On Wednesday, May 10 ITT and Midtown Manhattan Will Suffer a (Simulated) Saturation Bombing

Verlag: Vietnam Peace Parade Committee New York, NY, 1972

Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker

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[2] pp.; 28 x 21.6 cm; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Stapled press release dated May 9, 1972 announcing "simulated bombs and blood to mark antiwar action on Park Avenue", held on Wednesday, May 10, 1972. Sponsored by War Resisters League, Greenwich Village Peace Center, Vietnam Peace Parade Committee, Emmaus House, Campaign End the Air War, Social Action Committee - Community Church, Women's International League for Peace and Freedom, War Tax Resistance, Vietnam Veterans Against the War, Women's Strike for Peace, and Catholic Peace Fellowship. Theatre groups include the Living Theater, Bread and Puppet Theater, the Open Theater, and the Emma Goldman Brigade. "More than 2.500 anti-war demonstrators staged a 'simulated saturation bombing' in front of the corporate headquarters of International Telephone and Telegraph here, to protest Nixon?s escalation and ITT?s involvement in the Indochina war. In New York, the demonstrators sought to dramatize what happens daily to people in Indochina during the bombing. Thousands of parachutes called 'simulated electronic battlefield sensors' were thrown into the Park avenue area from between 49th and 50th streets from an upper floor of the Warldorf-Astoria Hotel. Such 'sensors' pinpoint U.S. anti-population bombing raids. Tens of thousands of leaflets shaped like the anti-personnel bombs (guava, pineapple, and dragontooth bombs) used in Southeast Asia fluttered down on Park avenue as the sounds of a bombing raid blared from sound effect devices. Each leaflet explained the bomb it represented and its effect on human beings and called upon people to join the protest. Those demonstrators who were 'killed' by the bombing lay down in front of ITT headquarters, blocking traffic. They smeared themselves with ketchup and red-dies to simulate blood. The 'survivors' of the bombing were rounded up by members of the Vietnam Veterans Against the War and placed in 'concentration camps.' The VVAW members carried toy M-16s and had signs attached to their backs reading 'Saigon Police.' The survivors, or 'prisoners of war' were herded into the street in front of the ITT and made to sit." -- Ron Tyson, "2,500 in New York Stage a 'Bombing' Raid at ITT Office," New York Daily World, May 12, 1972. Very Good. Folded into thirds. Staple on top left corner. Clean and unmarked.…

Bestandsnummer des Verkäufers 40122

Bibliografische Details

Titel
On Wednesday, May 10 ITT and Midtown Manhattan Will Suffer a (Simulated) Saturation Bombing
Autor
Lynn Shatzkin, Ralph DiGia, Bread and Puppet Theater, Emma Goldman Brigade
Verlag
Vietnam Peace Parade Committee New York, NY
Erscheinungsjahr
1972

Specific Object / David Platzker

New York, NY, USA

Verkäufer/-in mit 5 Sternen

Verkäufer:in bei ZVAB seit 20. März 2018

Versandkosten innerhalb von USA

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Erster ArtikelEUR 7,57EUR 19,60
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Specific Object is a gallery, bookstore, and think-tank dedicated to art post 1958 - specifically pop, Fluxus, minimal and conceptual - with an interest in the art that informed the 1960s and 1970s, as well as artists whose works organically followed from the era. Specific Object is always interested in purchasing artwork as well as used books, ephemera and other objects of interest. Specific Object works to isolate distinct works of value - historically, monetarily and / or intellectually valuable - and show them in isolated contexts, allowing these works, or objects, their own place, space and time. The material Specific Object presented ranged from artists' publications, ephemera, prints, multiples and other editions to literature, music / audio works and unique artworks of the contemporary world. In November 2004 Specific Object acquired the inventory of Barbara Moore's bookstore Bound & Unbound. Through her bookshops Bound & Unbound and its predecessor Backworks, founded in 1976, Moore has been a seminal and innovative champion of artists working in alternative mediums. From 1998 through 2004 David Platzker was the Executive Director of the non-profit institution Printed Matter, Inc. He is also the co-author, and co-curator - with Elizabeth Wyckoff - of "Hard Pressed: 600 Years of Prints and Process" (International Print Center New York & Hudson Hills Press, 2000); and - with Richard H. Axsom - the book and exhibition entitled "Printed Stuff: Prints, Posters, and Ephemera by Claes Oldenburg : A Catalogue Raisonné 1958-1996" (Madison Art Center & Hudson Hills Press, 1997), which was awarded the George Wittenborn Award for Best Art Publication of 1997 by the Art Libraries Society of North America. He has curated exhibitions of the works of Art & Project, John Baldessari, Marcel Broodthaers, Documenta 5, Conceptual Art, Marcel Duchamp, Donald Judd, John McLaughlin, Bruce Nauman, Oldenburg, Raymond Pettibon, Dieter Roth, and Edward Ruscha in addition to commissioning or curating exhibitions at Printed Matter of Angelblood, Larry Clark, Erin Cosgrove, Meg Cranston, General Idea, Jenny Holzer, Reverend Jen, Allan Kaprow, Yoko Ono, Ryan McGinness, Sonic Youth, Tom Sachs, David Tremlett, Richard Tuttle and the Guerrilla Girls. Platzker was also the host of WPS1.org's Recorded Matter online radio program. Archived programs can be found at www.artonair.org. His writings have been included in Claude Closky: Hello And Welcome, I Love John Giorno, Jonathan Monk: In Relief (My Collection of Sol LeWitt Books - Exact Size, Shape and Occasionally Colour), 2015. From 2013 through 2018 Platzker was Curator of Drawings and Prints at The Museum of Modern Art, New York, where he curated the exhibitions "There Will Never Be Silence: Scoring John Cage's 4'33"" with Jon Hendricks; "Sites of Reason: A Selection of Recent Acquisitions" with Erica Papernik; "Gilbert & George: The Early Years; and Adrian Piper: A Synthesis of Intuitions, 1965 - 2016" with Connie Butler and Christophe Cherix. He authored essays for the catalogues "Yoko Ono: One Woman Show, 1960-1971," "Louise Lawler : Receptions," "Being Modern: Building the Collection of The Museum of Modern Art," and the critical theory volume "Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology" (MoMA Primary Documents). His additional MoMA publications include the vinyl LPs "There Will Never Be Silence," "The Thoughts of Gilbert & George," and "Antonio Dias: The Space Between" as well as the artists' books "Yoko Ono: Grapefruit" and "The Conquest of Space: Atlas for the Use of Artists and the Military" by Marcel Broodthaers. Recent writings also include "A Love Supreme: Charles Gaines and Trees," in "Charles Gaines : Palm Trees and Other Works" (Hauser & Wirth) and "John Baldessari Gets Booked" in "John Baldessari Catalogue Raisonné, Volume Six: 2011 - 2019" (Marian Goodman / Yale Univ. Press). Visit www.specificobject.com for our complete inventory.…

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Pop Art, Contemporary Art, Artists' Books, Multiples, Fluxus, Conceptual Art

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