Georgius macropedius (18 Ergebnisse)

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  • Sprache: Deutsch

    Verlag: Hardpress Publishing, 2013

    1314753819 / 9781314753813

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  • Sprache: Deutsch

    Verlag: Hardpress Publishing, 2013

    1314753819 / 9781314753813

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  • Sprache: Deutsch

    Verlag: Forgotten Books, 2018

    0366073826 / 9780366073825

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  • Sprache: Deutsch

    Verlag: Forgotten Books, 2018

    0282034358 / 9780282034351

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  • Sprache: Deutsch

    Verlag: Forgotten Books, 2018

    0366073826 / 9780366073825

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    Verlag: Forgotten Books, 2018

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  • Sprache: Deutsch

    Verlag: Forgotten Books, 2018

    0666832765 / 9780666832764

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  • Sprache: Deutsch

    Verlag: Forgotten Books, 2018

    0366178040 / 9780366178049

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  • Verlag: Amersfoort : Florivallis, 2012

    9075540485 / 9789075540482

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    Softcover. Zustand: Good. Paperback, facsimiles, notenbalken, transcriptie en inleiding Wil H.J. Dekker, 8vo.

  • Sprache: Deutsch

    Verlag: Forgotten Books, 2018

    0366178040 / 9780366178049

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  • Sprache: Deutsch

    Verlag: Forgotten Books, 2018

    0666832765 / 9780666832764

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  • Anbieter: Antiquariaat Brinkman, since 1954 / ILAB, Amsterdam, NiederlandeAntiquariaat Brinkman, since 1954 / ILAB

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    In den Warenkorb

    Tilburg 1968. 149 pp. Ing. (diss.).

  • Sprache: Deutsch

    Verlag: Nabu Press, 2010

    1148254188 / 9781148254180

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    Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH

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    Taschenbuch. Zustand: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. …

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    In den Warenkorb

    Nieuwkoop, De Graaf, 1988. 280 pp. Ingenaaid. Dissertatie. *vlekje op omslag, goede staat*.

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    Zustand: Buono (Good). Three works in one volume, 8vo.  Contemporary vellum over boards, blind-stamped fillets on the panels with the lettering P.V.B 1597 on the front panel, old entries of ownership on the title-page. Ex libris Franz Pollak-Parnau. I. MACROPEDIUS:(2), 123 [i.e. 125], (1) leaves. A-Q8 (Q8 is a blank). With the printer's device on the title-page. Catalogo unico, IT\ICCU\BVEE\021641.RARE EDITION. This is a literal reprint of the Birckmann edition of 1568. Macropedius' most successful textbook, dedicated to the youth of Utrecht, on the art of letter writing was first published as Epistolica at Antwerp by Hillen in 1543 and after his death under the title Methodus conscribendi epistolas in 1561 at Dillingen. Added to this edition for the first time was the tract Epitome praeceptionum de paranda copia verborum & rerum, per quaestiones, which was falsely attributed to Macropedius, and, in fact, was written by Johannes Rivius (1500-1553) and first published at Wesel in 1548.Printed at the end is also Christoph Hegendorff's (1500-1540) Modus conscribendi epistolas; this is a literal reprint of the edition that appeared in Hagenau in 1526.?Macropedius' Epistolica is divided into two parts, the first treating the invention, the second, disposition and elocution. Although Macropedius does not acknowledge Erasmus, in the first part he draws on the Opus de conscribendis epistolis in prescribing forms of greeting, address, and farewell and in classifying letters. He names five categories; demonstrative, deliberative, judicial, didascalicum or dialecticum (Erasmus' letter of discussion), and indicativum (Erasmus' extraordinary or family class). Macropedius provides his own sample letters, and he is more rigid in applying rhetorical precepts to letter writing than Erasmus. Although he concedes that the structure of the letter varies with the type of argument, he nevertheless defines for each type except the familiar or formal structure based on the divisions of the oration. This is a procedure that Erasmus had criticized in Francesco Negro's De modo epistolandi. Macropedius emphasizes art much more, individual judgment and the demands of decorum much less, than Erasmus? (J. Rice Henderson, Humanism and the Humanities. Erasmus's ?Opus de conscribendis epistolis' in Sixteenth Century Schools, in: ?Letter-Writing Manuals and Instruction from Antiquity to the Present?, C. Poster & L.C. Mitchell, eds., Columbia, SC, 2007, p. 158).Georgius Macropedius was born as Joris van Langhvelt in Gemert (North Brabant, the Netherlands). Little is known about his boyhood. After having attended the parish school he moved to s'-Hertogenbosch. Here, he attended the local grammar school and lived in one of the boarding-houses of the Brothers of the Common Life. In 1502, at the age of fifteen, he became a member of the fraternity and prepared for a career in teaching. About ten years later he was ordained and started teaching Latin at the municipal grammar school. In the years 1506?1510 he had already started writing Latin plays for his students. The first drafts of his drama Asotus (The Prodigal Son) date from this period. He took on a classic name, as was the custom among sixteenth century humanists: Joris became Georgius and Van Langhvelt was translated into Macropedius.In 1524 he was appointed headmaster of St. Jerome's in Liège. In 1527 Macropedius returned to 's-Hertogenbosch and by the end of 1530 he had already moved to Utrecht, and, reputed to be a loyal Roman Catholic, was appointed headmaster. He transformed St. Jerome's in Utrecht into the most famous school of the country. He taught Latin, Greek, poetry, rhetoric, and possibly Hebrew, mathematics, rhetoric, and theory of music too. Every year he composed both text and music of a lengthy Latin school song. At St. Jerome's he wrote most of his Latin textbooks and plays, which were published not only in Utrecht, but also in Antwerp, Basel, Cologne, Frankfurt, 's-Hertogenbosch, Paris, and in L. Book. …

  • Verlag: Pretoria, 1992, 1992

    Anbieter: Antiquariaat Pieter Judo (De Lezenaar), Hasselt, BelgienAntiquariaat Pieter Judo (De Lezenaar)

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    Volledig in 2 volumes: [8] + 563pp. (doorlopende paginering), 30cm., gebroch., onuitgegeven doctoraal proefschrift (Universiteit van Suid-Afrika), stempeltje op achterzijde titelblad, tekst is helder, goede staat, gewicht: 2.5kg., T111126.

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    The second Cologne edition of two of the most important sixteenth-century textbooks on the art of letter writing, by Macropedius (along with two smaller works) and Hegendorf, often published together. Georgius Macropedius or Joris van Lancvelt (1487-1558) devoted a lifetime of hard work to teaching in the schools of the Brethren of the Common Life. By 1510 he had begun teaching at Bois-le-Duc and his Asotus, the first of the Latin School plays for which he is best known today, was composed there. Macropedius was ordained as a priest and went on to teach at Liege (ca. 1525-1529) and Utrecht (ca. 1529-1556). In addition to the twelve plays, he published Latin School songs and textbooks on grammar, dialectic and prosody (two of these smaller works are included in this edition).With an early owner's name struck through on the title-page, a couple marginal annotations and a few brief passages underlined. Ten lines of a sample letter concerning theology on P1v have been marked for cancellation and a blank slip pasted over them, but the text can still be read through the slip. With a tear along the fold of the title-page and a few small and mostly marginal worm holes, very slightly affecting the text in 2 quires, but otherwise in good condition, with the title-page slightly dirty and the corner of one leaf torn off, not affecting the text. It is nearly untrimmed, with an occasional deckle preserved. The binding is wrinkled, with a few small tears and lacking most of the ties.l Adams M76; Bibl. Belg. M89; CLC M65; Jacoby, Georg Macropedius (1886) 11b; USTC 675855; VD16 L404. Contemporary limp sheepskin parchment, sewn on 3 leather thongs, spine lettered in ink; traces of thong ties. With Birckmann's birch tree and hen device on the title page, 3 woodcut initials (with a head in profile, St George and the dragon, and lions), and a tailpiece built up from cast fleurons. Pages: [2], "123" [= 125] ll.…

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    3 works in 1 volume. Ad 1: Very rare first edition of Macropedius's Adamus, a popular school drama on the history of mankind since the fall of man until the birth of Jesus. Macropedius's comedies and tragedies, inspired by the plays of Plautus and Terence, are outstanding specimens of Renaissance Latin school drama. These school dramas had an instructive function in humanistic education as well as the added advantage of familiarizing the pupils with Latin metrics and language through their participation in the performance.Ad 2: Unrecorded third or fourth (?) edition of a very popular collection of proverbs and sayings from Greek poets translated in Latin. Ad 3: Erasmus's catechetical poem Institutum hominis Christiani, (G1-4), Isocrates's Paraenesis ad Demonicum (G5v-H3v) with a preface by Erasmus referring to Agricola (G4v-5), and the Greek Dicta Periandri, explained by Erasmus (H3v-4), followed by the publisher's device (H4v). These are complete works extracted from an edition that included others before them. The large woodcut publisher's device resembles those used by Jan Verwithagen in Antwerp (active 1549-1587), noted in Vandeweghe, but without his monogram. With the bookplate on pastedown. Binding restored, with slightly rubbed edges and the endpapers a bit soiled. Otherwise in very good condition.l Ad 1: STCN (2 copies); Typ. Batava 3285; USTC (4 copies, incl. same 2 copies); cf. Bibl. Belg. IV, p. 12; ad 2: this edition not in Belg. Typ.; Bibl. Belg.; USTC; ad 3: cf. USTC 442215; for the publisher's device: cf. Vandeweghe, p. 238. 18th-century gold-tooled calf, with the title lettered in gold on the spine, a double fillet border on both boards with small gold-tooled ornaments at the four corners, red edges. With a woodcut publisher's device on the title page, dated 1551 and including cupid with a crossbow, and a large woodcut device on the last page, showing Saint Christopher carrying a man with a wooden leg on his back and holding a small dog on a leash. All three works are set in Aldine-style italic types, the Erasmus also with a long passage in Greek. Pages: [68]; [12]; [12] ll. With:(2) Sententiae singulis versibus contentae, ex diversorum poëtarum sententiis Graecis, Latinae redditae.(Colophon:) Antwerp, Johannes Loeus, 1544.(3) ERASMUS, Desiderius. [Drop title:] Christiani hominis institutum.Including: ISOCRATES. [Drop title:] Ad demonicum paraenesis.[Antwerp, Jan Verwithagen?, 1551?].…