peter friedlander (33 Ergebnisse)

Zustand: New. pp. 94.

Paperback. Zustand: Good. No Jacket. Reiner, Yair; Schertz, Peter; Theroux, Peter; Sams, Victoria (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.

Zustand: New. pp. 304.

Zustand: New. In.

Hardcover. Zustand: As New.

Zustand: New. pp. 322.

335 S., (Engl./Hindi) Wegen der EPR-Bestimmungen liefern wir nicht nach Bulgarien, Dänemark, Estland, Griechenland, Irland, Litauen, Luxemburg, Malta, Kroatien, Polen, Portugal, Rumänien, Schweden, Slowakei, Slowenien und Ungarn. Sprache: Englisch Gewicht in Gramm: 861 4°, Ln. 2-3, OU, FL im Schnitt, N.

Hardcover. Zustand: New. This book is a translation and study of the verses of Muhammad Yari Sahib (ca. 1668-1723 ce). The central question addressed in it is; how was it that a Muslim spiritual teacher from Delhi came to be remembered as a prominent figure in the interaction between Hindu and Muslim mystics in North India? Key to understanding this are studies of both the spiritual teachings in Yari's verses and how they were preserved and transmitted in the lineage of famous Sants such as Gulal Sahib and Paltu Sahib. The oral traditions of this lineage also included both Hindu and Muslim figures which allowed Yari to be remembered in the nineteenth and twentieth centuries as having been both a Sant and a Sufi. This volume includes all of the sixty or so poems of Yari and offers creative English translations built around the inner structure of the lines of each poem, along with a critical Hindi edition of the verses. The study shows that the verses contain expressions of the key ideas found in the Sant tradition. These include both the individual search for the divine within one's self and the recognition of the divine light revealed within the microcosm of the body and the macrocosm of the universe. From a Sufi perspective these ideas can be expressed through the traditional saying 'I was a hidden treasure and I desired to be known'. The imagery in the verses also speaks of the com­monality between the traditions in the search for the revelation of God. About the Author Peter Friedlander studied at SOAS (London) between 1983-1991. During his research and teaching career he published many articles on Sant traditions whilst working at La Trobe University, The National University of Singapore and the Australian National University. His books include; The Life and Works of Raidas (with Winand Callewaert, 1992), the books co-authored with Harry Aveling, and Kabir Poems in Transformation (2023). Harry Aveling (PhD, NUS: DCA, UTS) has co-translated, with Peter Friedlander, Charandas's, Bhaktipadarth (2014) and The Songs of Daya Bai (2005); and with Sudha Joshi, Sahaj Prakash (2001) and The Last Morning Star: Discourses on Daya Bai by Osho (2000). He has recently published two volumes of critical studies: Southeast Asian and Australian Literature and Translation and India (Prestige Books, New Delhi).

8vo. pp xxi, 400. Original publisher's green cloth covered boards with gilt lettering at front cover and spine. Volume V of the 'Lessons and Legacies' series. Features five sections, entitled 'Context', 'Perpetrators', 'The Courts', 'Memory and Historical Perspective' and 'The Second Generation'. ISBN: 0810119153 Front board very slightly warped, previous bookseller ISBN sticker at rear board, else content clean. Very good indeed.

Zustand: New. In.

Hardcover. Zustand: New. Contents: Preface. Note on Transliteration and Abbreviations. 1. Who was Kabir? 2. Why these Verses? 3. What did Kabir Teach? 4. How did Kabir Practice? 5. Where did Sen and Tagore Change the Texts? 6. When did the Verses Change? 7. The One Hundred Verses. Afterword. Appendix: Concordances. Bibliography. Index. Kabir Poems in Transformation: A Fountain of Creativity explores how images of Kabir, in circulation amongst his Hindi-speaking followers at the start of the twentieth century, were transformed into versions of Kabir more acceptable to global English-speaking audiences in contemporary times. This work investigates how the creation of an image of Kabir as an ideal Indian mystic poet led to the eclipse of Kabir as the voice of the lower castes and marginalized communities in India. The argument is that rather than seeing an idealized version of his persona through the lens of any particular segment of the audience, Kabir should be studied through the multiplicity of images transmitted amongst diverse communities within India and around the world. This book focuses on the networks of contexts in which these verses were transmitted, and where such a significant transformation took place. These include Hindi print editions published 1907 onwards, Bengali anthologies by Kshitimohan Sen in 191011, and English translations by Rabindranath Tagore and Evelyn Underhill published as One Hundred Verses of Kabir in 1914.

335gr., cloth, dustwrapper, 25cm., VG, [text in Hindi, with translation and introduction in English], X63492.

4°. 57 S. mit 20 (4 farbigen) Tafeln. Marmoriertes Ohprgt. Stehkante minimal berieben und papierbedingt durchgehend etwas gebräunt, insgesamt aber sehr gutes Exemplar. Titelauflage der ersten Ausgabe? Die diversen Angaben zur Erstausgabe sind etwas verwirrend, denn im vorliegenden Buch finden sich sowohl Erscheinungsjahr als auch Copyright 1923, es gibt anscheinend aber mehr Exemplare mit Erscheinungsjahr und Copyright 1922 (mit identischer Kollation). Letztere tragen aber auch einen Vermerk für die 100 Exemplare der numerierten Vorzugsausgabe, der vorliegendem Exemplar fehlt. Zu allem Überfluß verzeichnen sowohl WG 19 und Raabe 343, 10 unter Zoff die Erstausgabe mit 1923, aber beide mit anderer Verlagsangabe - München, Allgemeine Verlagsanstalt! Sprache: de.

Hardcover. Zustand: New. 1st Edition. First edition, first and only printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Burgundy-color velvet-covered boards, with plate tipped in debossed front cover, no dust jacket as issued. Photographs by Lee Friedlander. Introduction by Peter Galassi. Afterword by Maria Friedlander. 56 pp., with 48 duotone four-color plates, beautifully printed on fine matte art paper by Oceanic Graphic Productions. 12 x 11-1/4 inches. This first edition was limited to 2000 copies. Out of print. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New in publisher's shrink-wrap (slit open for signature). From the Introduction by Peter Galassi: "Photography likes sculpture. It likes to see how things look from different angles, especially things that don't move. It likes light falling on surfaces and the way the two become one in the picture. . . Above all, it likes the way photography, which makes living figures still, awakens figures frozen in stone." From the publisher: "The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the splendidly ornate display of sculptures erected in their memory. Carved from inanimate lumps of stone, these memorials have become more than the monumental tributes they were originally commissioned to be. Now feathered with a gentle coat of dust, each appears to have taken on a life of its own and out of the melancholy of death comes the comforting notion of a presence that will remain. This series of photographs by the inestimable Lee Friedlander will certainly delight with its beauty; it may also surprise with its warmth, and its sense of immortality. Superbly printed in duotone on matte art paper, and bound in rich velvet, Staglieno is published in an edition of 2,000 copies. Introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York." Signed by Author.

335pp, index, bibliography. Boards somewhat marked, dustjacket little worn, a good copy.

Hardcover. Zustand: New. 2nd Edition. SHIPPING NOTE: due to size and weight, additional shipping fees apply. Second edition of 2000 copies (same as the 1976 first edition). Light green cloth, with title stamped in black and gilt on cover and spine, post-bound and assembled with removable metal pins; no dust jacket as issued. Photographs by Friedlander. Essays by Leslie George Katz and Peter Galassi. Design and typography by Katy Homans based on the original concept devised by Lance Hidy and Leslie George Katz. 170 pp., with 213 duotone plates printed on fine heavy stock un-coated paper by the Meriden Gravure Company, Meriden, Connecticut, from halftone separations made by Thomas Palmer, under the supervision of Daniel Frank. Binding by Roswell Bookbinding, Arizona. Special binding was designed so that individual sheets could be removed and exhibited. 12 x 17 inches. [First edition cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004), in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006). and in Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #7.]. New in publisher's packaging. From the publisher: "Originally published to great acclaim in 1976, The American Monument has become one of the most sought-after photography publications of the twentieth century. Long out of print, with only a rare few available on the secondary market, this second edition makes a treasure available once more to new audiences. Published in the same over-sized format as the first editionwith exquisite reproductions of 213 photographsthe album of post-bound single sheets can easily be temporarily disassembled for display. Considered by many, including Friedlander himself, to be one of his most important books, The American Monument has influenced generations of photographers. The second edition includes a new essay by eminent photography curator and Friedlander scholar, Peter Galassi, which illuminates the history and continued significance of this publication. This album by Lee Friedlander is a memorial in photographs to the American monument. The photographs were selected from several thousand negatives and more than a thousand prints the photographer made of the subject during a dozen years while traveling throughout the United States. The curator John Szarkowski stated: 'I am still astonished and heartened by the deep affection of those pictures, by the photographer's tolerant equanimity in the face of the facts, by the generosity of spirit, the freedom from pomposity and rhetoric. One might call this work an act of high artistic patriotism, an achievement that might help us reclaim that word from ideologues and expediters.".

Boxed Set. Zustand: New. 1st Edition. First edition, first printing. Boxed set of loose cards and two soft-cover volumes. Photographs by numerous artists, including Diane Arbus, Richard Avedon, Brassaï, Harry Callahan, Lee Friedlander, Emmet Gowin, Jan Groover, Michael Kenna, Sally Mann, Richard Misrach, Man Ray, Andres Serrano, Aaron Siskind, Frederick Sommer, Josef Sudek, Francesca Woodman, and Joel-Peter Witkin. Texts by Charles H. Traub and Anne W. Tucker. Interview with Allan Chasanoff by Vince Aletti and Anne W. Tucker. 108 black-and-white and four-color plates. 8-3/8 x 8-3/8 x 3-1/8 inches. New in publisher's shrink-wrap. A uniquely designed, extraordinary publication of an eclectic collection of unusual works by many of photography's most influential artists.

Buch. Zustand: Neu. Neuware - Along with translation of 100 selected verses.

Paperback. Zustand: Brand New. 2nd edition. 388 pages. 9.75x7.00x0.75 inches. In Stock.

Soft cover. Zustand: Good. Contents: You have to change to stay the same / Peter Galassi -- Plates -- A note on the prints -- Making books -- Working with Lee / Richard Benson -- Books, special editions, and portfolios. Published in conjunction with the exhibition Friedlander, at the Museum of Modern Art, New York, June 5-August 29, 2005. 480 pages : chiefly illustrations (some color) ; 32 x 30 cm. Second printing 2009. Shelf wear to edges, scratch to back cover, spine and parts of cover faded, reading crease to spine. Photographs available on request. All books dispatched same or next working day in robust packaging. Heavy book, will require extra shipping costs for overseas purchase.

Hardcover. Zustand: New. 2nd Edition. SHIPPING NOTE: due to size and weight, additional shipping fees apply. Second edition of 2000 copies (same as the 1976 first edition). Signed by Friedlander. Hardcover. Light green cloth, with title stamped in black and gilt on cover and spine, post-bound and assembled with removable metal pins; no dust jacket as issued. Photographs by Friedlander. Essays by Leslie George Katz and Peter Galassi. Design and typography by Katy Homans based on the original concept devised by Lance Hidy and Leslie George Katz. 170 pp., with 213 duotone plates printed on fine heavy stock un-coated paper by the Meriden Gravure Company, Meriden, Connecticut, from halftone separations made by Thomas Palmer, under the supervision of Daniel Frank. Binding by Roswell Bookbinding, Arizona. Special binding was designed so that individual sheets could be removed and exhibited. 12 x 17 inches. [First edition cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004), in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006). and in Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #7.]. New in publisher's packaging (opened only for signature). From the publisher: "Originally published to great acclaim in 1976, The American Monument has become one of the most sought-after photography publications of the twentieth century. Long out of print, with only a rare few available on the secondary market, this second edition makes a treasure available once more to new audiences. Published in the same over-sized format as the first editionwith exquisite reproductions of 213 photographsthe album of post-bound single sheets can easily be temporarily disassembled for display. Considered by many, including Friedlander himself, to be one of his most important books, The American Monument has influenced generations of photographers. The second edition includes a new essay by eminent photography curator and Friedlander scholar, Peter Galassi, which illuminates the history and continued significance of this publication. This album by Lee Friedlander is a memorial in photographs to the American monument. The photographs were selected from several thousand negatives and more than a thousand prints the photographer made of the subject during a dozen years while traveling throughout the United States. The curator John Szarkowski stated: 'I am still astonished and heartened by the deep affection of those pictures, by the photographer's tolerant equanimity in the face of the facts, by the generosity of spirit, the freedom from pomposity and rhetoric. One might call this work an act of high artistic patriotism, an achievement that might help us reclaim that word from ideologues and expediters." Signed by Author.

Quer-4°, 480 S. zahlr. meist ganzs. Abb., Broschur, Tadell. EA. Text engl.- Lee Friedlander (*1934) studierte am Art Center in Los Angeles, begann 1946 oder 1948 zu fotografieren, und wurde durch brillante schwarz-weiße Dokumentaraufnahmen als kritischer Chronist des amerikanischen Alltags bekannt. Friedlander fotografierte anfangs Straßenszenen und wandte sich später auch anderen fotografischen Genres wie Akt, Landschaft, Blumen, Bäume, Selbstporträts (Self Portraits, 1970) und der Darstellung unterschiedlicher Berufe zu. Kennzeichnend für seine Fotografie ist die Arbeit in Serien. In den 1960er Jahren lieferte er auch Coverfotos für einige Alben von Atlantic Records. In den späten 1970ern erstellte er Reportagen zu vergessenen Denkmälern der amerikanischen Geschichte (American Monuments, 1976), zu Arbeitslosigkeit und anderen Themen (z. B. American Musicians, 1998). Viel Aufmerksamkeit erhielt Friedlanders Opus At Work. Hier versammeln sich sechs verschiedene Serien zur Industriearbeit, zwischen Schwerindustrie und Call-Center. Seiner Meinung nach ist das Buch die beste Möglichkeit, Bilder darzustellen oder auch zu veröffentlichen, denn hier hat der Fotograf die Möglichkeit, ganze Bilderserien abzuschließen.Friedlanders Arbeiten wurden 1963 erstmals in einer Einzelausstellung im George Eastman House in Rochester vorgestellt. Lee Friedlander wurde u. a. von Walker Evans beeinflusst. Er unterrichtete u. a. an der University of Minnesota. 1999 wurde er in die American Academy of Arts and Sciences gewählt. Seit 2007 ist er gewähltes Mitglied der American Philosophical Society. 3500 gr. Schlagworte: Photographie.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: New. 1st Edition. Price is net to all; promotional discounts do not apply. SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Black cloth-covered boards with title stamped in yellow on spine, with photographically illustrated dust jacket. Photographs by Lee Friedlander. Essays by Peter Galassi and Richard Benson. Edited by David Frankel. Includes a note on the prints, an extensive, illustrated and annotated bibliography of Friedlander's books, special editions and portfolios compiled by Dalia Azim, a chronology, artist's bibliography and list of plates. Designed by Katy Homans. 480 pp., profusely illustrated with 850 images (approximately 350 duotone plates from separations by Thomas Plamer, and 25 color illustrations), printed on 150 gsm New-G Matt art paper by Oceanic Graphic Printing, Inc., China. 13 x 12 inches. Published on the occasion of the 2005 major retrospective exhibition "Friedlander" at The Museum of Modern Art, New York. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New in New (from Friedlander's personal archive). A Mint copy. From the publisher: "Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work-he most often produces extended series of pictures on a chosen theme, then publishes them in book form-is broad in subject matter and supple and complex in style, and focuses on what he calls America's 'social landscape.' At the same time, he has pursued a playful dialogue with artistic tradition-as though open-eyed curiosity about the world, and a sophisticated taste for the wiles of picture-making were one and the same thing. Lee Friedlander takes a deep critical look at Friedlander's abundantly productive career. Including over 500 photographs grouped by series, and an incisive essay by Peter Galassi, Chief Curator of Photography at The Museum of Modern Art, this oversized publication is the most comprehensive review of the photographer's career to date." Signed by Author.

Couverture rigide. Zustand: Parfait. Paris: France Loisirs, 1995. In 4°. 220 pages (nombreuses illustrations couleurs). Reliure éditeur demi-toile (plat avant illustré). Parfait état. Format 25 x 31 cm. Poids 1,480 kg. "Un panorama complet, clair, détaillé, magnifiquement illustré, des grandes religions du monde, de leur fondation à nos jours : judaïsme, christianisme, islam, bouddhisme, hindouisme, religions traditionnelles de la Chine, zoroastrisme, jaïnisme, sikhisme, shintoïsme. Une analyse des dogmes et des rites, du contenu des textes sacrés, du rôle des grands saints, missionnaires et réformateurs des grands courants spirituels. Une explication des circonstances historiques qui ont présidé à l'élaboration d'une foi, des controverses, hérésies et schismes qu'elle a inspirés. Une étude encyclopédique des entités spirituelles mondiales des plus répandues aux moins connues.".

First Edition. First edition. Softcover. This issue features the images of among others Lee Friedlander, John Baldessari, Christian Boltanski, David Levinthal, Sally Mann, Zeke Berman, and Duane Michals. Also includes a conversation between Baldessari and Christian Boltanski. A clean very near fine copy in photo illustrated wrappers. Early issues of this important photography magazine are uncommon.

gebundene Ausgabe. Zustand: Gut. 197 S. Schutzumschlag knickspurig, Widmungen auf Tietelseite, Einband leicht berieben, insgesamt gut erhaltenes Buch, Lagerfach: F5 F5 //Rechnung mit ausgewiesener MwSt. liegt bei.// Sprache: Deutsch Gewicht in Gramm: 1106.

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Full maroon cloth-covered boards, with offset reproductions mounted on the front and back covers; title stamped in yellow and red on cover and spine; no dust jacket as issued. Photographs by Friedlander. Afterword by Peter Kayafas. Excerts from "Growth of the Soil" by Knut Hamsun (1921). Design and typography by Katy Homans. Tritone separations by Thomas Palmer. 168 pp., with 155 plates beautifully printed by Trifolio, SRL, Verona, Italy. 12-1/2 x 12 inches. New in publisher's shrink-wrap (slit open for signature). From the publisher: "Lee Friedlander: Real Estate presents 155 photographs spanning 60 years of the artist's exploration of the built environment in the American social landscape. Collectively, these photographs add to one of the broadest and most nuanced visual depictions of America. Individually, they evince the sly intellectual humor and keen observations for which Friedlander is justifiably celebrated. Along the way, of course, the photographer expands our idea of what constitutes real estate, just as he compels us to recognize photography's ability to reveal essential aspects of our lives over time." Signed by Author.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First edition. With an essay by Richard Benson. Square tall quarto. 480pp. Fine in a lightly worn, very good or better dust jacket with the spine and cover lightly and evenly sunned. Inscribed by the photographer to his close friend, the artist R.B. Kitaj on the title page: "For Ron with love, Lee." A significant association between two major American artists. Friedlander published a volume devoted exclusively to portraits of Kitaj: *Kitaj* (San Francisco: Fraenkel Gallery 2002). A handsome book featuring 850 images, published in conjunction with a 2005 exhibition at The Museum of Modern Art.

Soft cover. Zustand: Fine. 1st Edition. 1976-1983. First edition, first printing. 27 volumes sharing the following format: Soft cover. Saddle-stiched (staple bound); no dust jacket as issued. Volumes are contained in two silver printed paper-covered slipcases. Photographs and text by various artists (see below). Additional text by Jane Livingston. Includes a catalogue of each exhibition and brief biographies of the artists. 16-40 pp. each. 8 x 8 inches. Exhibition catalogues produced for the historic 1976 Bicentennial project "The Nation's Capital in Photographs": 1) Lewis Baltz: Maryland 2) Joe Cameron: The Extended Mall 3) Robert Cumming 4) Roy DeCarava 5) Lee Friedlander 6) John Gossage: Better Neighborhoods of Greater Washington 7) Jan Groover 8) Anthony Hernandez This set also contains the following exhibition catalogues: 9) Jerry Burchard 10) William Christenberry: Color Photographs 11) Langdon Clay: Color Atlas: Including Flat Lands and Related Views 12) Mark Cohen 13) Gregory Conniff 14) Linda Connor 15) Frank DiPerna: Color Photographs 16) Emmet Gowin: Photographs 1966-1983 17) Arnold Kramer: Interior Views 18) Helen Levitt 19) Jerome Liebling 20) Sally Mann: The Lewis Law Portfolio 21) John McIntosh 22) Mike Mitchell: Other Lights 23) Mark Power: Beauty and the Beast 24) Addison N. Scurlock 25) Rosalind Solomon 26) A Selection of Photographs from the Collection of Sam Wagstaff 27) Janica Yoder. Fine (slipcase with moderate scuffing; all catalogues Fine, except for the Gowin catalogue which has creasing to the rear cover). Exhibition catalogues produced for the historic 1976 Bicentennial project "The Nation's Capital in Photographs": 1) Lewis Baltz: Maryland (The Nation's Capital in Photographs,1976). 24 pp., with 14 black-and-white plates. Exhibition dates: June 19-September 12, 1976. 2) Joe Cameron: The Extended Mall (The Nation's Capital in Photographs, 1976). 24 pp., with 15 black-and-white plates. Exhibition dates: December 11, 1976-February 20, 1977. 3) Robert Cumming: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: February 14-May 9, 1976. 4) Roy DeCarava: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: February 14-May 9, 1976. 5) Lee Friedlander: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: December 11, 1976-February 20, 1977. 6) John R. Gossage: Better Neighborhoods of Greater Washington (The Nation's Capital in Photographs, 1976). 24 pp., with 15 black-and-white plates. Exhibition dates: September 24-November 21, 1976. 7) Jan Groover: The Nation's Capital in Photographs, 1976. 24 pp., including two 2-page gatefolds, with 7 black-and-white plates and 7 four-color plates. Exhibition dates: September 24-November 21, 1976. 8) Anthony Hernandez: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: June 19-September 12, 1976. Other exhibition catalogues: 9) Jerry Burchard, 1978. 16 pp., with 10 black-and-white plates. Exhibition dates: April 21-June 4, 1978. 10) William Christenberry: Color Photographs, 1978. 16 pp., with 5 tipped-in four-color plates. Exhibition dates: December 21, 1978-February 11, 1979. 11) Langdon Clay: Color Atlas: Including Flat Lands and Related Views. 1979. 16 pp., with 4 tipped-in four-color plates. Essay by Lloyd Fonvielle. Includes a checklist of the exhibition, biography, exhibition history and bibliography. Exhibition dates: Exhibition dates July 21-September 23, 1979. 12) Mark Cohen, 1981. 24 pp., with 12 black-and-white plates. Exhibition dates: October 10-December 13, 1981. 13) Gregory Conniff, 1980. 20 pp., with 11 black-and-white plates. Exhibition dates: December 19, 1979-February 3, 1980. 14) Linda Connor. Unpaginated, with 13 duotone plates, printed by Schneidereith and Sons, Baltimore, Maryland, from separations by Prolith International, Beltsville, Maryland. Exhibition dates: November 20, 1982-January 2, 1983. 15) Frank Di Perna: Color Photographs, 1977. 16 pp., with 8 four-color plates. Exhibition dates: June 4-July 17, 1977. 16) Emmet Gowin: Photographs 1966-1983. 40 pp., with 20 duotone plates. Exhibition dates: September 7-November 13, 1983. Includes a biography, exhibition history and bibliography. Text by Peter Bunnell. Limited to 2000 copies. CONDITION: Near Fine (creasing to the rear cover, else Fine). 17) Arnold Kramer: Interior Views, 1978. 16 pp., with 9 black-and-white plates. Exhibition dates: April 21-June 4, 1978. 18) Helen Levitt, 1980. 12 pp., with 6 four-color plates and 1 black-and-white plate. Exhibition dates: February 9-March 23, 1980. 19) Jerome Liebling, 1980. 16 pp., with 9 four-color plates and 1 black-and-white plate. Exhibition dates: December 5, 1980-January 24, 1981. 20) Sally Mann: The Lewis Law Portfolio, 1977. 16 pp., with 9 black-and-white plates. Exhibition dates: September 24-November 13, 1977. 21) John McIntosh, 1979. 20 pp., with 6 tipped-in four-color plates. Exhibition dates April 21-June 18, 1979. 22) Mike Mitchell: Other Lights, 1977. 16 pp., with 9 black-and-white plates. Exhibition dates: September 24-November 13, 1977. 23) Mark Power: Beauty and the Beast, 1979. 12 pp., with 5 four-color plates. Exhibition dates: October 4-December 9, 1979. 24) The Historic Photographs of Addison N. Scurlock. 24 pp., with 14 black-and-white plates. Exhibition dates: June 19-August 29, 1976. 25) Rosalind Solomon: Washington, 1980. 20 pp., with 11 black-and-white plates. Exhibition dates: May 15-June 29, 1980. 26) An Exhibition of Photographs from the Collection of Sam Wagstaff. Exhibition catalogue, featuring a list of works by 19th- and 20th-Century artists. 12 pp., with 21 black-and-white thumbnail illustrations and two black-and-white plates. Exhibition dates: February 3-March 26, 1978. 27) Janica Yoder, 1979. 16 pp., with 10 black-and-white plates. Exhibition dates: February 29-April 22, 1979.