john bromfield (16 Ergebnisse)

Soft cover. Zustand: Very Good. Softcovers; ex-library; minor shelfwear w/ light creasing of corners of wraps and leaves; o/w in very good condition. Book.

Soft cover. Zustand: Very Good. Softcovers; ex-library; minor shelfwear w/ light creasing of corners of wraps and leaves; o/w in very good condition. Book.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

tapa dura. Zustand: Bien. Literatura.(82) Plaza & Janés. Barcelona. 1958. 18 cm. 1870 p. Encuadernación en tapa dura con corte superior dorado. (=3621601=) VM150.

Zustand: New. KlappentextrnrnExcerpt from Reminiscences of John BromfieldIn proof of the correctness of the suppositions of my friend, as above stated, I will subjoin some brief notices from printed documents now in my possession.About the Pub.

Hardcover. Zustand: Very Good. First Edition. Hardback. Dust Jacket. 8vo. pp 173. Original publisher's blue cloth, lettered gilt on spine. The publisher's own retained copy with their stamp on the front pastedown and front jacket panel, reading 'file copy'. Very good in very slightly used, very good dust jacket, with faint shelf-wear. Decent copy.

The handsome leading man is best remembered for television's "The Sheriff of Cochise" (1956-60, retitled "U.S. Marshal"), though he also appeared in some Westerns and the 3D horror film "Revenge of the Creature." PS, 9" X 5½", n.p., n.y. Very good. Small tape stains at couple of corners, not affecting image or signature. Nifty printed photograph, mat finish, showing Bromfield seated on the hood of a white station wagon with whitewall tires, waving his ten-gallon hat at the viewer. Printed across the driver's door and passenger door behind it is: "JOHN BROMFIELD TV STAR / U.S. MARSHAL SHERIFF OF COCHISE." Above the vehicle Bromfield adds his huge 6" signature boldly in blue ballpoint. Although not so indicated, this was signed at an appearance Bromfield made at Chicago's Amphitheatre in March 1961, and a copy of the newspaper advertisement accompanies this item.

The handsome leading man is best remembered for television's "The Sheriff of Cochise" (1956-60, retitled "U.S. Marshal"), though he also appeared in some Westerns and the 3D horror film "Revenge of the Creature." "Good Luck to Don -- / John Bromfield" in bold blue ink on an irregularly-trimmed, roughly rectangular 5½" X 2¼" slip, n.p., n.d. Very good. Tape stain at each corner, slightly touching upon several letters. Undated, but circa 1960. Accompanied by a fine unsigned 10" X 8" glossy black and white photograph, an MCA TV reprint (ca. 1970) of a scene depicting Garland and co-star John Bromfield being held captive by savages in the cheesy 1957 adventure flick "Curucu, Beast of the Amazon.".

Final Draft script for the Season 2, Episode 1 of the 1955 television program, originally broadcast on October 15, 1955 on CBS. Copy belonging to actor who played Johnny, with his character's name on the front wrapper in manuscript pencil. With page numbers annotated in ink at the lower right corner of each page throughout. "The Damon Runyon Theater" presented dramatized versions of short stories by Damon Runyon. This particular episode deals with a boxing match. It was sponsored by Anheuser-Busch's beer Budweiser. Orange titled wrappers, noted as Final Draft on the front wrapper, rubber-stamped production No. 3924, dated June 15, 1955. Title page present, dated June 14, 1955, noted as Final Draft, with credits for screenwriter Jack Harvey. 43 leaves, with last page of text numbered 41. Mechanical duplication. Pages Very Good plus, wrapper Very Good, bound with two gold brads.

Revised Draft script for the 28th episode of season one of the 1956-1959 television series, which originally aired on April 5, 1957. Copy belonging to actor Johnny Crawford, with his name in manuscript ink on the front wrapper, and his manuscript pencil annotations throughout. A Mexican boy travels with his ailing mother across the border and arrives at a ranch house seeking help. After the mother dies, the ranch owners seek the assistance of a local priest in adopting the boy, but discover that he will be deported unless they can produce evidence of his US citizenship. Set in Cochise County, Arizona. Green titled wrappers, noted as REVISED on the front wrapper, dated Nov. 14, 1956. Title page present, dated Nov. 14, 1956, noted as REVISED, with credits for screenwriter Lawrence Resner. 44 leaves, with last page of text numbered 42. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with three gold brads.

Zustand: Very Good+. Limited Edition. Limited edition. Eleanor Roosevelt's copy, #6 of 150 copies signed by each of the ten authors on the limitation page tipped in at front: Thomas Mann, Rebecca West, Sigrid Undset, Andre Maurois and six others. xiii, [1], 488 pp. Custom bound in chestnut polished calf stamped in gilt on spine, boards, and turn-ins; Roosevelt's name stamped on front board. (Not signed or inscribed by her, though.) All edges gilt, maroon morocco title label to spine, printed endpapers, maroon ribbon marker. Very Good+ with light rubbing to extremities and heavy chipping to title label; front joint starting at upper end. Light scattered stains to fly-leaves; contents overall clean, binding firm. Buergin 568. In the summer of 1942, the Austrian refugee and music publisher Armin L. Robinson invited ten prestigious writers to work on a new project: an anti-fascist propaganda film that would demonstrate that Nazi ideology violated each of the Ten Commandments. The deal with Metro-Goldwyn-Meyer fell through, so Robinson decided to continue the project as a collection of ten novellas. Each writer took one amendment, with Thomas Mann leading the charge: 1. Thou shalt have no other gods before me. Thomas Mann. 2. Thou shalt not make unto thee any graven image. Rebecca West. 3. Thou shalt not take the name of the Lord thy God in vain. Franz Werfel. 4. Remember to keep the sabbath day, to keep it holy. John Erskine. 5. Honour thy father and thy mother. Bruno Frank. 6. Thou shalt not kill. Jules Romains. 7. Thou shalt not commit adultery. Andre Maurois. 8. Thou shalt not steal. Sigrid Undset. 9. Thou shalt not bear false witness against thy neighbor. Hendrik Willem Van Loon. 10. Thou shalt not covet. Louis Bromfeld. The book was published in December 1943. Reviewers felt that the collection was uneven and overly long, but still found much to praise, particularly in Mann's contribution. They all felt the moral imperative of anti-Nazi writing: "Here the world's pen is raised against the sword of the super-race," wrote the New York Times. Four years into the war, it had become clear that Hitler's conquest of Europe went well beyond territorial expansion and was an assault on civilization itself. It is no surprise that Eleanor Roosevelt should own a copy of this limited edition, the text of which is taken from the third trade printing. Apart from being married to Hitler's chief opponent, Eleanor was an activist whose positive newspaper review of Mann's 1938 book The Coming Victory of Democracy had aided its success with the American public. The Roosevelts received Thomas Mann and his wife at the White House in 1941, and Mann, who admired the President's values and speechmaking, gave a speech on behalf of his reelection campaign in 1944. This copy of The Ten Commandments, bound for the First Lady's personal library, is a tribute to the shared principles of those towering figures. Signed.

Brands portrayed the rifle-wielding Native American Pahoo-Ka-Ta-Wah in the 1958-59 television series "Yancy Derringer," Bromfield portrayed Frank Morgan in "The Sheriff of Cochise" (1956-60, retitled "U.S. Marshal"), Darrow portrayed Manolito "Mano" Montoya in "The High Chaparral" (1967-71) and Storch portrayed Corporal Randolph Agarn on "F Troop" (1965-67). Bold signatures of these four television Western stars on matching heavy stock 5" X 3" cards: Brands signs in black fineline, dating it 7 October at upper right; Bromfield signs in black fineline, dating it 29 March 1992 at upper right; Darrow signs in blue ballpoint, dating it 30 April 1988 at upper right; Storch signs in red fineline, dating it 25 February 1968. All fine. (All four transmittal envelopes are present, with Bromfield and Darrow penning their return address at upper left.) These are accompanied by a fine 9" X 7" glossy black-and-white photograph depicting 47 actors mostly in Western attire posing for a portrait in 1979. Printed accompanying text tipped to verso explains: "Some of the greatest names and most memorable faces of television's old west come together for the first time when more than 50 stars gather to share a few laughs and a lot of memories on the ABC Television Network's special presentation of 'When the West Was Fun'." All are then identified, row by row. Darrow and Storch appear in the first row, Bromfield in the third row and Brands in the fourth row. An interesting signature grouping that would be great fun to continue assembling -- 43 more to go.

The handsome leading man is best remembered for television's "The Sheriff of Cochise" (1956-60, retitled "U.S. Marshal"), though he also appeared in some Westerns and the 3D horror film "Revenge of the Creature." Stunning glossy IPS, heavy stock 16" X 20", Chicago, IL, 1961 March 18. Near fine. Handsome half-length portrait of this he-man in his sheriff's getup, leaning against a saddle and gazing soulfully at the viewer. In the large blank area at upper right, he signed and inscribes large and bold in blue ballpoint: "To My Good Friend / Donald M. Burnell -- / Kindest Regards and Lots / of Luck -- / From / John Bromfield / U.S. Marshal / March 18, 1961 / Amphitheatre -- Chicago." Ink adhesion begins quite strong, though his pen began "spotting" or "dotting" during the last few lines -- still, even those lines are easily legible. This incredibly attractive oversize item was likely created for some promotional purpose, but it bears no photographer's credit or other markings recto or verso. Choice vintage piece signed just after the show's demise -- the pose is known, though it's likely one of a kind in this format. Stunning for display.