vicente gerbasi (12 Ergebnisse)

Soft cover. Zustand: Good. 2nd Edition. First published 1958, in Chile. Front cover faded.

Zustand: Fine. Leichte Risse; Farbveränderung durch Alter/Sonne.

Cloth. First edition. frontis, 235 pp. 8vo. Coleccion Zona Torrida, No. 3. A near fine copy in a very good+ dust jacket.

Encuadernación de tapa blanda. Zustand: Buen Estado. Posee pequeña etiqueta en la contratapa. 296 pp. Size: 22,5 x 15,5 Cm.

107 p 10 cm Ilustraciones de Mary Winterfield. Encuadernación editorial en rústica. Estado de conservación: Bien.

Selección y pról. de Gustavo Guerrero. Ed. Galaxia, cartoné con sobrecubierta, 1250 pps. 2008.

Encuadernación de tapa blanda. Zustand: Bien. 1ª Edición. 75 p. ; 21x14 cms. Pequeños desgastes en extremos del lomo. Manchita en bordes de contratapa. Cuentos venezolanos (A-300-OF-CO).

Encuadernación de tapa blanda. Zustand: Bien. 1ª Edición. 74 p. ; 19x14 cms. Poesías venezolanas (A-264).

1st edition. Very good copy in the original stiff-card wrappers; edges somewhat nicked and dust-dulled as with age. Remains quite well-preserved overall. Physical description; 80 pp., illustrations, 23 cm. Subjects; Aguirre, Lope de, 1510-1561. Venezuelan poetry. 1 Kg.

Traduction de l'espagnol par Claude Couffon - Paris : Pierre Seghers (Collection "Autour du monde", N°28), 1955 - un volume (128x190mm) cartonné illustré en couleurs, 95 pages - exemplaire en bon état - édition bilingue - Première collection française de son époque à présenter des poètes étrangers, traduits pour la première fois. "Autour du monde" compta une centaine de titres parus entre 1952 et 1968. Livres.

Encuadernación de tapa blanda. Zustand: Muy bien. In-4. #1 May 1939 - #22 Jan/May 1941. (only issues #6, 7, 8, 11/12, 13/14). Wrappers.Friday magazine comes to light in the year of 1939. In it is its aesthetic manifesto, where they indicate that this "is a group without limitations" and "That it is identified with laro-sa-de-los-vien-tos . (the rose of the winds) "The group had as a vision the plurality of aesthetic ideas and ways of presenting them, since they declared" All directions. All flights. All forms. " Finally, they hope that this association "will be the final eve of the great rest - already in march towards the continental - of the Venezuelan." In the writings published in the magazine 'Friday', the poems contained a language difficult to follow, often airtight on purpose. Cosmopolitanism reigned, unequal to that accustomed by Latin American modernist writers, the desire to go beyond national boundaries and issues and face the reality of human universality. Perhaps much of this was due to the unexpected possibility of writing in a much more open way, for the first time in a long time. And this environment of freedom produced a literature driven by a desire for diversity . But this ideal of diversity will be what will ultimately bring the end of the group. In May 1941, when the final edition of the magazine Friday comes to light (which includes four issues, from 18 to 22) the artistic direction of the group had already disappeared. W46.

Sin Encuadernar. Zustand: Bien. Folio. #1 Aug 1941 - #2 Sep/Oct 1941. Wrappers. Vicente Gerbasi (Canoabo, Carabobo, June 2, 1913, - Caracas, December 28, 1992) was a Venezuelan writer, poet, politician and diplomat, considered the most representative contemporary Venezuelan poet and one of the brightest exponents of the lyric avant-garde, in addition to being one of the most influential writers of the twentieth century in Venezuela, as well as the most recognized. Member of the Viernes Group, one of the most notorious poetic groups in Venezuela, Gerbasi would not only become his greatest exponent, but also develop an extraordinary political and diplomatic career, being a founding member of the National Democratic Party together with Rómulo Betancourt, Cultural Attaché of the Venezuelan embassy in Bogotá, Consul of Venezuela in Havana and Geneva, Cultural Advisor of the Venezuelan Embassy in Chile and Ambassador of Venezuela in Haiti, Israel, Denmark, Norway and Poland. CodMK.