Tyler Hobbs: Order/Disorder (Unit London). Dieser Artikel ist nicht verfügbar.
Sprache: Englisch
Verlag: Hurtwood Press Ltd, 2024
- Hardcover
- Neu

Anbieter: Majestic Books, Hounslow, Vereinigtes KönigreichMajestic Books
Verkäufer/-in mit 4 Sternen
Verkäufer:in bei ZVAB seit 19. Januar 2007
Nicht verfügbar
Hardcover
Zustand: Neu
EUR 53,30
Bestandsnummer des Verkäufers 396956431
- Titel
- Tyler Hobbs: Order/Disorder (Unit London)
- Autor
- Hobbs, Tyler
- Verlag
- Hurtwood Press Ltd
- Erscheinungsjahr
- 2024
- Zustand
- New
- Einband
- Hardcover
- Sprache
- Englisch
- ISBN-10
- 0903696886
- ISBN-13
- 9780903696883
Tyler Hobbs’ debut monograph is one of the first to focus on the work of a generative artist. Order/Disorder contextualizes Hobbs’ ground-breaking art from 2018–2023 and includes works from his 2023 solo exhibitions at Unit, London, and Pace, New York.
Tyler Hobbs’ debut monograph is one of the first to focus on the work of a generative artist. Contextualizing his art from 2018–2023, Order/Disorder includes works from Hobbs’ solo exhibitions at Unit, London, and Pace, New York, in 2023.
Structured around the concept of dualities, the book explores Hobbs’ systematic approaches to art making, the creative relationship between man and machine, computer-led aesthetics, and the interplay of repetition and emergence across long-form generative projects.
Order/Disorder features an interview between Hobbs and Hans Ulrich Obrist, artistic director of the Serpentine Galleries, and an essay by Melanie Lenz, curator of digital art at the Victoria & Albert Museum, alongside texts by the artist that introduce each thematically arranged section of plates.
Tyler Hobbs’ debut monograph is one of the first to focus on the work of a generative artist. Contextualizing his art from 2018–2023, Order/Disorder includes works from Hobbs’ solo exhibitions at Unit, London, and Pace, New York, in 2023.
Structured around the concept of dualities, the book explores Hobbs’ systematic approaches to art making, the creative relationship between man and machine, computer-led aesthetics, and the interplay of repetition and emergence across long-form generative projects.
Order/Disorder features an interview between Hobbs and Hans Ulrich Obrist, artistic director of the Serpentine Galleries, and an essay by Melanie Lenz, curator of digital art at the Victoria & Albert Museum, alongside texts by the artist that introduce each thematically arranged section of plates.
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Über die Autorin bzw. den Autor
Tyler Hobbs (b. 1987) is a visual artist from Austin, Texas. His work focuses on computational aesthetics, how they are shaped by the biases of modern computer hardware and software, and how they relate to and interact with the natural world around us. Hobbs’ project Fidenza, a series of 999 algorithmically generated works, is one of the most sought-after fine-art NFT collections of all time. His solo exhibitions include Mechanical Hand (2023) at Unit, London, UK; QQL: Analogs (2023) at Pace, New York; Incomplete Control (2021) at Bright Moments, New York; and Progress (2018) at Galería Dos Topos, León, Mexico.
Tyler Hobbs (b. 1987) is a visual artist from Austin, Texas. His work focuses on computational aesthetics, how they are shaped by the biases of modern computer hardware and software, and how they relate to and interact with the natural world around us. Hobbs' project Fidenza, a series of 999 algorithmically generated works, is one of the most sought-after fine-art NFT collections of all time. His solo exhibitions include Mechanical Hand (2023) at Unit, London, UK; QQL: Analogs (2023) at Pace, New York; Incomplete Control (2021) at Bright Moments, New York; and Progress (2018) at Galería Dos Topos, León, Mexico.
Tyler Hobbs (b. 1987) is a visual artist from Austin, Texas. His work focuses on computational aesthetics, how they are shaped by the biases of modern computer hardware and software, and how they relate to and interact with the natural world around us. Hobbs' project Fidenza, a series of 999 algorithmically generated works, is one of the most sought-after fine-art NFT collections of all time. His solo exhibitions include Mechanical Hand (2023) at Unit, London, UK; QQL: Analogs (2023) at Pace, New York; Incomplete Control (2021) at Bright Moments, New York; and Progress (2018) at Galería Dos Topos, León, Mexico.
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