robert thomas noll (2 Ergebnisse)

830 pp.; 28.5 x 24 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1997. Artists include Vito Acconci, Marcel Broodthaers, Lygia Clark, Ed van der Elsken, Walker Evans, Öyvind Fahlström, Armand Gatti, Jean-Luc Godard, Dan Graham, Hans Haacke, Raymond Hains, Richard Hamilton, Maria Lassnig, Hélio Oiticica, Michelangelo Pistoletto, Gerhard Richter, Nancy Spero, Garry Winogrand, Robert Adams, Art & Language, Lothar Baumgarten, James Coleman, Toni Grand, Mike Kelley, Helen Levitt, Gordon Matta-Clark, Thomas Schütte, Jeff Wall, Martin Kippenberger, Ecke Bonk, Tony Oursler, Reinhard Mucha, Erik Steinbrecher, Rem Koolhaas, Bruce Mau, Johan Grimonprez, Gabriel Orozco, Carsten Höller, Rosemarie Trockel, Olaf Nicolai, Tunga, Peter Kogler, Philip Pocock, Florian Wenz, Udo Noll, Felix Stephan Huber, Yana Milev, Suzanne Lafont, Peter Friedl, Stephen Craig, Catherine Beaugrand, Jean-Marc Bustamante, Emilio Prini, Martin Walde, Collective La ciutat de la gent, Lois Weinberger, Matthew Ngui, Christine and Irene Hohenbüchler, Aya & Gal Middle East, and Marko Peljhan. Original texts by Sandra Alvarez de Toledo, Etienne Balibar, Andrea Branzi, Benjamin Buchloh, Peter Bürger, Jean-Marie Chauvier, Daniel Defert, Werner Durth, Fabrizio Gallanti, Serge Gruzinski, David Harvey, Andreas Huyssen, Benjamin Joly, Philippe Lacoue-Labarthe, Dominique Lecourt, Alain Lipietz, Masao Miyoshi, Peter Noller, Jacques Rancière, Klaus Ronneburger, Hans-Joachim Ruckhaeberle, Saskia Sassen, Gayatri Chakravorty Spivak, Francis Strauven, Paul Sztulman, Max Welch Guerra. Includes author biographies. "For the first time in the history of documenta, the companion publication attempts to go beyond a survey and interpretation of the exhibited works of art to document and analyze the cultural development of the western world from 1945 to 1997 in a rich selection of paintings, photos, plans, sketches, maps, essays, quotations, discussions, poems, philosophical essays and manifestos. The book unites the diverse forms of expression in an impressive collage. The artists of documenta X are introduced in a number of artist's inserts. A provocative, enlivening and thoroughly current reader and reference work for anyone interested in the art and culture of our times." -- publisher's statement. Fine. Covers, dust-jacket and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.