefferson Medical College in 1919, developed the special cameras used here to create the series of images printed in the book, and in 1952 he gave the original camera to the Smithsonian ; "The text is presented in a simplified and descriptive manner, embracing a complete compendium of every urological and vesical disease observed cystoscopically or described in the literature.The natural color, as well as the black and white photographs of the norm al and of vesical pathology, are original and are the result of many years experimentation with intravesical photography." ; Contents: Vol. 1 : History of the Cystoscope -- The cystoscope -- Preparation of the patient -- Introduction of the cystosco pe -- The normal bladder -- Cystitis -- Miscellaneous affectations of Bladder -- Miscellaneous addections of bladder -- Tumors of the bladder -- Tumors of the bladder -- Vesical Calculus -- The neurogenic bladder -- Prostatic hypertrophy -- The uret ers -- Ureteral catheterization -- Vol. 2 -- Renal anomalies -- Renal function tests -- Injuries to the kidney -- Hydronephrosis -- Nontuberculous infections of the kidney -- Medical diseases of the kidney -- Specific infections of the kidney -- Specific infections of the kidney -- Specific infections of the kidney -- Renal cysts -- Renal calculus -- Tumors of the kidney -- Urology of the female -- Urology in children -- Urological roentgenography ; VG/VG. Book. …

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…