Unfinished Stories : The Narrative Photography of Hansel Mieth and Marion Palfi. Dieser Artikel ist nicht verfügbar.
Sprache: Englisch
Verlag: Rochester Institute of Technology, RIT Press, 2013
- Softcover
- Gebraucht

Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 13. Oktober 2008
Nicht verfügbar
Softcover
Zustand: Gebraucht - Gut
EUR 15,48
Artikelbeschreibung des Verkäufers
Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Bestandsnummer des Verkäufers 15707879-6
- Titel
- Unfinished Stories : The Narrative Photography of Hansel Mieth and Marion Palfi
- Autor
- Zandy, Janet
- Verlag
- Rochester Institute of Technology, RIT Press
- Erscheinungsjahr
- 2013
- Zustand
- Very Good
- Einband
- Softcover
- Sprache
- Englisch
- ISBN-10
- 1933360763
- ISBN-13
- 9781933360768
- Artikelgewicht
- 1,812 Pfund
- Abmessungen
- N/A
Unfinished Stories presents a parallel study of the lives and narrative photography of Hansel Mieth (1909-1998) and Marion Palfi (1907-1978). Mieth was the second woman staff photographer employed by Life magazine. Palfi'sphoto of Henry Street Settlement kids was the first cover of Ebony magazine. German born émigrés who never met, they constructed remarkably similar photo narratives of unseen America. They were visual storytellers, artists, and citizen-photographers who do not fit easily into contemporary categories of photojournalism or documentary photography. Great risk-takers, they grasped the complexities inherent in representing human beings as individuals, as part of an ethnic, racial or labor group, and as citizens colonized in their own land. They may have photographed the circumstances of alienation, but their themes involved connection, human relationships, and solidarity. Unfinished Stories offers a fresh and theoretically informed eye on representational photography. It forges a place for Hansel Mieth and Marion Palfi in the history of photography and in the history of American race and class struggle.
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