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Women in British Romantic Theatre

Catherine Burroughs

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ISBN 10: 0521662249 / ISBN 13: 9780521662246
Verlag: Cambridge University Press, 2000
Gebraucht Zustand: Good Hardcover
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Beschreibung

2000. First Edition. 344 pages. Signed by the author. Black boards with cream dust jacket. Tightly bound bright pages with bright and square text block edge. Authors dedication and signature to the ffep. Bright boards with light edge wear. The dust jacket has light edge wear. The dust jacket is unclipped. Buchnummer des Verkäufers 1438790332JGH

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Bibliografische Details

Titel: Women in British Romantic Theatre

Verlag: Cambridge University Press

Erscheinungsdatum: 2000

Einband: Hardcover

Zustand:Good

Zustand des Schutzumschlags: Dust Jacket Included

Signiert: Signed by Author(s)

Auflage: First Edition.

Art des Buches: book

Über diesen Titel

Inhaltsangabe:

This is the first collection of essays to examine the extraordinary contribution of women playwrights, actors, translators, critics and managers who worked in British theater during the romantic period. Focusing on women well known during their day but neglected for some 150 years, the volume provides a crucial new perspective that revises historical narratives and reflects the rapidly changing terrain of scholarship in the complex field of romantic theater and drama. Eleven specially-commissioned essays by leading scholars explore the role of Elizabeth Inchbald, Joanna Baillie, Sarah Siddons and numerous others.

Review:

"...a rich compendium of essays that expand the conventional parameters of theatrical studies and elaborate the nature of women's conflicted relationship to the art and business of theatre." Canadian Woman Studies

"Burroughs's anthology of essays ... stands as a substantial contribution to a burgeoning field of study." Nineteenth-Century Literature

"Women in British Romantic Theatre offers a consistently high quality of contributions and a clear focus on the questions of performance, genre, and gender. By maintaining the importance of women writers as a category that is politically heterogeneous and historically textured, Burroughs and her contributors shed valuable light on the gender of Romanticism's stage/play distinction without veering into essentialism." The Wordsworth Circle

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