isabel aretz (23 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Very good. Paperback. 276pp. Page edges foxed, tanned overall with a small spot of loss at the top, else very good in publisher's wraps.

Tapa Blanda. Zustand: Con signos de uso.

Paperback. 279 Seiten 420 gr. Umschlag berieben, Ecken angestoßen, sonst guter Zustand.

XV, 344 Seiten. (23 x 16 cm). Illustr. Orig.Broschur. ** Einbandkanten leicht bestoßen. Gut erhalten. Serie: América Latina en su cultura.

287 p 26 cm Estado de conservación: Muy bien. Encuadernación editorial en rústica.

273 p 23 cm Encuadernación editorial en rústica. Estado de conservación: Muy bien.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. First printing of the true first edition - published for the International Folk Music Council. International Folk Song Anthologies. ***Near fine in dark-brown cloth-covered boards with gilt titles to the spine and front board. The gilt is still beautifully clean, having been protected by the dustwrapper. The boards are clean and unmarked. Head and tail of spine slightly creased. Corners sharp. No reading lean to the binding. Spine tight. Page block edges clean. Internally also near fine with no inscriptions - just a light violet ink stamp - 'Blessed John Southworth R.C. Secondary Boys School Manchester 10' - to the front free endpaper. Pages clean. No foxing. No creases or tears. ***In a near fine original beige printed dustwrapper, which has not been price-clipped, retaining the original publisher's price of 20s net. The dustwrapper is complete, with virtually no faults - just the lightest rubbing to the edges, and some light handling marks to the pale beige colour, mainly on the back panel. The dustwrapper presents very well. (please see scans) ***276 pages 220mm x 150mm. ***'xThe traverse from the snows of Canada to the squalls of Patagonia passes through many climates with diverse human conditions and a protean array of cultures. To attempt to contain within a modest-sized book even a sampling of the many folk song traditions to be encountered on a long journey, is a task that has caused wiser men than the present Editor to quail. Roughly, the songs in this book belong to three great areas of musical culture. First is the North America area, having European-based melody, though with a powerful Negro addition in its southern region. Next is the so-called Antillean area (though its influence extends at least as far south as Rio), in which the music is aprt-European, part-African. Third is the Andean area (again, the name is misleading, for the territory stretches to the River Plate) where the melodic repertory is made up of varying mixtures of European and Indian elements. (Quote taken from the editor's foreword) ***'Isabel Aretz (14 April 1909 - 2 June 2005) was an Argentine-Venezuelan researcher, writer, ethnomusicologist and composer. After completing her initial studies, Aretz became a senior lecturer at the National Conservatory and began work as an ethnomusic researcher and composer. In 1937 her orchestral work Punto premiered at the Teatro Cervantes. In the next decade, she collected and recorded traditional music, traveling in Argentina, Paraguay, Uruguay, Chile, Bolivia and Peru. In 1947 she married Venezuelan musician and writer Luis Felipe Ramón y Rivera.She was asked that same year to organize the music section of the Folklore Research Service established in Venezuela, and she continued her research on folk music there. In 1966 she was awarded a Guggenheim Fellowship to record native melodies in Mexico, Colombia, Ecuador and Central America. Aretz-Thiele founded the American Institute of Ethnomusicology and Folklore (INIDEF) in Venezuela and chaired the institution from 1990 and 1995. She became a professor of ethnomusicology at the School of Arts, Central University of Venezuela, and at Indiana University in the United States. She was also a guest lecturer at other universities in Mexico and Colombia. ***A first printing of the true first edition - a fascinating study of the folk music of the Americas. The book is arranged by country, and includes musical scores on each page to accompany the chosen song lyrics. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

86 p 25 cm Dedicatoria autógrafa de la autora. Encuadernación editorial en rústica. Estado de conservación: Bien.

Sewn as issued, pictorial wrappers, fine. Buenos Aires, Ricordi Americana, 1952. 8vo. 272 pp. + plates + folding table. With index. Contents: "Música, instrumentos, poesía, coreografía" and "Canciones, danzaz, tocatas". 4th edition. (Manuales Musicales Ricordi.).

rustica. Zustand: buen estado. Libro.

Rustica con solapas. Zustand: buen estado. Libro.

Couverture souple. Zustand: bon. R200106489: 1974. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 250 pages augmentées de nombreuses photos en noir et blanc, dans et hors texte. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

Música.Partitura.Buenos Aires 1969 Ricordi Americana. 62 p.31x23 cm. Iustraciones de Aurora de Pietro. Rústica.Ref.40008. Libro.

Encuadernación de tapa blanda. Zustand: Como Nuevo. 1ª Edición. Música Prehispánica de Las Altas Culturas Andinas. Ed. Lumen 2003. 1° ed. 206 pp. Partituras, gráficos, fotos, dibujos, mapas variedad de fotos sobre instrumentos musicales andinos. Panorama musical prehispánico del área andina, presentada en cuatro partes: en la primer ase presentan los antecedentes culturales y musicales, presentes en las culturas de Asia, África y Oceanía. La segunda parte se dedica a la música de las altas culturas andinas, la cual ha sido conocida a través de los instrumentos desenterrados en excavaciones arqueológicos y de los toques y cantos conservados por la tradición oral. La siguiente sección está referida al Noroeste Argentino, NOA, y ubica culturalmente el canto y los instrumentos prehispánicos que permanecieron en uso. Su transcripción y análisis permiten ubicar la posible pertenencia de esta música determinadas culturas prehispánicas. Por último se estudia la música después de la invasión incaica, la pervivencia de la música incaica en la Argentina, la música colla en la Argentina. La autora es compositora, musicóloga, investigadora, directora del Instituto de Etnomusicología y Folklore, IMPECABLE COMO NUEVO. una Joya. estmusictransitcomp DAN.

Rústica editorial. Estado de conservación: Buen estado. 293 p.; 16 cm. ofrece una visión panorámica del folklore venezolano y examina sus posibles proyecciones como auxiliar de la sociología.

4to. mayor; 169 pp. Con figuras de los pasos de la danza y transcripciones musicales entre el texto, más 20 láminas fotográficas aparte. Cubiertas originales.

Caracas, Instituto Interamericano de Etnomusicología y Folklore/Monte Ávila Editores, Colecc. Biblioteca INIDEF nº 6, 1980. 23x15 cm. 338 p. + VIII láms. b/n. Rústica. Numerosas partituras. Muy buen estado. Primera edición. (Ref. N. 102-CI).

orig. wrappers. 23x15cm, 22x15cm, Page 203 torn due to printer/binder's error, with textual loss. Inscribed by composer & ethnomusicologist Isabel Aretz-Thiell DEFECTIVE COPY: A stain to spine. Fair condition.

Encuadernación de tapa dura. Zustand: Muy bien. 1ª Edición. In-4.743(6)p. Folding map. Bound in half black calf. 795 Melodies and musical examples. 18 harmonized melodies. Photographs by Elena Hosmann. Drawings by Aurora de Pietro. (codz).

Encuadernación de tapa blanda. Zustand: Muy bien. 1ª Edición. Folio. 611p. Wrappers. W54.

3 tomos 24 cm Dedicatoria autógrafa del autor. Biblioteca de autores Tachirenses 24-25-37.

Rustica. Zustand: Muy Bueno. Zustand des Schutzumschlags: Usado.