jean dalrymple (37 Ergebnisse)

Zustand: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Good.

Hardcover. Zustand: Good.

Unknown. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.01.

Zustand: Very Good. NY Dodd, Mead & Company 1963. 1/0/00 Binding: Unknown Very Good. in J Very Good dj. dj wrubbing and chipping, in mylar; xvi, 318pp, 226x147mm. 16 Pages B&W photos Author's varied career; Wall Street brokerage office, actress, vaudeville, consultant for Performing Arts at the World's Fair. Illustrated by Illus. F First Edition. Binding is H Hard Cover. 8 vo.

Zustand: Fair. Acceptable condition. Poor dust jacket. (cook book, recipes, farm) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Black Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First Edition. 318 Pp. Black Cloth Stamped In Gilt And Blue, Illustrated Endpapers. Inscribed "To Dear ----- With Happy Memories Of A Long, Long Friendship. Love, Jean".Fine In Very Good Dust Jacket Priced $4.95, Tears And Small Losses At Edges. Inscribed by Author(s).

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 238 pages; Description: 238 p. 24 cm. Subjects: Cookery -- Recipes -- Cookbooks. 1 Kg.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. clean, firm copy, edge wear, dj has chipping, but mostly in tact. BP/ cookbooks/ every day.

Softcover. Zustand: Bon. Légères traces d'usure sur la couverture. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slight signs of wear on the cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Very good condition. Spine tips are worn. Some cover edges are rubbed. Three inch light crease at top front corner. Long crease on front cover near spine. Front cover photograph by Andre De Dienes from A Streetcar Names Desire. 96 pages.

Zustand: Good. First edition copy. . Good dust jacket. Owner's name on front free endpage. (American cooking).

Zustand: Very good. - Quarto [12 inches high by 9 inches wide], softcover bound in decorative blue & white wrappers titled in gilt. The wraps are rubbed & lightly bumped & the spine is chipped. There is light soiling to the rear wrap. Unpaginated, with a program addenda laid in. Photographic illustrations & pictorial ads. Very good. The American National Theatre and Academy was chartered by Congress in 1935. In 1946, it established the National Theatre Foundation which entailed "the pooling of ideas, resources, knowledge, in the sponsorship, stimulation and support of good theatre for the country as a whole".The ANTA Album was a gala benefit performance inaugurated in 1948--"the first benefit given by the theatre for the theatre, by the people of show business for the idea and ideal of an American national theatre"--and presented each year thereafter. The 1951 Album was produced by Jean Dalrymple and the Mistresses of Ceremonies were Fay Emerson, Hedda Hopper, Margaret Webster and Tallulah Bankhead. Among the evening's performances were scenes from the musical productions "Finian's Rainbow", the operatic version of "Emperor Jones", "Annie Get Your Gun", "Porgy and Bess" and "Of Thee I Sing"; from the ballet "Rodeo", with music by Aaron Copland; and from the plays "My Sister Eileen" [with Shirley Booth], "Camille" [two versions, one with Uta Hagen, one with Eva LeGallienne], "Our Town" [with Thornton Wilder as the Stage Manager] and Shaw's "The Devil's Disciple". Also Gloria Swanson performed "Impressions of Charlie Chaplin".

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First edition. Fine in very good dustwrapper. Dustwrapper slightly rubbed.

Illus. with photos. N.Y., (1963).

Zustand: Good. Signed Copy . Good dust jacket. Inscribed by author on front endpage. (Cooking, Cookbook).

Hardcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 2011. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Sehr gut. Gebunden (27 x 31 cm). Sehr gut. Très bon état. Sprache: Französisch Gewicht in Gramm: 1640.

Taschenbuch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware - In this candid memoir, legendary Broadway producer Jean Dalrymple recounts her remarkable life in the theater. From her early years in vaudeville to her tenure as director of the New York City Center, Dalrymple offers a behind-the-scenes glimpse into the world of theater production and the personalities who shaped it.

Couverture rigide. Zustand: bon. RO20249165: 2011. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 197 pages - nombreuses illustrations, dans et hors texte, en couleur et noir/blanc. . . . Classification Dewey : 570-Sciences de la vie.

Zustand: Assez bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Zustand: Fair. Acceptable condition. Acceptable dust jacket. (theater, women theatrical producers and directors ) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

1 blank sheet, singleside printed titlesheet, x[10] sheets 'Preface'; 52 sheets of text consisting of 194 [+14] vertically halfpage columns of 'Instructions . . .'(c. [1]-38); 'De la Route . . .'(c. 39-47/48); 'Description de la Côte d'Afrique, . . .'(c. 47/48-64); 'Des Cotes d'Afrique . . .'(c. 65-191); 'Mémoire sur la Carte . . .'(c. 191-194); 'Tables des Variations' (c. [195]-[199/200]); 'Avis au relieur. . .'(c. [199/200]); 'Table des Articles' (c. [201]-[202]); 'Extraits des Régistres de L'Académie Royale de Marine du 9 Mars 1775'; 'Rapport de >Neptune Oriental<' (c. [203]-[207/208]); 'Privilège du Roi' (c. [207/208]); except 1st blank and titlesheet re. all printed on thick and untrimmed blueish large paper. - Thick colour-marbled paper covered cardbord-binding of the period with gilt-titled and -decorated leather spinelabel; imperial-folio (ca. 59 x 44 x 5 cm; ca. 4,5 kg.). *** SECOND EDITION, IN A ORIGINAL BINDING OF THE PERIOD; text complete, lacking all maps (not removed by us). - Shortly after its publication the 1745 first edition of 'Le Neptune Oriental' most copies were destroyed by the French Admiralty to keep the secrets of East Indian navigation. 30 years later, having been appointed 'Director of Chart at L'Orient' in 1762 by the Compagnie des Indes and conferred the 'Order of St. Michael' in 1767 by King Louis XV, Mannevillette, together with his friend Alexander Dalrymple, updated his original work with new and improved charts and republished his opus magnum in a greatly expanded format. --- Corners of the binding slightly rubbed; A VERY GOOD COPY.

Zustand: Very good. - An 8 inch high by 10 inch wide softly hued black & white original photograph by Arthur C. Macaulay. The photograph portrays the Spanish pianist Amparo Iturbi standing on stage next to a grand piano accepting the applause of the servicemen looking back from their seats at a table. American Theatre Wing's City Center Producer Jean Dalrymple is seated next to a sailor at bottom right. An array of flags serves as background to the stage and the pictorial banner above reads "American Theatre Wing War Service, Inc. : Stage Door Canteen". The Jersey City, N.J. photographer's credits are stamped on the verso and the photograph is additionally identified in pencil as "#758 Courtesy c-9-4 Amparo Iturbi" and "Amparo Iterbi / Jean Dalrymple" on the verso. There is a crease to the bottom right corner of the photograph with minor creasing to the top left corner and left edge. Very good. A New York City venue run by the American Theatre Wing, "The Stage Door Canteen" offered meals and entertainment free of charge to American service men during WWII. The original venue first opened in the basement of a theater on 44th Street in New York City on March 2, 1942. Stage Door Canteens were eventually set up in cities throughout the country as well as in London and Paris.The younger sister of Jose Iturbi, the Spanish pianist Amparo Iturbi (1898-1969) was herself a well-known performer. She gave her debut concert in Barcelona when only 15 years old and played in Paris in 1925. She and her brother Jose played dual piano recitals through Italy, Switzerland, Belgium, the Netherlands, and England and she also accompanied the Catalan Soprano Maria Barrientos. Her first American performance came in 1937 and she was a pioneer of the Spanish piano repertoire prior to Alicia de Larrocha's arrival in 1965. Amparo appeared on screen with her brother Jose Iturbi in MGM's 1944 musical "Two Girls and a Sailor".Jean Dalrymple (1902-1998) was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville, appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing, the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski, Mary Martin, Jos Iturbi, Andre Kostalanetz, Nathan Milstein, and Lily Pons. She began her work at City Center with its founding in 1943, serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951, Jean Dalrymple married Major-General Philip deWitt Ginder, commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.

Zustand: Very good. - A wonderful, and increasingly caustic, correspondence between the author Pierre La Mure and producer Jean Dalrymple regarding production of a theatrical production of a musical based on his novel "Moulin Rouge" about the life of the French artist Henri de Toulouse-Lautrec. The correspondence consists of 4 typed letters signed by Pierre La Mure with retained copies of 3 of Jean Dalrymple's letters to La Mure, together with 2 typed letters signed by the British film producer of the 1952 movie of "Moulin Rouge" John Woolf, together with a retained copy of another of his letters to Jean Dalrymple and the retained copy of a letter from Jean Dalrymple to Woolf. La Mure has penned occasional corrections in red ink within the text of his letters and Jean Dalrymple subsequently drew a diagonal red line through La Mure's and Woolf's letters indicating she'd read and dealt with them. All the letters are in very good to fine condition. A wonderful correspondence which provides insight into the thoughts of those involved in attempting to stage a theatrical production of the musical. The novel was the basis for a major film produced by John Woolf and directed by John Huston in 1952. It is interesting to note that La Mure belittles Jose Ferrer, a close friend of Jean Dalrymple, for his performance in "The Man of La Mancha" as Ferrer starred as Toulouse Lautrec in the film. Following is a chronological description of the correspondence:1) August 25, 1968. An approximately 300 word 1 - 1/4 page typed letter to Jean Dalrymple on personal letterhead signed "Pierre". Pierre la Mure writes to producer Jean Dalrymple that Romulus Films and United Artists are willing to release their rights for a percentage and allow a musical to be made based on Moulin Rouge. La Mure finds himself "in the position of G.B. Shaw in relation to 'My Fair Lady' - and I should like to know what percentage did the Shaw estate get out of My Fair Lady." He complains that time is being wasted on unnecessary negotiations. He says that it is simply a matter of writing "the book of a musical. (I have the draft of one which I wrote for myself and which doesn't infringe on the film at all.)".2) August 28, 1968. A one-page retained carbon copy of a letter from Jean Dalrymple to Pierre La Mure. Dalrymple writes that Herman Levin will let La Mure know the percentage paid to the Shaw estate for Pygmalion. She emphasizes that she could have done a much better job herself than Paul Kohner has done on the musical negotiations.3) February 20, 1969. An approximately 300 word typed letter to Jean Dalrymple on personal letterhead signed "P". La Mure writes that he agrees with Dalrymple that Richard Rodgers "would give much prestige to the production." But he adds that "Lowe (of My Fair Lady).would even be better, I think". He tells her to forget about the French composer George Auric. "He probably looks down on him [Rodgers].And I don't think his music is very good anyway." (Auric was the composer of the music for the 1952 John Huston film of Moulin Rouge.) La Mure then makes an impassioned plea for the actor Charles Aznavour: "But I plead with you to consider Aznavour. Every fiber in my body tells it would be a bull's eye.He was born to be Lautrec." Along the left margin of the letter La Mure writes a footnote: "Let me know what Wasserman says?". Evidently Dale Wasserman was being considered for writing the book for the Moulin Rouge musical. Wasserman is best known for having written the book for "The Man of La Mancha".4) February 26, 1969. A two-page retained carbon copy of a letter from Jean Dalrymple to Pierre La Mure. Dalrymple writes that her "session" with Dale Wasserman was disappointing. Wasserman felt that Moulin Rouge is "too close in feeling, atmosphere and locale" to Montmartre, the musical he is currently working on. She says she will approach Neil Simon who "turned SWEET CHARITY from a disaster - when it opened out of town - into a hit." She also suggests Frank Loesser: "I have produced most of Mr. Loesser's hits.and if he believed in Moulin Rouge he'd do a masterly job of it.Loesser is almost as prestigious as Richard Rodgers.and actually more talented."5) April 7, 1969. A one-page retained carbon copy of a letter from Jean Dalrymple to Pierre La Mure. Dalrymple writes that Frank Loesser had discussed Moulin Rouge with La Mure years ago and "reluctantly turned it down." However he would now reconsider it but he is "not at all well".6) April 22, 1969. An approximately 60 word typed letter to Jean Dalrymple on Romulus Films Ltd letterhead signed "John" by the producer John Woolf. Woolf thanks Dalrymple for her cable congratulating him on his Best Picture Academy Award for his film "Oliver". He inquires about an April 2 letter he sent her regarding Moulin Rouge.7) June 2, 1969. A one-page retained carbon copy of a letter from Jean Dalrymple to John Woolf. Dalrymple asks Woolf for a copy of the screenplay for Moulin Rouge on behalf of Joe Darion, the Tony Award winning lyricist of "The Man of La Mancha". Darion is evidently planning to write the book for the Moulin Rouge musical. She mentions that her butler, David Daniels, once worked for Woolf as his valet.8) June 6, 1969. An approximately 100 word typed letter to Jean Dalrymple on Romulus Films Ltd letterhead signed "John" by the producer John Woolf. Woolf writes to Dalrymple sending along a copy of his April 2 letter which was somehow lost in the shuffle. He says that he is happy to send along a copy of the Moulin Rouge script.9) August 18, 1969. An approximately 250 word typed letter to Jean Dalrymple on personal letterhead signed "Pierre". La Mure is surprised, and clearly peeved, that "Mr Joe Darion is writing a libretto of Moulin Rouge". He points out that Dalrymple has no option on the property and "it perhaps would be a good idea to come to some business arrangement on this matter, don't you think?". He writes a lengthy postscript in part concerning a production he saw of "The.