China and Africa have long shared a history of allegiance and contact points through global political forces from the time of colonialism and the Cold War. With China's rise as the new superpower, its presence in Africa has expanded, leading to significant economic, geopolitical and cultural shifts. While issues such as trade, aid and development have received much attention, Chinese and African encounters through the lens of the visual arts and material culture is a neglected field.
Visualising China in Southern Africa: Biography, Circulation, Transgression is a ground-breaking volume that addresses this deficit through engaging with the work of contemporary African and Chinese artists while analysing broader material production that prefigures the current relationship. The essays are wide-ranging in their analysis of ceramics, photography, painting, etching, sculpture, film, performance, postcards, stamps, installations, political posters, cartoons and architecture.
Visualising China in Southern Africa confines its focus to southern Africa, yet even within this region, the context is complex. Ethnicity and nationalism, the lingering influence of Cold War allegiances and colonial configurations all continue to play a role. The various visual cultures discussed in this volume emphasise the commonality of these categories, but also point towards other shared histories that transcend the nation-state category.
The collection includes scholarly chapters, photo essays, interviews, and artists' personal accounts, organised around four themes: material flows, orientations and transgressions, spatial imaginaries, and biographies. The artists, photographers, filmmakers, curators and collectors in this volume include: Stary Mwaba, Hua Jiming, Anawana Haloba, Gerald Machona, Nobukho Nqaba, Marcus Neustetter, Brett Murray, Diane Victor, William Kentridge, Kristin NG-Yang, Kok Nam, Mark Lewis, the Chinese Camera Club of South Africa, Wu Jing, Henion Han and Shengkai Wu.
Juliette Leeb-du Toit is Research Associate at the Visual Identities in Art and Design Centre, University of Johannesburg, South Africa.
Ruth Simbao is the National Research Foundation SARChI Chair in Geopolitics and the Arts of Africa, and Professor in Art History and Visual Culture at Rhodes University, Makhanda, South Africa.
Ross Anthony is a research fellow at the Department of Modern Foreign Languages at Stellenbosch University. He is the co-editor, with Uta Rupert of Reconfiguring Transregionalisation in the Global South: African-Asian Encounter.
Rui Assubuji is a research associate to the Chair of Visual History & Theory at the Centre for Humanities Research of the University of the Western Cape, South Africa.
Ying Cheng is an assistant professor in the Department of Asian and African Languages and Cultures, at Peking University, China and a research associate with the Arts of Africa and Global Souths research programme at Rhodes University, South Africa.