Franco ruffini (11 Ergebnisse)

Paperback. Zustand: Very Good. First Edition. First Edition, First Printing. Published by Bulzoni Editore, 1978. Octavo. Paperback. Text in Italian. Book is very good with shelf/edgewear. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Soft cover. Zustand: Good. G. Einaudi 1970 paperback black titles to pink covers 99 pages, light wear covers but still in good tight clean reading order. Full refund if not satisfied. 24 hour dispatch. If not pictured in this listing, a scan of the actual book is available on request.

paperback. Zustand: Ottimo (Fine). . 8vo. pp. 120. . Ottimo (Fine). . . . Book.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Zustand: Fair. Leichte Verformung / umgeknickte Seiten; Leichte Verschmutzung / Farbtonveränderung; Starke Gebrauchsspuren.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 184 pages. 9.00x6.00x9.00 inches. In Stock.

Hardcover. Zustand: Brand New. 183 pages. 8.50x5.50x0.75 inches. In Stock.

Gebunden. Zustand: New. Franco Ruffini teaches at the Rome Tre University. He is a member of the scientific staff of ISTA, the International School of Theatre Anthropology, of which he is one of the founders together with Eugenio Barba. He sits on the Board of Editors of the jo.

Buch. Zustand: Neu. Neuware - Theatre and Boxing focuses on a problem which is of paramount importance for any theatre practitioner and researcher: the actor's believable body. This problem has been taken up by Stanislavski, Meyerhold, Artaud, Brecht, Decroux, Copeau, Grotowski, and many others. It is an essential hurdle for all who practice the theatrical craft or want to study it theoretically. This hurdle can be considered one of the foundations of theatre science and of the relationship between technique, politics and ethics. This book tells the story of a revolution in the work of the actor in the early- and mid-20th century, a period in which the focus of theatrical interest shifted from the emotions to the body. The actor's body became a tool for purveying a dynamic set of actions which often transformed the very actor himself. This new centrality of the body also drew attention to those places in which the body is central: the gym, the boxing ring and the circus with its trapezes and tightropes became, together with the stage, laboratories for the theatre.Thus, in addition to the reformers of the theatre the pages of this book are filled with boxers, acrobats, gymnasts and wrestlers, pursuers of an utopia: the 'actor who flies'.…