Amy sillman (37 Ergebnisse)

Zustand: Good. n. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. n. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

First Edition. First edition. Hardcover. Published in conjunction an exhibition that ran January 26 through April 15, 2007. Features a foreword by Shem Geldin, an introduction by Jennifer Large essays by Eileen Myles, Helen Molesworth, and Aleksandar Hemon along with the text of a conversation between Amy Sillman and Benning. Includes numerous illustrations, a checklist, and biographical information. A near fine copy in illustrated boards with some slight bumping to the corners. No dust jacket as issued. Internally a clean copy.…

hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardback. Zustand: New. Henry Ward (b.1971) is an artist, educator and writer based in London. This monograph documents a major new body of work created during and following a residency at the Josef and Anni Albers Foundation in Bethany, Connecticut, in 2023, and a subsequent residency in the Morvan, Burgundy, in summer 2024. Ward is interested in line, shape, form and colour relationships. He works primarily as a painter, but also makes drawings and small sculptures. He explores the language of paint by investigating the threshold between abstraction and representation. During the two months he spent at the Albers Foundation, Ward took advantage of the vast studio space and began pinning together cut painted pieces to make assemblages. While there, he produced fifteen paintings on canvas and wood, forty paintings on paper, sixty drawings, twenty 'cut-outs' and a full sketchbook. Exclusively working with acrylic paints, he began experimenting, using masking tape and mixing in different mediums so that he could 'push the paint around'.The publication includes reproductions of many the works Ward made during his stay at the Albers Foundation, organised into 'Paintings', 'Works on Paper' and 'Drawings'. The final section, 'After Bethany', brings together twenty-two acrylic paintings on canvas that the artist created the following year, including during a two-week residency in France. In his foreword, Fritz Horstman, Education Director of the Albers Foundation, sets the scene in Bethany, detailing the studio buildings and the rural winter landscape, as well as Ward's 'exciting path of exploration and growth' during his time there. While in residence, Ward travelled to nearby New York to meet the artist Amy Sillman in her Brooklyn studio. An edited transcript of their conversation is included here, in which they discuss their individual approaches to painting, writing and language. In his essay, the curator and writer Jonathan Watkins charts Ward's thirty-year career as an artist and teacher, drawing out his belief that 'art is, by its very nature, educational'. In her contribution, Jenni Lomax interviewed Ward in his Woolwich studio about the works he created during both residencies, and the lasting impact they have had on his practice.Edited by Matt Price and designed by Joe Gilmore, the book is published by Anomie Publishing, London.Henry Ward (b.1971) is an artist, educator and writer based in London. Ward has exhibited nationally and internationally for over thirty years. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022 and was included in the Wells Art Contemporary in both 2020 and 2024. Ward has shown in numerous group exhibitions including with Flowers Gallery, London, Messums London and Sid Motion Gallery, London. In 2024 his solo exhibition Medusa and Other Stories, with Kittoe Contemporary, won the Artlogic best exhibition award at the London Art Fair.…

Paperback. Zustand: Brand New. expanded edition. 297 pages. 7.25x4.75x0.75 inches. In Stock.

Zustand: New.

paperback. Zustand: New. Special order direct from the distributor.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Brand New. expanded edition. 297 pages. 7.25x4.75x0.75 inches. In Stock.

Zustand: New.

Hardcover. Zustand: Brand New. 144 pages. 10.25x7.75x10.24 inches. In Stock.

Zustand: Fine. 0 Includes illustrations. October 30 December 20, 2008.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Zustand: Brand New. 320 pages. 11.00x9.25x1.42 inches. In Stock.

Michaud, Yves. JOAN MITCHELL: Paintings, 1979-1985. 104 pages with 51 color and b&w plates. 4to. New York, David Zwirner Books, 2024. This book focuses on the years 1979 to 1985-a significant and deeply generative period within Joan Mitchell's decades-long career. As Mitchell became even more fully immersed in daily life at her property in Vétheuil, France-surrounded by lush gardens, and challenged and inspired by new creative relationships-her studio practice flourished and her work became even more ambitious and expansive. Executed in an increasingly bold palette, the works from this period exemplify Mitchell's nuanced mastery of composition, scale, and color. In addition to her large-scale abstract works, this publication features numerous smaller paintings and a selection of archival materials.…

Cloth. Zustand: New. Zustand des Schutzumschlags: No Jacket, As Issued. 352 pages 459 illustrations. Still in shrink-wrap. Illustrated boards. Published on the occasion of the exhibition from the Barbican Art Gallery, London September 8, 2022-January 8, 2023. Select Biography. Book.

Hardback. Zustand: New.

Softcover. Zustand: Sehr gut. 1. Auflage. Z/B : 21 x 24 cm, 132 pages with 50 color illustrations. - This book documents the last exhibition project that Austrian painter Maria Lassnig (1919 2014) was able to plan personally with the curator Hans Ulrich Obrist. It gathers around 50 works paintings and works on paper, especially watercolors that deploy motifs from Greek mythology, also expressing characteristics typical of her work: the awareness of the body, the painterly rendering of the inner and outer world, as well as animal portraits and landscapes. The Future Is Invented with Fragments from the Past includes contributions from leading scholars and artists discussing her unique visual idiom.…

113 pp.; 29.8 x 21.6 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; October 2012 issue of the Chinati Foundation Newsletter. Contents include: "The Whole Judd," by Marianne Stockebrand; "Judd, Bagpipes, Tartans, and Times," by Sterry Butcher; photographs by Luisa Lambri; "Artists on (and in Honor of) John Chamberlain," by Amy Sillman, Mark Flood, James Rosenquist, Oscar Tuazon and Chamberlain on Chamberlain; "Looking at Arp (Reading Judd)," by Arie Hartog; "Hans Arp & Donald Judd," by Arie Hartog; "Jean Arp," by Donald Judd; "Five-Element Stupa in Optical Glass," by Hiroshi Sugimoto; "Conservation Report: Claes Oldenburg and Coosje van Bruggen's 'Monument to the Last Horse,'" by Bettina Landgrebe and a feature on artists in residence 2011 - 2012, including Justin Almquist, David Fenster, Rob Fischer, Karl Haendel, Frank Benson and Ester Partegas. Also includes information on a benefit print by Charline von Heyl, the membership program, community garden, internship program, visitor information and staff news. Text in English and Spanish. Very Good / Fine. Light bumping of top right corner of publication and spine corners, otherwise Fine. …

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: New.

Zustand: New. Klappentext Sillman is in a thin crowd (with, let s say, Andrea Fraser, Hito Steyerl, Matias Faldbakken, David Salle) of artists who can really write. The evidence is in Faux Pas . her writings display the same good h.

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Hardcover. Zustand: Brand New. 62 pages. 10.25x7.75x0.51 inches. In Stock.

Paperback. Zustand: Brand New. bilingual edition. 327 pages. German language. 12.00x9.50x1.00 inches. In Stock.

Hardback. Zustand: New. Henry Ward (b.1971) is an artist, educator and writer based in London. This monograph documents a major new body of work created during and following a residency at the Josef and Anni Albers Foundation in Bethany, Connecticut, in 2023, and a subsequent residency in the Morvan, Burgundy, in summer 2024. Ward is interested in line, shape, form and colour relationships. He works primarily as a painter, but also makes drawings and small sculptures. He explores the language of paint by investigating the threshold between abstraction and representation. During the two months he spent at the Albers Foundation, Ward took advantage of the vast studio space and began pinning together cut painted pieces to make assemblages. While there, he produced fifteen paintings on canvas and wood, forty paintings on paper, sixty drawings, twenty 'cut-outs' and a full sketchbook. Exclusively working with acrylic paints, he began experimenting, using masking tape and mixing in different mediums so that he could 'push the paint around'.The publication includes reproductions of many the works Ward made during his stay at the Albers Foundation, organised into 'Paintings', 'Works on Paper' and 'Drawings'. The final section, 'After Bethany', brings together twenty-two acrylic paintings on canvas that the artist created the following year, including during a two-week residency in France. In his foreword, Fritz Horstman, Education Director of the Albers Foundation, sets the scene in Bethany, detailing the studio buildings and the rural winter landscape, as well as Ward's 'exciting path of exploration and growth' during his time there. While in residence, Ward travelled to nearby New York to meet the artist Amy Sillman in her Brooklyn studio. An edited transcript of their conversation is included here, in which they discuss their individual approaches to painting, writing and language. In his essay, the curator and writer Jonathan Watkins charts Ward's thirty-year career as an artist and teacher, drawing out his belief that 'art is, by its very nature, educational'. In her contribution, Jenni Lomax interviewed Ward in his Woolwich studio about the works he created during both residencies, and the lasting impact they have had on his practice.Edited by Matt Price and designed by Joe Gilmore, the book is published by Anomie Publishing, London.Henry Ward (b.1971) is an artist, educator and writer based in London. Ward has exhibited nationally and internationally for over thirty years. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022 and was included in the Wells Art Contemporary in both 2020 and 2024. Ward has shown in numerous group exhibitions including with Flowers Gallery, London, Messums London and Sid Motion Gallery, London. In 2024 his solo exhibition Medusa and Other Stories, with Kittoe Contemporary, won the Artlogic best exhibition award at the London Art Fair.…

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Softcover. Zustand: gut. 2008. Amy Sillman: Third Person Singular (Opener 15) In englischer Sprache. pages.