will bradford (11 Ergebnisse)

Zustand: Good. Boards have some wear. Content is clean with remnants of a label removed at rear pastedown. Solid binding. No DJ.

Trade Paperback. Zustand: Fair - Cash. Heavier wear to the cover, corners, and edges. There is soiling to the cover and pages, with heavy creases and tearing. In protective plastic sheet. Pages are chipping. The corners have some heavy rubbing. Stock photos may not look exactly like the book.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Reprint . Reprint, 1981. Publication of 157 pages. The dust Jacket is a little shelf rubbed. The boards are in good condition. There are minor annotations written on the first two blank pages. The remainder of the pages are clean and complete. Tightly bound and presented in cellophane. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

1st UK edition. Ex-public library copy with stamps and markings on front end paper and verso of title page. Dust jacket covered in slightly yellowing clear film, sellotaped to front pastedown and fitted tightly. Edges foxed, but internally bright and clean. A good reading copy. Used - Acceptable. Fair ex-lib hardback in good dust jacket.

Soft cover. Zustand: Good. No Jacket. THE COVER IS RUBBED AND CREASED. THERE IS A PENNED SCRIBBLE TO THE FRONT COVER. THE CORNERS AND EDGES ARE BUMPED AND CREASED. THE SPINE IS RUBBED AND HAS SEVERAL CREASES. BOTH ENDS OF THE SPINE ARE BUMPED. THE PAGE EDGES ARE YELLOWED. THERE ARE STAMPS TO THE FFEP. PAGE 50 HAS A TEAR ALONG THE HINGE SIDE BUT THE PAGE IS FULLY PRESENT. THERE ARE LOTS OF PENNED MARKINGS ACROSS THE REAR INSIDE PAGE. THE BINDING IS TIGHT. PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.

Soft cover. Zustand: Good. No Jacket. THE COVER HAS MINOR RUBBING TO THE CORNERS. THE SPINE HAS MINOR RUBBING TO THE EDGES. THE BACK COVER HAS MINOR MARKS. THE FFEP HAS TWO STAMPS. THE INSIDE BACK COVER HAS MINOR PEN MARKS. THE BOOK HAS A SLIGHT ODOUR. PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. [1st edition], 1st printing ; 216 p. : ill. ; 31 cm. ; ISBN: 0918804183 (pbk.); 9780918804181 (pbk.) LCCN: 83-228212 ; 77-79327 ; LC: NK9612; Dewey: 674/.8 ; OCLC: 10458782 ; "A fine woodworking book" ; "selected by the editors of Fine woodworking magazine." ; photographic stiff paper wrappers ; "Fine Woodworking was launched in 1975 in response to the lack of quality information on the craft. With a circulation of 287,000, it is now the premiere source of how-to information for woodworkers of all skill levels that are seriously interested in woodworking techniques, tools, projects, finishing and design inspiration" ; Contents : Bowls -- Cabinets -- Desks -- Tables -- Beds -- Tools and toys -- Musical instruments -- Furnishings -- Boxes -- Sculpture and carving -- Index -- Directory of woodworkers ; Woodwork artists include Lottie Kwai Lin Wolff, Karlin Wong, Dennis Vidmar, Kenneth Cliet, Alois Von Matt, Steve Voorheis, Jack Voss, David Trapp, Craig Tinker, John Tierney, Howard Werner, Ken Walker, Bradford Walters, Gerald Otis, Takeo Omuro, Will Neptune, Frank Nadell, John Nelson, Joe Nevius, Mike Norby, Kathleen Maiwald, James McEver, Fred MAter, John Marcoux, Alan Marks, Warren May, Michael Kranz, Gordon Kyle -- Bruce Joseph Kunkle, Clement Konzem, Michael Hosaluk, David Holzapfel, Howard Hastings, Greg Harkins, William Hammersley, Joe Hogan, Aleida Iijzerman, Andy Inganni, Bill Irwin, Sata Jaffe, Normand Jussaume, Jon Jennett, Frank Grusauskas, gregory Guenther, Erik Gronberg, David Groth, Louis Gnida, Tom Gannon, Rick Gentle, Grover Floyd, Jack Fenwick, Randall K Fields, Warren Fenzi, David Paul Eck, John Economaki, Bix duPont, John Dunnigan, Rion Dudley, Jeffrey Dale, Ed Dadey, Ron Curtis, Doug Courtney, Clead Christiansen, Jerry Caplan, Christian Brisepierre, Chuck Engberg, Charles Shedden, Edwin Fulwider etc ; ownership stamp ; cover a little dusty, else VG. Book.

hardcover. Zustand: Very Good. Cover has light wear. Pages are clean/intact.

Full leather. Zustand: Near fine. Bound as a single volume, Voice of the Heart and Act of Will by Barbara Taylor Bradford. This is the first omnibus edition of these two works, from the personal library of the author. (illustrator). Omnibus Edition. Octavo, 829pp, [1]. Finely bound in full purple morocco, detailed gilt border. Five raised bands, title in gilt on spine. Heavily sunned spine, purple lifted to tan. All edges gilt, gilt turn-ins, marbled endpapers. Books from the library of Barbara Taylor Bradford are bound in the style of the Bayntun-Riviere Bindery. Stated "This omnibus edition first published exclusively for Marks and Spencer plc 1989 by Grafton Books" on copyright page. Solid text block, appears unread. Housed in a matching purple morocco slipcase, similarly sunned. A vibrant example. Provenance: Doyle Auctions of New York, May 2025. This copy is from the private collection of Barbara Taylor Bradford, a British-American novelist. Following the success of her debut novel, A Woman of Substance (1979), Bradford wrote 40 best-selling novels, often about young women advancing in the world through hard work.

Draft script for the 1971 film, here under the working title "Kane." Copy belonging to actor Bradford Dillman, with his stamp to the title page, and his manuscript ink annotations throughout. Laid in with the script are two manuscript pages with Dillman's notes on blocking for various scenes, and two gatherings of cast and crew contact information. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor, however, knows the man holds a larger, more meaningful purpose in the world. Set in Alabama, shot on location in Marysville, California. Blue titled wrappers, dated January 30, 1970, noted as production No. 8981. Title page present, dated January 30, 1970, with credits for director James Goldstone and screenwriter Ernest Kinoy. 141 leaves, with last page of text numbered 140. Mimeograph duplication on eye-rest green stock, rectos only, with rainbow revision pages throughout, dated variously between February 11, 1970 and March 4, 1970. Pages and wrapper Near Fine, bound with two gold brads.

Vintage borderless reference photograph of director James Goldstone with a camera on the set of the 1971 film. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor, however, knows the man holds a larger, more meaningful purpose in the world. Set in Alabama, shot on location in Marysville, California. 10 x 8 inches. Near Fine.