liza bear (26 Ergebnisse)

[2] pp.; 8.8 x 14 cm.; black-and-white; edition size unknown; unsigned and unnumbered; computer printed Double sided card / announcement published in conjunction with screening held February 12, [1989]. Film by Liza Bear stariing Boris Major, Eric Mitchell, Jessica Stutchbury, and Tom Wright. Good. Mild light soiling and wear to retro and verso. Small indentation to near center of card, two rubber stamps on verso reading "35mm PRINT" and "OPENING SOON AT THE BLEECKER STREET CINEMA" and small pen notation "6/1.".

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Encuadernación de tapa blanda. Zustand: Como Nuevo. Zustand des Schutzumschlags: Como Nuevo. Las prácticas artísticas influyentes, provocativas y a menudo radicales de Vito Acconci le han supuesto reconocimiento internacional. Acconci ha sido una presencia activa en el panorama del arte contemporáneo desde finales de los años 60. Sus obras de confrontación, y hasta incluso políticas, han evolucionado desde la escritura hasta el arte conceptual, bodyworks, performance, películas, vídeo, instalaciones multimedia y esculturas arquitectónicas. Este catálogo presenta una completa selección de sus obras, incluyendo un DVD con tres vídeos en los que la voz en off de Acconci habla de algunos de sus proyectos realizados o no de los últimos 20 años. Vito Hannibal Acconci inició su andadura artística en el ámbito de la poesía, que posteriormente abandonaría a favor de otras prácticas artísticas. A diferencia de sus performances, vídeos, instalaciones y proyectos arquitectónicos, sin embargo, su obra poética no ha sido muy difundida hasta la fecha. El presente volumen recoge todos sus poemas.

41 x 29 cm. 29 S., 3 Blatt Reklame. OBroschur. Mittig ein mal gefaltet, sonst aber sehr gutes und sauberes Exemplar. Texte in Englisch. Enthält unter anderem Gespräche mit Vito Acconci, Keith Sonnier, Richard Serra, Joseph Beuys, Chris Burdon, Willoughby Sharp, Dennis Oppenheim. Durchgehend mit schwarz-weiß Abbildungen versehen.

Softcover. Zustand: Gut bis sehr gut. 1. Auflage. B : 192pp., illustrated throughout in b/w. writings by, and interviews with richard serra, with liza bear, friedrich teja bach, lizzie borden, annette michelson, douglas crimp, bernard lamarche-vadel, and clara weyergraf. Signatur des Verfassers.

softcover. Zustand: Sehr gut. 42, [12] p. Contents: Rubmles. / Jackie Winsor: An Interview. / Sol LeWitt: Page Drawings. / Howard Fried: The Cheshire Cat. / Alice Aycock: Four 36-38 Exposures. / Stanley Brown: Steps. / Franz Erhard Walther: First Workset. / Hanne Darboven: Words. / Walte De Maria. / Larwence Weiner at Amsterdam. Sprache: Englisch Gewicht in Gramm: 150.

Magazines in card slipcase. Zustand: Near fine. 48 x 25 cm box containing 8 issues running from 1970-73 plus the Avalanche Newspaper which ran from 1974-75. No. 31 of 100 special copies, with card signed by the original editors. All fine in fine box.

Couverture souple. Zustand: Très bon.

80 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Special issue of the quarterly periodical Avalanche focusing on the work of Vito Acconci. Edited by Liza Bear, published by Willoughby Sharp, designed by Boris Wall Gruphy [Willoughby Sharp], Henry Post, Richard Falk. Includes performance descriptions written by the artist and documentary photographs, biography, and bibliography. With an interview between the artist and Liza Bear. Sections: "Introduction: Notes on Performing a Space"; "Early Work: Movement Over a Page"; "Early Work: Moving My Body into Place"; "Body as Place - Moving in on Myself, Performing Myself"; "Peopled Space - Performing Myself Though Another Agent"; "Occupied Zone - Moving in, Performing on Another Agent"; "Concentration - Container - Assimilation"; "Power Field - Exchange Points - Transformations"; "Excerpts from Tapes with Liza Bear"; "Biography"; "Bibliography" "Index." Reference : No. 4.5 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 100, 242. Fair. Rubbing of covers and edgewear. Water damage to bottom left corner with several pages stuck together throughout first half of issue. Contents otherwise clean and unmarked.

66 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number five of the quarterly periodical Avalanche, published Summer 1972. Edited by Liza Bear, published by Willoughby Sharp, designed by Boris Wall Gruphy [Willoughby Sharp]. Cover features Yvonne Rainer. Contents: "Rumbles," featuring Hiro Kosaka, Trisha Brown, and Marcel Broodthaers; "Braco Dimitrijevic: Casual Passers-by I Met"; "Direct Demokratie: Joseph Beuys Talking at Documenta 5"; "Structure and Sensibility: An Interview with Jannis Kounellis," by Willoughby Sharp; "Phil Glass: An Interview in Two Parts" by Liza Béar and Willoughby Sharp; "Illustrated Time - Proscenium II," by Keith Sonnier, Tina Girouard, Suzanne Harris, Richard Landry, and Kurt Munkacs "The Performer as Persona: An Interview with Yvonne Rainer." Reference : No. 4.2 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 93, 242. Good. Rubbing of covers and spine. Slight yellowing at edges. 1 x 1 cm. mark in ink on recto. Contents clean and unmarked.

66 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number five of the quarterly periodical Avalanche, published Summer 1972. Edited by Liza Bear, published by Willoughby Sharp, designed by Boris Wall Gruphy [Willoughby Sharp]. Cover features Yvonne Rainer. Contents: "Rumbles," featuring Hiro Kosaka, Trisha Brown, and Marcel Broodthaers; "Braco Dimitrijevic: Casual Passers-by I Met"; "Direct Demokratie: Joseph Beuys Talking at Documenta 5"; "Structure and Sensibility: An Interview with Jannis Kounellis," by Willoughby Sharp; "Phil Glass: An Interview in Two Parts" by Liza Béar and Willoughby Sharp; "Illustrated Time - Proscenium II," by Keith Sonnier, Tina Girouard, Suzanne Harris, Richard Landry, and Kurt Munkacs "The Performer as Persona: An Interview with Yvonne Rainer." Reference : No. 4.2 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 93, 242. Poor / Good. 3 cm., 1.8 cm., and 8 mm. crease to bottom right corner of recto. Light yellow soiling and dusting of recto with yellow spotting across verso. Rubbing of covers and corners. 4 cm. surface tear to spine. 6 cm. yellow moisutre stain to bottom left corner of first page, carrying through to subsequent pages with light surface tearing of pages which had stuck together and been pulled apart, present on all pages. Due to the size of this item, additional shipping charges will be required for international orders.

Soft cover. Zustand: Very Good. 1st Edition. Signed by editor Willoughby Sharp on the first page in pen to another critic "with admiration" and dated 4/21/97. This issue dedicated to Robert Smithson, who had just died while this issue was being compiled. Contains a piece on Smithson's Amarillo Ramp, as well as pieces on Gilbert & George, Richard Serra, Chris Burden, Robert Morris and others. Uncommon, and even more so signed. In decent shape overall, clean and fairly well bound in stapled wraps. Cover is torn at one of the staples but remains quite firm regardless and is now in mylar to make sure it stays that way. Some light scuffing and rubbing in parts to the cover, particularly at edges. Some light corner wear to covers. Interior is bright and clean, with no marks besides the signature and inscription. Signed by Author(s).

36 pp.; 42.5 x 29 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; May / June 1974 issue of Avalanche Newspaper, edited by Liza Beár. This issue focuses on a series of events presented at 112 Greene Street as the Video Performance exhibition. Contents "Joseph Beuys: Public Dialogue," a transcript of the first hour of Beuys' first U.S. performance at the New School; "William Wegman: Pathetic Readings," a complete transcript of Wegman's first audiotape with video installation; "Ulrike Rosenback: Isolation Is Transparent," Statements on her first live video performance in New York written by the artist; "Chris Burden: Back To You," an interview on Burden's first New York performance by Liza Béar; "Dennis Oppenheim: Recall," an interview on Oppenheim's video installation; "Willoughby Sharp: HELP!" The Mighty Mogul interviews Willoughby Sharp; "Moments at 112 Greene," Photographs of audience and artists taken by Cosmos during the Video performance exhibition; "Vito Acconci: Command Performance," an interview concerning this and other recent work by Liza Béar; "Keith Sonnier: New York-L.A. Hook Up," an interview about his audio work by Liza Béar "Richard Serra & Robert Bell: Prisoner's Dilemma," separate interviews with Serra and Bell by Liza Béar on a two-part video production (pre-recorded and live) based on game theory. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 242. Good. Folded in two as issued. 4.5 cm. tear to recto along right side edge of fold line with rubbing along fold line. 8 mm. red staining to recto. 1.2 cm. loss and tearing to spine edge at fold line. 4 mm., 3 mm. (x 2), 2 mm., 5 mm. tears to spine edge. Light yellowing of covers. Contents clean and unmarked.

Broschiert. Zustand: Gut. en (illustrator). Aus dem Inhalt: The Art of Searching - An Interview with David Tremlett; Ululations by Bill Beckley; Soap by Joel Fischer; Jacks by Gordon Matta-Clark; Observatory by Robert Morris; A Metal Rind Encircling a Tree - An Interview with Ulrich Ruckriem etc. 75 S. + Anzeigen, 24x24 cm. Umschlag und Seiten sehr leicht lichtrandig, sonst gut und sauber. Willoughby Sharp (1936-2008) and Liza Béar founded Avalanche in 1968. At the time, Sharp was a New York-based independent curator and Béar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on thirteen issues from 1970 to 1976. Sprache: en Size: 4°.

Broschiert. Zustand: Gut. en (illustrator). Aus dem Inhalt: Interviews with Bruce Nauman and Terry Fox; Klaus Rinke - Retrospective; Documents - John Van Saun, Dennis Oppenheim, Richard Serra; Yves Klein by Shunk-Kender; King for a Day by Bruce McLean; Mrs. Burke, I thought you were dead by William Wegman; Drifts and Cinversions by Vito Acconci; A Discussion with Acconci, Fox and Oppenheim etc. Ca. 100 S. + Anzeigen, 24x24 cm. Umschlag und Seiten sehr leicht lichtrandig, sonst gut und sauber. Willoughby Sharp (1936-2008) and Liza Béar founded Avalanche in 1968. At the time, Sharp was a New York-based independent curator and Béar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on thirteen issues from 1970 to 1976. Sprache: en Size: 4°.

Stapled Pictorial Wrappers. Zustand: Near Fine. First Edition. 59pp + advertisements, profusely illustrated in b&w. Cover image - Yvonne Rainer by Gianfranco Gorgoni. This is the fifth installment of New York's premier Conceptual Art periodical of the seventies, "Avalanche". In addition to the "Rumbles" news section and advertisements for virtually every gallery on the planet showing Minimal and/or Conceptual work at the time, it contains transcribed interviews with Jannis Kounellis, Philip Glass, and Yvonne Rainer along with contributions by Braco Dimitrijevic, Joseph Beuys, and Keith Sonnier. A most handsome example of this uncommon item. Art Periodical.

First edition. Softcover. The eighth issue of this legendary arts magazine. Among the highlights of this issue are Willoughby Sharp and Liza Bear's interviews of Chris Burdy and Tina Girouard along with articles on Robert Smithson's Amarillo Ramp, Robert Morris writing "Exchange '73: From a Videotape" and an article on Gilbert & George. A near fine copy in stapled wrappers with some very minor wear and a small sticker shadow to the front cover.

80 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number eight of the quarterly periodical Avalanche, published Summer / Fall 1973. Cover is a posthumous dedication to Robert Smithson, featuring a photograph of Robert Smithson by Nancy Holt. Contents include: "Robert Smithson's Amarillo Ramp"; " Exchange '73: From A Videotape," by Robert Morris; "Business As Usual On The Western Front: An Interview," by Willoughby Sharp; "The Grand Union: 'There Were Some Good Moments. . .'"; "If I'm Lyin', I'm Dyin': On The Road to Catahoula, An Interview with Tina Girouard," by Liza Béar and "The Church of Human Energy: Chris Burden, An Interview," by Willoughby Sharp and Liza Béar. Edited by Liza Béar, published by Willoughby Sharp, designed by Boris Wall Gruphy [Willoughby Sharp]. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 242. Very Good. Rubbing of covers and light edgewear. Slight yellowing on top edge. Contents clean and unmarked.

84 pp.; 24 x 23.5 cm.; staple bound; loose card[s] in envelope; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number seven of the quarterly periodical "Avalanche", published Winter Spring 1973, featuring a William Wegman photo of Man Ray as cover-art. Contents: "Rumbles," featuring Chris Burden, Jennifer Bartlett and Urs Lüthi; "The Gold-diggers of '84: An Interview with General Idea" by Willoughby Sharp, Ron Gabe, Jorge Saia, A.A. Bronson, Granada Gazelle, P.J., Noah Dakota, Marcel Idea, Ms. Paige, Myth Honey and Ms. Generality; "Different Strokes for Different Folks: An Interview with Van Schley," and includes a bound in portfolio of loose elements; "Shuck and Jive: An Interview with Lowell Darling" by Willoughby Sharp; ". a kind of Huh? A interview with Edward Ruscha" by Willoughby Sharp "Man Ray, Do You Want To. An Interview with William Wegman". Edited by Liza Bear, published by Willoughby Sharp, designed by Boris Wall Gruphy [Willoughby Sharp]. Reference : No. 4.8 and 4.10 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 108, 116, 117, 242. Very Good. Rubbing of covers and bumping of top corners. Yellowing at spine. Includes an announcement for Avalanche Video and an Avalanche order form with Van Schley inserts.

80 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number eight of the quarterly periodical Avalanche, published Summer / Fall 1973. Cover is a posthumous dedication to Robert Smithson, featuring a photograph of Robert Smithson by Nancy Holt. Contents include: "Robert Smithson's Amarillo Ramp"; " Exchange '73: From A Videotape," by Robert Morris; "Business As Usual On The Western Front: An Interview," by Willoughby Sharp; "The Grand Union: 'There Were Some Good Moments. . .'"; "If I'm Lyin', I'm Dyin': On The Road to Catahoula, An Interview with Tina Girouard," by Liza Béar and "The Church of Human Energy: Chris Burden, An Interview," by Willoughby Sharp and Liza Béar. Edited by Liza Béar, published by Willoughby Sharp, designed by Boris Wall Gruphy [Willoughby Sharp]. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 242. Very Good. 3.3 cm. and 2.6 cm. creasing bumping to covers and contents. Bumping and creasing to bottom right side edge of periodical. Additional light rubbing of cover edges. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

80 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number eight of the quarterly periodical Avalanche, published Summer / Fall 1973. Cover is a posthumous dedication to Robert Smithson, featuring a photograph of Robert Smithson by Nancy Holt. Contents include: "Robert Smithson's Amarillo Ramp"; " Exchange '73: From A Videotape," by Robert Morris; "Business As Usual On The Western Front: An Interview," by Willoughby Sharp; "The Grand Union: 'There Were Some Good Moments. . .'"; "If I'm Lyin', I'm Dyin': On The Road to Catahoula, An Interview with Tina Girouard," by Liza Béar and "The Church of Human Energy: Chris Burden, An Interview," by Willoughby Sharp and Liza Béar. Edited by Liza Béar, published by Willoughby Sharp, designed by Boris Wall Gruphy [Willoughby Sharp]. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 242. Very Good / Fine. Light edge-wear and rubbing and dusting of covers. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

Soft cover. Zustand: Very Good. 1st Edition. 13 issues N°1 to N°8 in-8°Sq. and N°9 to N°13 In-Folio 430x290mm - B/w reproductions. Avalanche featured interviews with artists. The magazine featured a single, often close-cropped, portrait of an artist on almost every cover. Among the featured artists were Vito Acconci, Laurie Anderson, Bill Beckley, Joseph Beuys, Chris Burden, Daniel Buren, Hanne Darboven, Walter De Maria, Jan Dibbets, Barbara Dilley, Simone Forti, Gilbert & George, Philip Glass, Hans Haacke, Jannis Kounellis, Meredith Monk, Barry Le Va, Sol LeWitt, Richard Long, Gordon Matta-Clark, Bruce Nauman, Dennis Oppenheim, Steve Paxton, Yvonne Rainer, Klaus Rinke, Joel Shapiro, Jack Smith, Keith Sonnier, Richard Serra, Robert Smithson, George Trakas, William Wegman, Lawrence Weiner, and Jackie Winsor. 13 single issues, in general very good condition except for number 10 which is slightly mistreated but complete.

Soft cover. Zustand: Near Fine. 1st Edition. BÉAR, Liza, and Willoughby SHARP (editors). Avalanche Magazine. New York, Kineticism Press, 1970-1972. First six issues of the independent art magazine Avalanche, closely associated with post-minimalist, post-studio conceptual artists. Co-founded and edited by New York-based filmmaker Liza Béar and artist Willoughby Sharp, Avalanche Magazine was published for thirteen issues between 1970 and 1976. Replete with artist interviews, documentation of performances, and original pieces, Avalanche serves as a crucial primary source for understanding the conceptual art scene in New York during the early 1970s. The magazine provided artists with a platform to share their voices and an exhibition space to engage with the readers. Seen as a counterpart to Andy Warhol's magazine Interview, Avalanche played a crucial role in connecting the experimental art scenes of New York and Europe. These first six issues feature works and interviews by renowned artists such as Vito Acconci, Joseph Beuys, Yves Klein, Jannis Kounellis, Bruce Nauman, Yvonne Rainer, and Lawrence Weiner. Six quarto volumes (Fall 1970, Fall 1971, Winter 1971, Lenz 1972, Summer 1972, Fall 1972); light wear to spines, some occasional creasing at edges, staples slightly rusted, but overall very good.

1016 pp.; 10.5 x 19.5 x 2.5 inches; slipcase; black-and-white; edition size 100; signed and numbered; offset-printed; "Avalanche" magazine was founded by Willoughby Sharp and Liza Béar shortly after they met in 1968. At the time, Sharp was a New York-based art historian and independent curator, and Béar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on 13 issues from 1970 to 1976. "Avalanche" focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with a radical new media format--probing interviews, extensive use of photography, and dynamic layouts. For many artists, publication in "Avalanche" preceded a one-person gallery or museum show. Aside from an eight-page news section, the editorial content included only interviews by Sharp and / or Béar, artists'' texts, and documents of art and art making, also functioning as an exhibition space in print. Fresh, incisive and unpretentious, the "Avalanche" interviews -- now landmarks -- illuminate the creative process and give a clear voice to the specific issues that permeated the era. Among the featured artists were Vito Acconci, Joseph Beuys, Hanne Darboven, Walter De Maria, Jan Dibbets, Philip Glass, Barry Le Va, Sol LeWitt, Richard Long, Gordon Matta-Clark, Bruce Nauman, Dennis Oppenheim, Yvonne Rainer, Keith Sonnier, Richard Serra, Robert Smithson, William Wegman, Lawrence Weiner and Jackie Winsor. This boxed facsimile edition of Avalanche''s complete run reproduces the first eight issues individually, and the final five in a single-bound paperback. This limited edition copy is accompanied by a certificate signed by both Liza Béar and Willoughby Sharp shortly before Sharp''s death in December 2008. The publication is 1,016 pages and illustrated throughout; is housed in a heavy-duty, laminated, archival box measuring 10.5 x 19.5 x 2.5 inches. The first eight issues measure 9.25 x 9.25 inches and are exact facsimiles of the originals the subsequent five tabloid-sized issues, now bound as a single volume measuring 9.25 x 13.5 inches, have been reduced slightly in scale from the original format. This edition weighs approximately 12 lbs (packed weight). The edition will be shipped in a made-to-fit outer box of heavy-duty cardboard to ensure safety and protection. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 242. New. As issued by publisher in unopened shipping box. Due to the size of this item, additional shipping charges will be required.

Zustand: Very good. Artists Magazine. 420 x 295mm. 48 pp. Tabloid. Offset on newsprint. Final issue of quartely conceptual arts magazine featuring Bas Jan Ader: In Search of the Miraculous, Meredith Monk:Invocation/Evocation, Diego Cortez: An Obvious Kind of Eyesore, Reiner Ruthenbeck: 'Eclipse', et al. Rare. Folded as issed. Some nibbles to bottom edge of first 3 pages. Some toning as seen of front cover. Wear to spine including to open tear areas. Chip to edge of front cover as seen and some nibbles to surface as seen. Internal folded pages overall very good condition +. Some wear, chips and toning to edges of backcover and spine. Overall Very Good.

New York: Kineticism Press 1970-1972. Six quarto volumes (Fall 1970, Fall 1971, Winter 1971, Lenz 1972, Summer 1972, Fall 1972); minimal wear to spines, some occasional creasing at edges, staples slightly rusted, but otherwise very good.First six issues of the independent art magazine Avalanche, closely associated with post-minimalist, post-studio conceptual artists.Co-founded and edited by New York-based filmmaker Liza Bear and artist Willoughby Sharp, Avalanche Magazine was published for thirteen issues between 1970 and 1976. Replete with artist interviews and documentation of performances, Avalanche serves as a crucial primary source for understanding and delving into the conceptual art scene in New York during the early 1970s. The magazine provided artists with both a platform to share their voices and an exhibition space to engage with a new readership. Seen as a counterpart to Andy Warhol's magazine Interview, Avalanche played a crucial role in connecting the experimental art scenes of New York and Europe.These first six issues feature works and interviews by artists as eminent as Vito Acconci, Joseph Beuys, Yves Klein, Jannis Kounellis, Bruce Nauman, Yvonne Rainer, and Lawrence Weiner.