Frank e claes (5 Ergebnisse)
Verlag: Camden Herald Publishing Co., Maine 1967
- Hardcover
Anbieter: Andre Strong Bookseller, Blue Hill, ME, USAAndre Strong Bookseller
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 13,48
EUR 6,11 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: Very Good. 8 x 11 in. Paper pictoral boards. Lavish color and B&W photos. Condition is VERY GOOD ; mild edge wear. Binding tight and text unmarked. Maine. Stax.
Verlag: Camden Herald Publishing Co.
Anbieter: Wonder Book, Frederick, MD, USAWonder Book
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EUR 16,14
Versand nach gratisVersand innerhalb von USAAnzahl: 1 verfügbar
Zustand: Fair. Acceptable condition. No Dust Jacket Volume 1. (maine, ME, pictorial, photography) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.
Verlag: Camden Herald Pub. Co
- Hardcover
Anbieter: Wonder Book, Frederick, MD, USAWonder Book
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 25,18
Versand nach gratisVersand innerhalb von USAAnzahl: 1 verfügbar
Zustand: Good. Good condition. Volume 1. Hardcover edition. (Maine, Coasts, Pictorial works ).
The Course of the Knife / Il Corso Del Coltello. Claes Oldenburg, Coosje Van Bruggen, Frank O. Gehry.
OLDENBURG, CLAES - GERMANO CELANT [ED,]., BRUGGEN, COOSJE VAN. & GEHRY, FRANK O.
- Hardcover
- Erstausgabe
Anbieter: Frans Melk Antiquariaat, HILVERSUM, NiederlandeFrans Melk Antiquariaat
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EUR 20,00
EUR 68,00 VersandVersand von Niederlande nach USAAnzahl: 1 verfügbar
Rizzoli, 1987. First American Edition. 28,5 x 22 cm. Hardcover with dustjacket. Richly illustrated in color and b/w. 239 pages. Text in English. Dustjacket slightly damaged. NEAR FINE COPY [Art / international artist [Buitenlandse Kunstenaars] ].
Verlag: Exit Art New York, NY 1993
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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EUR 224,65
EUR 7,42 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herli…n, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.
