doug franklin (13 Ergebnisse)

Paperback. Zustand: Good. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Zustand: Brand New. 360 pages. 9.00x6.00x0.82 inches. In Stock.

Kartoniert / Broschiert. Zustand: New. KlappentextDo you long for God and faith to be real? Stop Playing Church is one pastor s cry for authentic discipleship -- to stop pretending, stop acting like Christians act and doing things Christians do and be followers of Jesus. .

Taschenbuch. Zustand: Neu. Neuware - Do you long for God and faith to be real Stop Playing Church is one pastor's cry for authentic discipleship -- to stop pretending, stop acting like 'Christians act' and doing things 'Christians do' and be followers of Jesus. Written for anyone looking for something more to life, or anyone who has been turned off or turned away by organized religion. This book is for Christians who are tired of just going through the motions and church leaders who desire to lead people to deeper love and commitment to Christ. It is about spiritual disciplines and discipleship that takes seriously who we are, who God is, and living in relationship with Christ. It challenges us to step out of hiding, to take off our mask, and to be who we are without shame because we are a children of God. Doug Franklin shares from his own personal experience as one who has struggled with playing church and living authentic faith as well as over 20 years of experience as a church leader to illustrate what is meant by playing church and authentic discipleship. Readers are invited to embrace the freedom of vulnerability and live lives empowered by the Holy Spirit connecting to God and others doing life together. Doug and his wife Nicole have been married over 25 years and have four children. Doug graduated from University of Central Missouri, received his MDiv from Saint Paul School of Theology, and is an ordained Elder in the United Methodist Church. He is Lead Pastor of North Star UMC in Kansas City, MO. Doug's desire to live his faith authentically has led him to serve his community as a firefighter/EMT as well as a pastor and teacher. He's an adjunct professor at North Central Missouri College. It is from this experience and perspective that Doug writes and preaches about living authentically as a follower of Jesus.

Taschenbuch. Zustand: Neu. Stop Playing Church | A Call for Authentic Discipleship | Doug Franklin | Taschenbuch | Kartoniert / Broschiert | Englisch | 2022 | Xulon Press | EAN 9781662838910 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. [1st edition, 1st printing; trade edition ] ; ix, 214 p. : ill. (chiefly col.) ; 31 cm. ; ISBN 9780934601764, 9780934601771, 0934601763, 0934601771 ; OCLC 20012286 ; LCCN 89016100 ; LC SB466.U65 G46 1989 ; Dewey 712/.09758 ; sand-colored cloth in color photographic dustjacket ; Contents: Savannah and the Coast --- Coastal Georgia -- The Piedmont plateau -- South Georgia -- Atlanta and North Georgia -- Index of Gardens -- Sources for quoted material -- Bibliography ; Graced with one of the longest growing seasons in North America, Georgia has a rich and interesting tradition of gardens and gardening. That tradition is vividly portrayed in Gardens of Georgia, commissioned by the Garden Club of Georgia, Inc., to commemorate its sixtieth anniversary and to celebrate the heritage and beauty of Georgia's gardens.As noted by Georgia founder James Oglethorpe in 1732, Georgia has a happy climate. From the broad-shouldered mountains of the Blue Ridge, through the red clay of the rolling piedmont, across the sprawling piney coastal plain, and on to the subtropical islands on the Atlantic, Georgia is blessed with four regions of gardening opportunities, distinctly defined by differences in elevation, climate, soil, and natural vegetation.Writer William Mitchell and photographer Richard Moore have portrayed the wonders of gardens historic and contemporary, public and private, and urban, suburban, and rural from each of these regions. Whether illustrating overall gardenscapes or capturing intimate vignettes and individual blossoms, Richard Moore's photographs have a depth of color and clarity of detail that immerse the reader into a world of delightful splendor. The text by Willaim Mitchell not only describes the settings as they are today, but also spins a rich background of history in the context of the botanical Eden observed by early explorers.The richest legacy of each generation is to preserve and protect an always vulnerable natural environment and help nature bring forth its green and glowing cycles of rebirth. Gardens of Georgia celebrates that legacy, sharing the ongoing dream of paradise--a new Eden--whether it is in a grand formal garden from an earlier era or a small plot of perennials in a Georgia yard. ; FINE/FINE. Book.

[2] pp.; 87.2 x 56.2 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed Promotional poster for the 9th Annual New York Avant Garde Festival presented by Charlotte Moorman aboard the riverboat "Alexander Hamilton" at South Street Seaport Museum, Pier 16, New York City, October 28, 1972, "hopefully" in Poughkeepse, New York, October 29, 1972 and in Albany, New York, October 30, 1972. Artists included Shuya Abe, John Alpert, Eric Anderson, Oliver Andrews, Eleanor Antin, Ay-o, Claudio Badal, Shridhar Bapat, Fred Barzak, Gregory Battcock, Bill Birch, Frank Braynard, Dennis Brennan, Brenda Bufalino, John Cage, Domenick Capobianco, Jackie Cassen, Laura Cavestany, Joel Chadabe, Rhys Chatham, Emanuel Ghent, Dick Higgins, Ralph Hocking, Wayne Hycle, Glenda Hydler, Takahiko Iimura, Iris, Sylvia Johnson, Joe Jones, Allan Kaprow, Alison Knowles, Kenneth C. Knowlton, Shigeko Kubota, Joanne Kyger, Gilles Larrain, Standish Lawder, Francis Lee, Rick Lefrak, John Lennon, Carl Linder, Anna Lockwood, Alvin Lucier, Mary Lucier, Stanley Lunetta, Ernest Lurker, Christo, Shirley Clarke, Beverly Conrad, Tony Conrad, Philip Corner, Bob Cowan, Doug Davis, Henny DeKnegt, Storm de Hirsch, Bill Denner, Dimitri Devyatkin, Ken Dewey, Robert Diamond, Hans Joachim Dietrich, Eugene Dolgoff, Juan Downey, Franklin Drake, Jean Dupuy, Tom Drysdale, Ed Emshwiller, Jeni Engel, William Etra, Ralston Farina, Wolfgang Feelish, Peter Frank, Si Fried, John Fulop, Jeff Garrett, Davidson Gigliotti, Frank Gillette, Amy Greenfield, Donna Grob, Alex Gross, Walter Gutman, James Harithas, Harlem Drummers & Dancers Park East H.S., Gary Harris, Dermot Harvey, Ron Hays, Jackson MacLow, Marta Minujin, Max Neuhaus, Hermann Nitsch, Pauline Oliveros, Yoko Ono, Nam June Paik, Lil Picard, Otto Piene, Carolee Schneemann, Rudi Stern, Aldo Tambellini, Elsa Tambellini, Stan Van Der Beek, Jud Yalkut, Ben Vautier, Video Freex and others. Very Good. Mailed copy with mailing marks and wear, folded in sixteen for mailing. Stamps (on recto) have been postmarked and there is a return address, however no indication of to whom it was mailed. Two 7 mm pen marks on recto with a 3 mm. tear to center of one of the folds and 1 cm. of adhesive staining to poster edge. Otherwise clean and unmarked.