louise martin chew (15 Ergebnisse)

22.5 x 19.0cms 240pp colour illusts fine paperback with wraparound card cover This book explores Watson's best seminal canvases works on paper sculptural projects and artist's books.

Kartoniert / Broschiert. Zustand: New. &Uumlber den AutorrnrnLouise Martin-Chew has written about the visual arts for thirty years. She has contributed regularly to national newspapers, art magazines, exhibition catalogues and books. This biographical project was part of a PhD at th.

paperback. profusely illustrated (illustrator). Catalogue for the Alick Sweet exhibition, 28 October - 28 November 2015 Fireworks Gallery Brisbane; text by Louise Martin-Chew; colour illustrations throughout, including some gate-fold; red stiff-card wraps with titling blind-embossed to front, illustrated dustwrapper. Dustwrapper. unpaginated. 27 x 23cm. Very Good in Very Good dustwrapper Very Good in Very Good dustwrapper.

29.0 x 28.0cms 108pp colour illusts very good+ hardback & dustwrapper Brownhall is a realist painter who paints Australia's urban scenes and recreational spaces (eg The Gold Coast the Sunshine Coast Brisbane Sydney Melbourne) .

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. 108 pages, many colour reproductions.

21.0 x 21.0cms 12pp colour & b/w illusts very good+ stapled paperbacks Cook imagines that Aboriginal people were 96% of the Australian population.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. First Edition. Small light blemish to front free endpaper cloned to title page; Complete with CD-ROM housed on inside front cover; 4to 11" - 13" tall; 192 pages.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition.

Hardcover. Zustand: Fine. First Edition. Kenmore, Sarah Hodges, 2012. Oblong quarto, 108 pages with over 100 colour illustrations (mostly full-page, a few double-page). Cloth; a fine copy with the fine copy.

Paperback. Zustand: Very Good. 0522856586. Miegunyah Press, Contemporary Indigenous Art series,bright clean copy, no markings, Professional booksellers since 1981.

21.0 x 16.0cms 200pp colour illusts very good paperback & cover Foley curated an exhibition of Aboriginal art friezes and sculptural reliefsin the sandstone Great Court of the University of Queensland.

Zustand: Very good.

Brisbane : The University of Queensland Art Museum, 2012. Quarto, gilt-lettered cloth in dustjacket, CD-ROM inset to upper board, pp. 191, illustrated. As new copy, still sealed in publisher's shrink-wrap. 'Linde Ivimey is one of Australia?s most admired contemporary artists. This book, the first monograph to be published on Ivimey?s work and practice, explores the relationship between her often challenging and confronting personal biography and her art. It traces the chronology of Ivimey?s practice and is accompanied by a short film documenting the processes of the artist in her studio. The film, made in 2013, provides an insight into Ivimey?s working methods and the extraordinary body of sculptures that she has created.' - the publisher.

Brisbane : The University of Queensland Art Museum, 2012. Quarto, gilt-lettered cloth in dustjacket, CD-ROM inset to upper board, pp. 191, illustrated. Signed on the title page by the artist Linde Ivimey, the author Louise Martin-Chew, and the gallerist Martin Brown, all dated 2012. 'Linde Ivimey is one of Australia?s most admired contemporary artists. This book, the first monograph to be published on Ivimey?s work and practice, explores the relationship between her often challenging and confronting personal biography and her art. It traces the chronology of Ivimey?s practice and is accompanied by a short film documenting the processes of the artist in her studio. The film, made in 2013, provides an insight into Ivimey?s working methods and the extraordinary body of sculptures that she has created.' - the publisher.

Melbourne : Miegunyah Press, Melbourne University Press, 2009. Quarto, illustrated wrappers (slight edge wear), pp. 240, illustrated. Scarce. In this lavishly illustrated book, Watson takes us with her on a journey into the plight of the dispossessed Indigenous Australian with whom she shares a family history and heritage.