robert wen (64 Ergebnisse)

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Very Good.

Zustand: Very Good. Very Good condition. From the collection of Tom Verlaine. Verlaine was a guitarist, singer, and songwriter who was a founding member of the seminal punk rock band Television. He was known for his innovative guitar playing and songwriting, and he is considered to be one of the most important and influential musicians of the past 50 years.

Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: As New. New York, 1974; yellow cloth covered boards; minimal shelf wear; illustrated slip case with edge and corner wear; 4to - over 9 3/4" to 12" tall; interior clean and unmarked; not paginated. Additional shipping charges may need to be requested due to size or weight of book.

Hardcover. Zustand: Fine. First Edition and boxed in great condition.

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque. Edition 2000. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2000. Ammareal gives back up to 15% of this item's net price to charity organizations.

paperback. Zustand: near fine. 487 illustrations, including 35 color plates and 79 in duotone. 449 pages. Thick 4to, matte pictorial wrappers. Princeton: The Art Museum at Princeton University, (1999). Paperback edition. A near fine copy. Published on the occasion of the exhibition of the same name. With contributions by Qianshen Bai, Dora C.Y. Ching, Chuan-hsing Ho, Cary Y. Liu, Amy McNair, Zhixin Sun, and Jay Xu.

Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Near Fine. 386 pp., 251 illustrations 121 in color, with 10 maps. Slight fading to the dustjacket spine, otherwise fine. Dustjacket is protected with a mylar cover. Published on the occasion of the exhibition from The Metropolitan Museum of Art, New York NY April 12-July 9, 1980, the Field Museum of Natural History, Chicago IL August 20-October 29, 1980, Kimbell Art Museum, Fort Worth TX December 10, 1980-February 18, 1981, Los Angeles County Museum of Art, Los Angeles CA April 1-June 10, 1981 and the Museum of Fine Arts, Boston MA July 22-September 30, 1981. Book.

HARDCOVER. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Hardcover edition. 449pp. Large quarto hardbound, tight binding. Clean boards, sharp corners. Previous owner's notes penciled throughout. dj: lightly worn.

paperback. Zustand: Good.

Zustand: New. pp. 432.

I.S.A.M. Monographs, no.11. Size: 8vo. ix, 90pp. Publisher's printed paperback. First gathering detached.

First edition. First printing of this descriptive monograph about the history and content of an important Chinese handscroll acquired by the Met in 1973. 10'' x 10.75''. Original yellow cloth boards with red and black titles. Illustrated in color and black and white, with one fold-out. Unpaginated. Small gift inscription to front pastedown, dated 1974. In original black-and-white pictorial slipcase. Slipcase with light edgewear, a bit of toning. Binding with scattered faint foxing, light toning and rubbing to spine. Interior sharp and bright. Very good plus in very good plus slipcase.

Hard. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st. First edition. Hard cover in dust jacket. Published NY: Abrams, 1999, first printing. Folio, 9 1/2" x 12 1/8", xx+449pp., 487 illustrations, including 35 plates in full color and 79 plates in duotone. Black cloth with red spine titles, cover embossed Chinese character, decorative end papers. Fine in fine dust jacket.

Paperback. Zustand: Fair. wraps are rubbed and creased. foxing and marks. ownership inscription. annotations in text. slight waviness. fair copy.[SK]. Our orders are shipped using tracked courier delivery services.

Yellow Cloth Boards. Zustand: Very Good. No Jacket. 1st Edition. Reproduction of a Chinese handscroll of poems and drawings telling the story of the abduction of Lady Wen-Chi to Inner Mongolia and her return to her own people years later, leaving behind her husband and children. Unpageinated. 84 pages, illustrated throughout in colour and black and white, one fold-out drawing. Orange endpapers. Top board illustrated with red characters, black lettering. Minimal spotting to top edges, otherwise very good plus copy with no inscriptions. Cased in good slipcase with slight rubbing to corners. Size: 10" Tall x 11" Wide. Book.

First Edition. Very good copy in the original title-blocked cloth in original slip case (illus. ) . Slip case somewhat edge nicked and dust toned with age. Remains particularly well-preserved overall; tight, bright, clean and strong.; 0 pages; Description: 1 v. (unpaged) illus. (part col. ) 25 x 28 cm. Subjects: Liu, Shang, 8th cent. Hu chia shih pa pai --Illustrations. Cai, Wenji, ca. 177-ca. 239 --Art. 1 Kg.

paperback. Zustand: Very Good.

xx, 449, (3)pp. Prof. illus. Lrg. 4to. Wraps. Published in conjunction with exhibitions at The Art Museum, Princeton University, March-June 1999, and two additional venues.

Zustand: New. 167 pp., hardcover, new. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Zustand: New. KlappentextrnrnYuechun, the matron of an affluent Hong Kong household in the early 1970s, faces a crisis: Two men claim to be her husband. What made her situation more complicated was that her heart in reality belonged to neither husband, but to.

Kartoniert / Broschiert. Zustand: New. KlappentextrnrnEveryone wonders, at least at times, about such questions as the purpose and future of his or her own life. Some would even trouble themselves with similar questions about the universe. In Religion-One Man s Overview, a retired pr.

Hardcover. Zustand: Good. Dust Jacket Included. English text.; Hardcover (with dust jacket).; 24 x 31 cm.; 2.2 kg.; 386 pages with 121 colour and 130 black and white illustrations plus 10 maps. Includes loose map of China's Administrative Divisions.; ISBN 0-394-51256.; Used with signs of wear on the exterior and interior. The front cover has scratches and wear marks throughout and a tear at the top. Two scratches on the front cover. The spine is scuffed on the top and bottom. Wear marks on the back cover. Interior in very good condition with minor signs of wear.; Catalogue from an exhibition held at The Metropolitan Museum of Art, New York, April 12-July 9, 1980; Field Museum of Natural History, Chicago, August 20-October 29, 1980; Kimbell Art Museum, Fort Worth, December 10, 1980-February 18, 1981; Los Angeles County Museum of Art, April 1-June 10, 1981; Museum of Fine Arts, Boston, July 22-September 30, 1981.;Here, in one magnificent volume, in authoritative text and color photographs of unparalleled richness, is the first com- prehensive view of China's Bronze Age. From random discoveries over the centuries, from legends and written records that seem scarcely removed from the realm of legend, and from a few limited excavations, the Bronze Age in China has long been thought to be one of the great epochs in the history of art. Now, thanks to astonishing recent finds by Chinese archaeologists, those legendary glories have become reality. The evidence is here, in this book and in the unprecedented exhibition on which it is based-105 precious objects in bronze, jade, and terracotta, chosen by the People's Republic of China from among the finest and most spectacular discoveries of recent years, and now seen for the first time outside their land of origin. Beginning with the shadowy Xia dynasty (which traditional chronology dates from 2205 to 1760 B.C.), coming into full flower in the Shang (now dated from about 1700 to about 1030 B.C.) and the Zhou (about 1030. to 256 B.C.), and lingering on through the Qin (221 to 206 B.C.) and into the Han that followed, the Chinese Bronze Age saw the development of the Chinese state, of writing and religious rituals, of architectural styles and urban culture. It also and pre- eminently-saw the rise and refinement of bronze metallurgy, and the works of art that were its highest expression. No other people on earth has ever created such bronzes. The group shown and discussed here-ritual vessels, weapons, bronze standards, even a complete set of fourteen exquisite bells- may be the most impressive ever assembled, and includes discoveries so recent that they are virtually unknown even to scholars. Here are jars and cups in the shapes of rhinos and elephants and bulls and rams, surfaces inlaid with jade and malachite and precious metals, weapons echoing with the clangor of ancient wars. Here, too, is a splendid array of carved jade pieces-ceremonial blades and tablets, figurines, jewelry. And there is more. Possibly the most stunning archaeological find of the twentieth century occurred in 1974, when excavation began in the huge mausoleum of Qin Shihuangdi, the First Emperor of Qin, who died in 210 B.C. after unifying China for the first time in history. Diggers came upon an entire army-no less than seven thousand life-size terracotta figures of soldiers, cavalrymen, and horses, with chariots and other battle gear, still standing, rank after rank, as they had been buried as a guard for their dead emperor more than two thousand years before. Individually modeled with great sensitivity and realism, they evoke their lost world with almost painful immediacy. Eight of them-six men and two horses- are included here, the first to be placed on exhibit anywhere outside China.

Zustand: New. KlappentextrnrnA young Chinese woman s dream fully comes true- she gets to graduate school in America, bursting with energy. To make money, Saiyue cleans fish in a restaurant, cooks for her landlady and does computer programming for a Chinese-Am.