Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Anbieter: Housing Works Online Bookstore, New York, NY, USA
Zustand: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.
Zustand: Good. Good condition ex-library book with usual library markings and stickers.
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
EUR 19,58
Anzahl: 9 verfügbar
In den WarenkorbHRD. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. Established seller since 2000.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 19,40
Anzahl: 1 verfügbar
In den WarenkorbZustand: New.
Verlag: New American Library of World Literature, New York, 1953
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Good. First edition. Mass market paperback. Light dampstain on edges, wrapper curled, good only. The third of a series of volumes highlighting writing from around the world. Authors include Margaret Mead, Hollis Summers, Jose Suarez Carreno, Peggy Bennett, Richard Eberhart, C. Tunnard, H.H. Reed, David Dempsey, Ignazio Silone, Louis Auchincloss, M.R. Kadish, Dyland Thomas, John Lee Wheldon, Hamdi Bey, Gene Bara, Robert Pinget, Evan S. Connell, Jr., Jay Leyda, R.S. Niedelman, Alberto Moravia, John Howard Griffin, Peter Matthieseen, Albert J. Guerard, Edith Sitwell, Sacheverell Sitwell, William H. Matchett, Spencer Brown, Alexander Trocchi, Galway Kinnell, Patrick Boland, Howard Moss, Sydney Goodsir Smith, Byron Vazakas, John Ashbery, Harry Duncan, Herbert Morris, Lucinda Collins, and B. Rajan.
Sprache: Englisch
Verlag: [United States] : Ailsa, Inc., 1991, 1991
ISBN 10: 0940889315 ISBN 13: 9780940889316
Anbieter: Joseph Valles - Books, Stockbridge, GA, USA
Hardcover. Zustand: Very Good. No Jacket. xx, 315 pages : illustrations ; 29 cm. ; Originally published: New York : Simon and Schuster, 1954 ; OCLC: 34219087 ; LC: GV965 ; green and beige cloth ; no dustjacket ; "Bob Jones was an Atlanta lawyer who also happened to become one of the best golfers who ever lived. His ultimate achievement came in 1930, when he became first and only golfer to win the Grand Slam. He promptly retired from competitive golf, returned to his law practice and founded Augusta National Golf Club-the site of the annual Masters Tournament ; Contents: Short stories -- The clicking of Cuthbert / P G Wodehouse -- Mr. Frisbie / Ring Lardner -- The sweet shot / E. C. Bentley -- The Ooley-cow / Charles E. Van Loan -- Golf is a nice friendly game / Paul Gallico -- Cartoons -- The spirit of the game -- reminiscence, comment, history and humor -- The links of Leith / Tobias Smollett -- The birth of the Linksland Courses / Sir Guy Campbell -- Some of the humor of golf / A. J. Balfour -- Hints to golfers of riper years / Horace C. Hutchinson -- How to go about buying a putter / John L. Low -- The old apple tree gang / H. B. Martin -- Across the street from the County Club / Francis Ouimet -- Golf in four acts / George Ade -- Caddying at Edgewater / Chick Evans -- Mr. Dooley on golf / Finley Peter Dunne -- Merion--First visit / Robert T. Jones, O. B. Keeler -- How I kept my wait down / Walter Hagen -- On Diegeling / Bernard Darwin -- The prospect for 1930 / Grnatland Rice -- Two niblicks / Bernard Darwin -- The fabulous Commodore Hear / Grantland RIce -- Golfers with a past / Noel F. Busch -- The Dr. Livingstone of gold / Harry Robert -- Francis drives himself in / S. L. McKinlay -- The Hong Kong Golf Club / Christopher Rand -- Watching my wife / John L. Hulteng -- Le Bing et le golf / Art Buchwald -- The Golfomaniac / Stephen leacock -- Golfmanship / Stephen Potter -- Great players, historic moments -- The triumvirate /Bernard Darwin -- The first United States amateur championship -- How I won the British amateur championship / Walter J. Travis -- 1913, the United States open championship / Henry Leach -- Walter Hagen--my hero, my rival / Gene Sarazen -- Hagen at Hoylake / Bernard Darwin -- 28 holes in 100 strokes / Gene Sarazen -- Little, at Prestwick and St. Anne's / Peter Lawless -- Failure of a mission / Henry Longhurst -- Guldahl wins the Masters / William D Richardson -- Nelson at his peak / Arthur Mann -- The affluent hillbilly / Bob Harlow -- Pinehurst and a Ryder Cup match / Henry Longhurst -- Perfection at Oakmount / Philip W Wrenn -- The greatest year of my life / Ben Hogan, Gene Gregston -- Walker Cup matches--the full parade / John P. English -- The Babe comes back / Al Laney -- The Masters' voices -- Their views on theory, technique, learning and playing -- The importance of style / Willie Park -- Styles and methods, then and now / Henry Cotton -- The grip holds your swing together / Tommy Armour -- How Hogan picks his clubs / Jimmy Demaret -- The woods / Sam Snead -- Playing the irons / Robert T. Jones, and G. B. Keeler -- Putting / Bobby Locke -- It takes brains to play golf / Gene Sarazen -- Discoveries that helped my golf game most / Byron Nelson -- Golf fashions, not fundamentals, change / Horton Smith -- Tournement golf / Robert Jones -- The controlled Golf swing / Percy Boomer -- Golf's greatest teacher / Herb Graffin -- Golf course architecture -- From St. Andrews to the modern American courses / Robert Trent Jones ; ownership stamp, a few scuffs, else VG. Book.
Verlag: Art & Language Foundation New York, NY 1975, 1976, 1975
Anbieter: Specific Object / David Platzker, New York, NY, USA
3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.