Sprache: Englisch
Verlag: University of Chicago Press, 1992
ISBN 10: 0226307077 ISBN 13: 9780226307077
Anbieter: Books From California, Simi Valley, CA, USA
hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Includes dust jacket. The dust jacket is tanned. The copy is in otherwise clean condition.
Sprache: Englisch
Verlag: Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
Anbieter: Labyrinth Books, Princeton, NJ, USA
Zustand: New.
Sprache: Englisch
Verlag: University of Chicago Press, Chicago, 1992
ISBN 10: 0226307077 ISBN 13: 9780226307077
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
Erstausgabe
hardcover. Zustand: fine. Zustand des Schutzumschlags: very good(+). Mategna (illustrator). First. Black & white illustrations, 301pp., 8vo, cloth, d.w. (slightly faded). Chicago: The University of Chicago Press, (1992). A fine copy in a very good (+) dust jacket.
Sprache: Englisch
Verlag: Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
Anbieter: AMM Books, Gillingham, KENT, Vereinigtes Königreich
EUR 58,10
Anzahl: 4 verfügbar
In den WarenkorbHardcover. Zustand: Very Good. In stock ready to dispatch from the UK.
Sprache: Englisch
Verlag: The University of Chicago Press, 1992
ISBN 10: 0226307077 ISBN 13: 9780226307077
Anbieter: Asano Bookshop, Nagoya, AICHI, Japan
Zustand: Good. Hardcover, fade on spine, light rubs on cover, stains on edge of book.
Sprache: Englisch
Verlag: Chicago, London : The University of Chicago Press, 1992
ISBN 10: 0226307077 ISBN 13: 9780226307077
Anbieter: Antiquariat Rohde, Hamburg, Deutschland
Pp. Zustand: Wie neu. 301 S. ; Ill. ; Sprache: Englisch neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Schutzumschlag, kleine Bleistiftnotiz im Vorsatz Sprache: Englisch Gewicht in Gramm: 720.
Sprache: Englisch
Verlag: Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 106,97
Anzahl: 9 verfügbar
In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Cambridge University Press, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
Anbieter: PBShop.store US, Wood Dale, IL, USA
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 129,10
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 253 pages. 10.00x7.25x1.00 inches. In Stock.
Anbieter: moluna, Greven, Deutschland
Gebunden. Zustand: New. This book traces how four early Renaissance masters represented the Creation of Eve, which showed woman rising weightlessly from Adam s side at God s command.Über den AutorrnrnJack M. Greenstein is Professor and Chair of the Visual Arts.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 172,52
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 253 pages. 10.00x7.25x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press Aug 2016, 2016
ISBN 10: 110710324X ISBN 13: 9781107103245
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Depicting the Creation of Woman presented a special problem for Renaissance artists. The medieval iconography of Eve rising half-formed from Adam's side was hardly compatible with their commitment to the naturalistic representation of the human figure. At the same time, the story of God constructing the first woman from a rib did not offer the kind of dignified, affective pictorial narrative that artists, patrons, and the public prized. Jack M. Greenstein takes this artistic problem as the point of departure for an iconographic study of this central theme of Christian culture. His book shows how the meaning changed along with the form when Lorenzo Ghiberti, Andrea Pisano, and other Italian sculptors of the fourteenth and fifteenth centuries revised the traditional composition to accommodate a naturalistically depicted Eve. At stake, Greenstein argues, is the role of the artist and the power of image-making in reshaping Renaissance culture and religious thought.