Zustand: Good. Used book that is in clean, average condition without any missing pages.
hardcover. Zustand: New. Brand New.
Zustand: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 32,76
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 352 pages. 9.00x6.00x9.30 inches. In Stock.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 32,76
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 352 pages. 9.00x6.00x9.30 inches. In Stock.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 40,28
Anzahl: 3 verfügbar
In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Grand Central Publishing Okt 2025, 2025
ISBN 10: 1538772558 ISBN 13: 9781538772553
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - A New York TimesNotable Book of 2025 - One of Barnes & Noble's Best Sports Books of 2025 From veteran New York Times Business & NFL reporter, Ken Belson, a deeply-reported account of how the NFL's Commissioner, Roger Goodell, and its two most powerful owners, Jerry Jones & Robert Kraft, turned the league into a cultural phenomenon. On February 11, 2024, NFL Commissioner, Roger Goodell, & the league's two most powerful owners, Jerry Jones & Robert Kraft, looked down at the spectacle before them. What they saw was the sport's championship game, the Super Bowlnow a de facto national holidaybeing played in a shiny new $2B stadium, home to the first franchise based in Las Vegas, after the league's embrace of nationwide gambling. The moment was over 30 years in the making.As one of Goodell's colleagues said: "Roger doesn't view the other leagues as competition. He wants to be mentioned with Disney and the Vatican, these massive institutions." In Every Day is Sunday, Ken Belson traces the evolution of the league from "one of the four US professional sports," to the superpower it is today. Belson illustrates how the league's rise coincided with the arrival of Jones & Kraft in the early 90's. He provides an inside look on how these two men reshaped the league, taking readers into the secretive owner's meeting, how they decided Goodell was the right man to place as Commissioner, and how the three built, wielded, and held on to their collective power. Perfect for fans of The Dynasty and Big Game, Belson provides a unique peek behind the curtain of how America's favorite sport achieved its statusand how these three men let nothing stand in their way.
Sprache: Englisch
Verlag: WILEY, 2004
Anbieter: Happyfish Books, Meopham, KENT, Vereinigtes Königreich
EUR 118,77
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Good. Zustand des Schutzumschlags: Good. SOME LIGHT EDGE WEAR TO THE DUST WRAPPER. PRICE STICKER ON THE BACK COVER. PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.
Verlag: Twentieth Century-Fox Television, Los Angeles, 1987
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Final Draft script for the fourth episode of the first season of the 1987-1990 television series which aired on Fox Television on April 26, 1987. The script on offer here, noted on the title page as "Prod. No. 5001" with a scheduled air date of "3/6/86," a month before the show would premier, is comprised of three skits, "Like Mother," "Answering Machine," and "The Happy Lady," the first two of which aired on the fourth episode. The third skit in the script, "The Happy Lady," wouldn't air until the seventh episode on May 17, 1987. "The Tracey Ullman Show" was a sketch comedy variety show which aired on Fox Television for four seasons, from 1987 through 1990, and featured the first appearance of the animated Simpson family, later adapted into the longest running scripted primetime series, the beloved animated series,"The Simpsons." The fourth episode of "The Tracey Ullman Show" featured five segments when aired, "Like Mother," "Freeway," "Spontaneity," "Answering Machine," and "Inhale Pink," only two of which ("Like Mother" and "Answering Machine") appear in the script offered here. "Like Mother" features a woman who fears she's turning into her mother. "Answering Machine" features a soft-spoken woman who tries to jazz up her answering machine message with a little music. And "The Happy Lady," the third skit found on the script on offer here, which was aired on the seventh episode, features a very happy woman who makes her hospital roommate miserable. Titled beige wrappers. Title page present, dated FEBRUARY 27, 1987, noted as FINAL DRAFT, with credits for screenwriters Heide Perlman and Ken Estin. 32 leaves, with last page of text numbered 6. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, with light foxing overall, bound with two gold brads.
Verlag: Twentieth Century-Fox Television, Los Angeles, 1988
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Final Draft script for the fourthteenth episode of the third season of the 1987-1990 television series which aired on Fox Television on May 19 1989. Copy belonging Twentieth Century-Fox business affairs executive Larry Jones, with his name in marker on the top of the title page. The script on offer here, noted on the front wrapper and the title page as "Production Script No. 5W13 (36)" with a shooting date on the title page of "10/28/88," is comprised of three skits, "Kay Babysits," "Stress Management," and "Brick House." The first skit, "Kay Babysits," aired on Season Three, Episode 7 on January 15, 1989. "Stress Management" and "Brick House" aired on Season Three, Episode 14. "The Tracey Ullman Show" was a sketch comedy variety show which aired on Fox Television for four seasons, from 1987 through 1990, and featured the first appearance of the animated Simpson family, later adapted into the longest running scripted primetime series, the beloved animated series,"The Simpsons." The fourteenth episode of the third season of "The Tracey Ullman Show" featured four segments when aired, "Stress Management," "Bart's Nightmare," Rudy Visits Omi," and "Brick House" only two of which ("Stress Management" and "Brick House") appear in the script offered here. "Kay Babysits" features the recurring character Kay Clark forced to babysit her boss' daughter. "Stress Management" features the recurring yuppie family taking a stress management class. And "Brick House" features a prudish woman shopping for sexy lingerie. Beige titled wrappers, noted as Production Script No. 5W13 (36). Title page present, dated October 25, 1988, noted as FINAL DRAFT, with credits for screenwriters Jay Kogen, Wallace Wolodarsky, Michael Sardo, Dan Castellaneta, and Deb Lacusta. 32 leaves, with last page of text numbered 30. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads.
Verlag: Twentieth Century-Fox Television, Los Angeles, 1988
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Final Draft script for the an episode of the second season of the 1987-1990 television series. Copy belonging unknown cast or crew member, Alan Duke, with his name in marker on the top of the front wrapper. The script on offer here, noted on the front wrapper and the title page as "Production Script No. 26," with a shooting date on the title page of "1/8/88," is comprised of three skits, "Francesca Alone," "Changing Lanes," and "The Pits." The first skit, "Francesca Alone," aired on Season Two, Episode 18 on March 6, 1988, "Changing Lanes" aired on Season Two, Episode 17 on February 28, 1988, and "The Pits" aired on Season Two, Episode 16 on February 21, 1988. "The Tracey Ullman Show" was a sketch comedy variety show which aired on Fox Television for four seasons, from 1987 through 1990, and featured the first appearance of the animated Simpson family, later adapted into the longest running scripted primetime series, the beloved animated series,"The Simpsons." "Francesca Alone" features the recurring teenage character, +with gay parents, inviting a boy over to their house when her folks are out of town. "Changing Lanes" features world traveler, Samantha, deciding to spend time in the suburbs with her estranged sister and family after learining she has only a few months to live. And "The Pits" features a woman trying to get the attention of her stock broker boyfriend by singing the Isley Brothers' song "Shout." Green titled wrappers, noted as PRODUCTION SCRIPT NO. 26. Title page present, dated January 5, 1987, noted as FINAL DRAFT, with credits for screenwriters Jay Kogen, Wallace Wolodarsky, and Marc Flanagan. 44 leaves, with last page of text numbered 39. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.